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This poster deals with the way we depict ourselves on social media. It exaggerates the idea of losing oneself when not online.

The symbols are relative. Different functions can be named depending on where and how they are used. Sometimes a symbol has no meaning to someone. In the same way, concepts are relative too. Sometimes they’re not even concepts, they’re only words. Such as “Peace”.

The self-determined message communicates a clear statement for the emancipation of girls and women. The childlike style of handwriting expresses that we learn the view of female and male gender roles at an early age. Therefore, the foundation of future equality and equal opportunities can be set at an early stage in life.

A person is noticibly nervous and even frightened by what reveals itself on the table after the package is opened – the person is frightened so much that he or she almost does not dare to look at it.

My idea deals with the individual and his or her fear and unwillingness to accept personal responsibility for the (often brutal) truth in his or her own life. The opportunity to bear this responsibility reveals itself not only in difficult situations but also in seemingly trivial ones. I believe that avoiding your responsibility for the truth has severe individual and global consequences.

Discount priced weekend or shopping trips via airplane have become part of life in Europe, but this is very bad for the climate. This hasn’t stopped us from flying more and more year after year. If the prices stay this low, the price we all must pay will be enormous.

The focus of my poster is beauty and how we deal with wild, urban nature, which flourishes in locations that are heavily influenced by humans (wasteland, old industrial areas). This so-called 4th nature does not fit into our classic concept of beauty due to its rampant and unadorned aesthetics and is often not given much attention. Nonetheless its heterogeneity enables one great biodiversity in urban areas and creates the opportunity to experience wild nature close to city-centers. However, these areas mostly only exist temporarily, as they fall victim to new construction projects in the course of urbanization and densification.

Three-quarters of all suicides are committed by men. This poster references the symbol of Mars—a circle with an arrow pointing diagonally upwards, used to represent masculinity. Here, the arrow also marks the entry point of a bullet.

With our Devices we are just one click lick away from the Instant gratification,  the problem is we are trapped in this loop. Be Independent, Be the Change.

Light, symbolizing life, happiness, hope, justice and sacredness, conveys the most glorious and spectacular impression to mankind. While it has a guiding role, it can also cause the instinctive excitement and joy of all things of life. But we are at home with mobile phones in our hands, so where is the hope of mankind now? Where does this light lead us? Maybe in the next generation.

Ein Zitat von Paul Ernst scheint mir ganz passend für mein Plakatmotiv zu sein. “Hass erzeugt Hass, aber nie will der Hass sich nach dieser Wahrheit richten. Wie man selbst seinen Mitmenschen begegnet, so begegnen diese einem selbst. Das ist die zentrale Aussage des Plakats.

March 8th is International Working Women’s Day. On this day the woman can feel as the big boss of the family. I wanted to create a humorous illustration to express the way that women stand tall for change.

This poster is a call to action: Don’t look away. Don’t stay silent. Get involved. Getting involved doesn’t mean having perfect answers—it means taking a stand. Asking questions. Standing up. Raising your voice, even if it trembles. Don’t be intimidated. Get involved. Because silence is not an option.

The trowel is a tool for building. By connecting it with the symbol of the good — of love — we gain the strength of a powerful message.
Building the good is both incredibly simple and incredibly hard. But I believe that only through this act — through building the good — can we remain human in the truest, most humanistic sense.

As a graphic designer the basis of my art-work is often world issues that bother me. Recession is one of these matters for which I designed my poster titled Capitalism. Colorful hats are metaphors of a Capitalist society which invisibly deceives its members and as a result, economic pressure is born. The culture industry produces the cultural commodity which is the sale of similar mass produced goods. This industry produces these products based on the human perception of life. The net result is anti-enlightenment or public manipulation to ensure and limit independent thought, thinking, and judgment. All this is achieved by the culture industry while making the masses believe that this is new and exactly what they’re looking for. The result forces the public to conform to the system and capitalism at large and prevents critical thinking.

The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

Nuclear disaster contaminates many food such as milk, mushrooms, fish, vegetables, meats, fruits, rice, tea and etc. Once it happens, it will make the nature continue to be contaminated because of long half-lives of radioactive materials (those of Sr-90 and Cs-137 are about 30 years). Unstable damaged Fukushima nuclear power plants still emit radioactive materials to the environment. I live in Tokyo, and like many other people I have had fears for invisible radiation since last year, which was often invoked when I thought what to eat. I have expressed in this poster what I have felt in this pessimistic daily life. Nuclear power is very destructive to both the nature and our lives.

It is the second largest continent of the world. More than 1.000.000.000 people live here, spread over 54 different countries. Its territory covers about 30.200.000 km² and is split up into 6 time zones. More than 2000 languages are spoken on this continent. But still, over and over again, we only talk about “Africa”.

Die Katastrophe für Mensch und Natur in Japan ist nur wenige Monate alt, aber medial weitestgehend schon wieder vergessen. Das Plakat soll uns das Schicksal und die noch ungeklärten folgen für Mensch und Natur wieder ins gedächtniss rufen. Zugleich weißt das Plakat auch darauf hin, das die atomare Katastrophe in fukushima nicht behoben quasi nicht “abgeschaltet” ist.

The dangerous demagogy of Donald Trump

Over cutting of human beings will eventually lead to the disappearance of forests.

The German government plans massive cuts to the federal budget to comply with the “debt brake.” Of all sectors, culture is hit especially hard. These austerity measures will leave significant gaps—many cultural institutions fear for their very existence.
Yet art and culture are essential for a diverse and open society.

The aim of the poster is to raise awareness about the risks of one of the most commonly used digital tools. This risk is caused by the lack of information about data security. Even people with a higher knowledge, the security of digital security is ignored. At some point, a multitude of users seem to be through user-friendly design. By rearranging the letters of the original, the design has been configured to give an erroneous view in a certain way to an observer – a warning sign that a irresponsible collection of data can be used in a dangerous way, especially for minorities.

These days the meaning of help is changing in social and political fields. So you cannot rely on people. When you ask someone for help, you will often not get help without giving something in return. People want to achieve their own targets with their help or harm you.

A dead leaf in the shape of South America and the holes in the leaf represent the deforestation in the Amazon rainforest.

Switzerland should open their boarders for refugees. In small letter „s.v.p.“ means in French „s’il-vous-plaît“, in English „please“. But in capitol letters, SVP stays for the Swiss right wing party SVP (Swiss Popular Party), who is against all immigration of refugees.

The end of an era narrated through the fall of a vincible superhero.
An icon of the 20th century showing his visual strength for the last time before the crash.
A logo immortalized in the moment, this means changes.

Do what you want, devil may care, other people are none of my business.

„Wutbürger“ wurde zum Wort des Jahres 2010 gewählt. Mein Plakat gibt den Passanten nun die Möglichkeit, selbst zu einem zu werden und ihre eigene Meinung öffentlich zu machen. Nur Mut!