Anna Woelke

Go west go waste

Sei westlich – Sei verschwenderisch! 
Der gedankenlose Umgang mit unserem Essen ist nicht nur ein aktueller Trend, sondern hat eine lange Tradition in unseren Breitengraden. Bereits im Barockzeitalter wurden die Menschen durch die Lebensmittelsymbolik in sogenannten »Vanitas-Stilleben« ermahnt, ihre Essensgelüste zu mäßigen. An jener Maßlosigkeit hat sich aber nicht viel geändert. Wir leben heute in einem wahren Schlaraffenland: Eine Auswahl in XXL, 24/7 verfügbar, das Beste, das Neuste, immer frisch, immer billig. Und was wir nicht aufessen können, das schmeissen wir halt weg.

Germany
2011

Yao Cui

Bombing is not justice!

The application of military drones has greatly reduced the risks and costs of bombing. For certain political authorities and interests, the new technology provides the convenience to harm innocent civilians in the name of justice. Facing violent tactics like bombing, the figure of the picture is howling from the bottom of his heart: NO!

China
2021

Benedikt Wienerroither

Angry at…

In the context of creation, this poster is about me: I’m angry at myself—angry that I’m not more angry at myself. But in the context of presentation, this anger turns on you. I’m angry at you for not being angry enough at yourself. And I’m probably angry at you now because you might not understand the concept behind this poster. We direct our anger outward, forgetting how hypocritical and unreflective that really is. It’s incredibly easy to point fingers at others instead of turning that anger inward. Ironically, this poster does exactly that.

Austria
2025

Mado Klümper

Putinocchio

The character of Pinocchio, known for lying and making up stories, projected onto the Russian president Vladimir Putin.
A personality, who manages to betray the whole world. One significant example is the current crisis in the Ukraine.
A deceitful and seemingly cooperative attitude can sometimes be more violent than visible open brutality.

Germany
2014

Dennis Fechner

Poster to increase the voter participation

The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

Germany
2018

Elisabeth Articus

Egg steals Data

Data theft on the Internet.

Germany
2015

Julien Joliat

Pandemic

Love life, stop fanaticism.

Switzerland
2012

Rebecca Metz

Monopoliving

Life in cities has become a question of financial status over recent years. Rent and property prices have increased way faster than wages have. At the same time new spaces are only scarcely created. More and more people are struggling to find an adequate place to live and this fact is further creating social divide. This is a real problem of our times.

Germany
2019

Tina Koepf, Nicole Kanschat, Sophia Goetschl

Rückgrat

Unsere Arbeit lässt sich schnell beschreiben: Dinge, die wir scheiße finden. Und die mussten einfach mal gesagt werden.
Da Wut in der Regel subjektiv ist haben wir Wörter aus unserem Sprachgebrauch, hauptsächlich Eigenkreationen, verwendet. Die verschobene Optik und die Farbigkeit unterstützen diesen Ansatz und machen agressiv/unruhig, wenn man das Plakat länger ansieht.

Germany
2011

Peer Hempel

Scataract

Right-wing populist parties in Europe have been gaining strength for years. Simple answers to complex questions turn them into stars of the modern age. This poster is an appeal: Don’t trust anyone blindly!

Germany
2019

Toan Vu-Huu

Limp Silence

Limp silence is a critique on the Vaticans silence on the child abuses in churches which were/are happening all over the world.

France
2019

Mario Moths 

#•••––•••

Tens of thousands of refugees are on their dangerous journey across the Mediterranean Sea to Europe. In recent years, the number of »boat people« has increased drastically, and with it the number of drowned refugees. The »SOS« sign on the horizon of the Mediterranean Sea is a call for help and a bearer for hope at the same time and requires support.

Germany
2015

Leonie Brandmüller

Bubbles

Social media keeps feeding us new content. Algorithms filter and reinforce existing opinions. We are in an information bubble that we cannot escape.

Germany
2021

Henrik Tersteegen

»Modus Operandi«

The capitalistic exploitation logic steers us increasingly destructive to the abyss of self-destruction. Modern human beings remain in an attitude of passive endurance and seemingly comfortable self-deception, when the alternative would be a necessary revolution. We remain calm as Hindu cows and operate business as usual.

Germany
2015

Julius Voigtländer

Moderate Rebels

This quick sketch (originally drawn on a sticky note) is an ironical approach to clarify the paradox and misleading term “moderate rebels“. A disguised person sits in front of a TV. Holding a rifle in one hand and a TV remote in the other one. This guy does not seem to be in the mood for a rebellion. His dullness is emphasized by the words „Heute kein Bock!“ (engl. “Not Today!“).

