Fast internet is still wishful thinking in many rural regions of Germany. The country is known for impeding innovation and flexibility with excessive bureaucracy. On one hand, there are concerns about data security and privacy when it comes to digital solutions. On the other hand, there is a lack of suitable measures to ensure the security of citizens’ data. Furthermore, digital education is still given insufficient importance. If Germany wants to maintain its position as a leading economic nation in the digital age, it still has a lot to do.

This poster is a call to action: Don’t look away. Don’t stay silent. Get involved. Getting involved doesn’t mean having perfect answers—it means taking a stand. Asking questions. Standing up. Raising your voice, even if it trembles. Don’t be intimidated. Get involved. Because silence is not an option.

We like to blame others, but… Everyone else is poisoning the environment, but… I’m not going to stop flying log distance, drinking from plastic cups, or get rid of my car. (It’s often the right-wing that loves to place the blame on others, and get offended when their own hypocrisy is unmasked).

If one visits an art exhibition in 2023, one gets the impression that the majority of visitors spend their time creating a reproduction of the work with their smartphone or camera.
According to a study, visitors spend an average of 27 seconds in front of a work of art. But seeing a work of art, understanding, reflecting on it, and appreciating all the sensory perceptions that only the immediate experience can provide takes time.

Take your Time.
It’s worth it.

This poster brings visibility to what the world often tries to hide: homelessness, slums, and favelas. Thousands of such places exist worldwide—pushed to the margins of society.
I used bold colors and layered compositions to symbolize cramped, overcrowded living. The limited poster size reflects the lack of space; overlapping rectangles mark the tiny areas people are forced to live in. The scattered typography represents people in motion—searching for stability and believing in a sustainable future. This work is a call to look closer—because behind every makeshift home, there is a human being.

Wrestling belongs to the Olympic Games, as the rings to the Olympic symbol.

The poster could either criticize companies that aim to target new audiences with hypocritical promises and enhance their brand image, or it could represent an actual advertising campaign by Company XY, targeting the ‘Climate Warriors’ demographic. But following through with actions that match the beautiful words is not as important, especially if those words have already achieved the desired effect.

Do what you want, devil may care, other people are none of my business.

Every day we have to make many decisions of varying importance. Thanks to e-mail and social media, we are flooded with information and a multitude of more choices. So how can we make the best decision? Do we have the courage to commit ourselves to a decision? Or should we postpone, or even just ignore it? Perhaps with a self-justification that ‘maybe’ a better choice may present itself in the future? This solution seems simple enough for us but yields no added value to the people affected, or does it? For my part I can say that it even pisses me off major league. A ‘maybe’ in itself is not evil and often essential. But it has mutated into a state of mind and a justification towards inaction. Beyond a doubt, this is dangerous. So snap out of lethargy and indifference, make a stand for things that matter and start committing yourselves to your convictions.

After hatching, a small, innocent creature looks expectantly on his future life.
It has no idea how cruel his short existence will be, before it ends at a fast food restaurant.

Do you really want to live in a surveillance state, giving up your privacy and freedom for pretended temporary security?

The increased CO2 emissions threaten the whole world. The graphic combination of globe and the chemical formula for CO2 is understood all over the world – by perpetrators and victims.

When the guards put her suitcase through a scanner, they detected the boy curled up inside. Border officers detained the woman and, later, the child’s father at the same border crossing. The woman is married to the child’s father. A photograph taken of the scanners screen was distributed via the Associated Press and used to communicate the matter internationally. The section of the photograph containing the image of the boy was extracted, realigned, the brightness and contrast was adjusted and a color halftone filter applied.

Donald and I designed this poster together. He is a big fan of my work. We did a tremendous job. Tremendous. The design is really great. We made graphic design great again. Afterwards we played some Golf and ate Chocolate cake. It was a beautiful piece of chocolate cake, I can tell you that.

“Libertas, Securitas, Justitia” lautet das Motto der EU-Grenzschutzagentur Frontex.
Ihre Einsätze im Mittelmeerraum sind völkerrechtlich bedenklich und reduzieren dieses Motto auf einen einzigen Begriff:
Sicherheit um jeden Preis.

Flourishing of social media has led to the global shift in how we perceive privacy. Being normalized in everyday life, constant violations of confidentiality make us wonder where is the boundary which separates private from public. In this whirlpool of doubt and caution, everywhere and all the time we feel persistent presence of someone else. Someone who is watching.

Violence generates violence, how do we stop this circulation of aggression? A man beats his wife, the son is watching, the boy grows up and now he is beating his own wife, his child is watching…the circle will repeat. We need to stop this creation of violence. It circulates shamelessly in every part of our lives. It is everywhere: in our home, school, university, workplace, on the streets, in media, movies and we cannot find a perfect solution to reduce violent crime – because the solution doesn‘t exist.

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The use of national symbols — a tradition in need for improvement.

Residential and commercial space has become a rare and expensive thing in cities. To achieve sustainable urban development one must properly handle resources, and this includes existing buildings. This is not a rational or social issue per say, but more a question of creating a space for fresh impulses. With the right amount of commitment, dedication and active involvement, we can create attractive new forms of utilization.

We must raise awareness of vacancy within the population of our cities, and this poster is designed to just that. The main message is aimed to make the issue up close and personal, by addressing us directly. The poster mourns the state of affairs, pressing us to change something about it.

Concerns profit, people lose.

The idea of the poster is to represent freedom of movement.

The “Zeitgeist” poster was created in response to the news headlines from several online newspapers one day in October 2017. When scrolling through news portal sites, the discrepancy between positive and negative, important and unimportant news is incredibly large. On some days, this rapid change of moods causes discomfort. On other days, it triggers a state of indifference.

Ai Weiwei ist nicht nur ein kritischer Künstler, sondern in erster Linie ein Mensch. Wie kann es sein, dass ein Mensch ohne Anklage von einem Tag auf den Anderen von seiner Regierung verhaftet bzw. entführt wird? Warum erfahren wir nichts über seinen Aufenthaltsort? Warum werden fadenscheinige Gründe für seine Verhaftung angeführt? Mit meiner Arbeit möchte ich auf Willkür und Zensur gegenüber kritischen Menschen in China aufmerksam machen.

The cloud is my friend. The world is a window.
A click-swipe-zoom-quit-shift-finger is my body.
It’s the pink glow I am longing for when I press BUY.

In average, women are paid 22% less than men. The paper used for the poster is a German wage slip, the rest speaks for itself.

Censorship limits human rights and freedoms—and leads to self-censorship born of fear.

Unter Verwendung eines heute doppeldeutig klingenden Meisner-Zitates aus den jährlichen Soldatengottesdiensten im Kölner Dom wird die Sakralisierung des modernen Kriegsapparates und zugleich die sexualisierte Gewalt in der Kirche ins Bild gesetzt. Erst ein genauer Blick – etwa auf den Verlauf der Soutanenknöpfe – erschließt die Abgründe der Bildmitte. Der priesterliche Amtsträger selbst ist gesichtslos, auf dem Hintergrund der liturgischen Farbe der Bußzeit dominiert ein Schwarz ohne Zukunft.