Although we are all aware of the excessive pollution that we face in urban areas, we have, so far, been unable to find a solution for our rising problem. That being said, we seem to be okay with the current situation, as if pollution has become a part of our everyday livelihood and with every breath it consumes us even more.

Karl Marx analyzed that the capitalist mode of production is driven by greed and creates injustice. Capitalists never learned their lesson.

This poster is a call to action: Don’t look away. Don’t stay silent. Get involved. Getting involved doesn’t mean having perfect answers—it means taking a stand. Asking questions. Standing up. Raising your voice, even if it trembles. Don’t be intimidated. Get involved. Because silence is not an option.

Like the fish in the water we are in our safe and peaceful environment. The feeling of helplessness turns us into passive observers.

We’re living in the times when social norms are being reconsidered and broadened, which is amazing and promising. However, when I was reading articles about the widening definition of normal, I was thinking that there would always be individuals who wouldn’t fit into the new normal paradigm. I believe there is a catch in this discussion, by defining normal we are also highlighting our differences. So, the idea of this poster was to show that not belonging could be an incredible experience, too, and there was nothing abnormal with not being normal. The poster is a bit ironical, as the creature is setting its own tail on fire (or biting it, the interpretation is up to the viewers). The poster was hand-drawn with acrylic on paper.

A person is noticibly nervous and even frightened by what reveals itself on the table after the package is opened – the person is frightened so much that he or she almost does not dare to look at it.

My idea deals with the individual and his or her fear and unwillingness to accept personal responsibility for the (often brutal) truth in his or her own life. The opportunity to bear this responsibility reveals itself not only in difficult situations but also in seemingly trivial ones. I believe that avoiding your responsibility for the truth has severe individual and global consequences.

Lights off. Body twisted. One eye shut.
The nightly ritual begins.
Hours pass in silence, screen aglow—
until the spine curls, the neck stiffens,
and the eyes slowly forget how to look straight.
Not blind.
Just… committed to a different angle.

 Say something truthful Donald, your nose is getting awfully long…

The Poster has two levels of meaning:
A direct one – when the poster – surrounded by advertising messages – sticks on a billboard.
And an epistemological one – on the critical definition of the objectivity of the »Radical Constructivism«.
But a good poster explains itself.

In 2015, women in the United States were paid roughly 79¢ for every dollar men were. While this image depicts one regional statistic, the broader objective is to call attention to the myriad injustices faced predominantly by women in the workforce. In addition to unequal pay, issues like sexual harassment, biased dress codes, and lack of paid and/or adequate family leave continue to plague workers throughout much of the world.

The trowel is a tool for building. By connecting it with the symbol of the good — of love — we gain the strength of a powerful message.
Building the good is both incredibly simple and incredibly hard. But I believe that only through this act — through building the good — can we remain human in the truest, most humanistic sense.

The poster design is inspired by “gravity”. The bullets fired by terrorists fly around the earth under the action of gravity, and finally hit themselves, so as to reflect the war starting from evil, and finally It’s still me who eats back.

Many Internet, Facebook and Twitter users are reckless and irresponsible with their personal data. The consequences are often devastating.

As a graphic designer the basis of my art-work is often world issues that bother me. Recession is one of these matters for which I designed my poster titled Capitalism. Colorful hats are metaphors of a Capitalist society which invisibly deceives its members and as a result, economic pressure is born. The culture industry produces the cultural commodity which is the sale of similar mass produced goods. This industry produces these products based on the human perception of life. The net result is anti-enlightenment or public manipulation to ensure and limit independent thought, thinking, and judgment. All this is achieved by the culture industry while making the masses believe that this is new and exactly what they’re looking for. The result forces the public to conform to the system and capitalism at large and prevents critical thinking.

“Libertas, Securitas, Justitia” lautet das Motto der EU-Grenzschutzagentur Frontex.
Ihre Einsätze im Mittelmeerraum sind völkerrechtlich bedenklich und reduzieren dieses Motto auf einen einzigen Begriff:
Sicherheit um jeden Preis.

This poster is a quick reminder in the name of reality.
Lift your head and cross the thin line between screen life and real life. You won’t regret it.

The idea was to show a positive expression of showing one’s teeth, because it needs courage to do so. Have you ever blunt your teeth on trying to achieve something? Mostly, it’s worth the effort.

Over cutting of human beings will eventually lead to the disappearance of forests.

The specter of plastic pollution is everywhere – like the cry of a human soul trapped in a world choked by plastic bags.

National and international turmoil has divided our political landscape and given way to right-wing parties. We must band together to create positive change!

The vulgar face and ways of Donald Trump are so ugly to watch and experience, there must be some way to make him shut up. His politics and attitude are brainless and empty.
He is a puppet of big industry. The only face that might look as hollow as Trump is the face of a rubber-sex-doll.

This artwork uses the form of traditional Chinese ink painting to depict grapes made from grenades and barbed wire—symbolizing how the consequences of war bring only suffering and sorrow, like bitter fruit. This sharply contrasts the sweetness usually associated with grapes, merging two opposite sensations into one. It invites the viewer to “taste the bitter fruit of war”—a plea for peace and the avoidance of conflict.

With my piece, I wanted to make a layout that could give a distant feeling of what it’s like to suffer from the disease. As a visual realization, especially in background with the contest for Mut zur Wut, I was looking for a way to bring the topic to an understandable point and with the help of which you can put yourself a little bit into the depressive state. My experiences with depression have led me to make a personal contribution to this topic. On the one hand, I wanted to tell those affected that they are not alone with their feelings and to give people who find it difficult to put themselves in this position a visual clue: Look, the world is hidden behind it (or a good poster;-), but it is not available to you. Be brave! Talk about it.

Censorship limits human rights and freedoms—and leads to self-censorship born of fear.

The old saying »throwing the baby out with the bath water« describes situations in which we take much too drastic actions than necessary.

Ein Zitat von Paul Ernst scheint mir ganz passend für mein Plakatmotiv zu sein. “Hass erzeugt Hass, aber nie will der Hass sich nach dieser Wahrheit richten. Wie man selbst seinen Mitmenschen begegnet, so begegnen diese einem selbst. Das ist die zentrale Aussage des Plakats.

Language is evolving: a visual statement for diversity and inclusion. In German, symbols like *, :, or · are increasingly used to mark gender-inclusive language. In this work, they replace vowels—making linguistic change boldly visible.

This poster is a commentary on the condition of the modern human. We are so very virtual.

How normal is the norm, and since when? Being sure of something and completely ignoring the fact seems to have become an everyday thing in these time.