Germany
2017

Elias Riedmann

fencEU

Since the landroute across Balkans is closed dying in the Mediterranean Sea continues.

Austria
2016

Michelle Müntener

Polished Image

The poster could either criticize companies that aim to target new audiences with hypocritical promises and enhance their brand image, or it could represent an actual advertising campaign by Company XY, targeting the ‘Climate Warriors’ demographic. But following through with actions that match the beautiful words is not as important, especially if those words have already achieved the desired effect.

Switzerland
2023

Melk Imboden

Gulf

Switzerland
2010

Niklaus Troxler

Tax evasion to Switzerland

In the last few years the issue of „ tax evasion“ became a central topic in German media. On my poster text 2 letters are missing: CH – the abbreviation for Switzerland.

Switzerland
2013

Sandra Loser

Rape

Daily, throughout the whole world, not only in India, there are crime scenes of brutal rapes.
My work calls for the observer to reflect, but still gives them the freedom to imagine the extent of the serious injuries of a rape victim.
At the same time the ever increasing red tones – the strongest being the word “rape” visualizes the damage which is irreparable.

Switzerland
2013

Vanessa Göttle

Photo with Dad

men cry,
women masturbate,
men can use makeup,
women age,
men can wear dresses,
women must not want children,
men are vulnerable,
women can get violent,
men can love men,
women can love women,
men can like pink,
women can have body hair,
men don’t have to be muscular,
women don’t have to be thin,
men don’t have to love sex,
women can be good bosses

Germany
2021

Michael Allocca

Standby Fukushima

Die Katastrophe für Mensch und Natur in Japan ist nur wenige Monate alt, aber medial weitestgehend schon wieder vergessen. Das Plakat soll uns das Schicksal und die noch ungeklärten folgen für Mensch und Natur wieder ins gedächtniss rufen. Zugleich weißt das Plakat auch darauf hin, das die atomare Katastrophe in fukushima nicht behoben quasi nicht “abgeschaltet” ist.

Germany
2011

Michał Stachacz

Mental Health

Mental health is hard work and constant effort. Never give that up. Keep well!

Poland
2023

Viviane Brücker

“When I grow up, I’m going to be a chicken nugget!“

After hatching, a small, innocent creature looks expectantly on his future life.
It has no idea how cruel his short existence will be, before it ends at a fast food restaurant.

Germany
2014

Mehdi Pourian

Capitalism

As a graphic designer the basis of my art-work is often world issues that bother me. Recession is one of these matters for which I designed my poster titled Capitalism. Colorful hats are metaphors of a Capitalist society which invisibly deceives its members and as a result, economic pressure is born. The culture industry produces the cultural commodity which is the sale of similar mass produced goods. This industry produces these products based on the human perception of life. The net result is anti-enlightenment or public manipulation to ensure and limit independent thought, thinking, and judgment. All this is achieved by the culture industry while making the masses believe that this is new and exactly what they’re looking for. The result forces the public to conform to the system and capitalism at large and prevents critical thinking.

Canada
2012

Felix Kosok

Just A Game

Unerringly like a striker is chasing the ball, the big business that is the driving force behind world’s soccer is hit by one scandal after the other. But time and time again there is only the yellow penalty card for the ones responsible. The spectators as well as the players are to tacit complicity. It’s time for a dismissal!

Germany
2016

Maryam Azad

No Description!

This poster is about freedom of speech.
It is the inalienable right of every human being who is denied of his in some countries.
The dove with beak tied is the metaphor of man under pressure that he could not express his opinions freely.

Iran
2011

Yves Haltner

World Champion

The soccer World Cup ist becoming increasingly tainted by all the scandals, leaving the real celebration in the shadows. The champion are tose with wealth, who play with the world – not the ball.

Germany
2018

Jiang Yinggui

What do we need?

What we need is the Statue of Liberty or the same God like Chairman Mao! What do we really need: Freedom? Democracy? Or a common culture of the world? I combined the Chinese and Western symbols to express the embarrassment of a reality show that brings all the confusion of the cultural differences.

China
2012

Payam Abdolsamadi

United colors of iranian women

Iranian women are forced to wear veil which should be cover the hair and body. When a person doesn’t have minimum of liberty to choose her dress, how could she be a dynamic person?This person with a such a black background couldn’t be effective in the social,economical,political,arenas of her life.But our Iranian women don’t desist from the struggle-our coloured revolution fight without violence.

Finland
2011