Behind an invisible, yet strong curtain, anything seems possible.  Apparently.

We create our own world.
Our little universe.
A world of self-centered individualists.

Language is evolving: a visual statement for diversity and inclusion. In German, symbols like *, :, or · are increasingly used to mark gender-inclusive language. In this work, they replace vowels—making linguistic change boldly visible.

Do you really want to live in a surveillance state, giving up your privacy and freedom for pretended temporary security?

Women earn less for the same work and the same qualifications.
Women are sexualized in the media and in everyday life.
Women mostly take care of children or the sick without being paid.
Women are more often affected by poverty in old age.
Women experience sexualized and/or domestic violence more often.
Women still do not have the same rights as men.
Women are less represented in politics and leadership positions.

In order to change something, equal rights are needed.

Therefore — men — make some space!

This poster was made to denounce the concept of corruption. It is a personal vision on monopolistic practices, an analogy between industry and the monarchy where there is a single leader.

This poster is meant to visualize typical migraine pain.

Disturbances of the visual field (flickering before the eyes, flashes of light, blurred vision) are very common. Aside from this speech problems can occur. This is caused by disturbed signal transmission in the brain. Like an electric pulse a wave of disturbance is shot from a single across the cerebral cortex.

The letters M-I-G-R-A-I-N-E are reconstructed to create cuts, doublings and displacements. This is meant to recreate the feeling of migraine attack for anyone looking at the poster.

The concept of the poster was inspired by the philosophy of the absurd — the compulsive search for meaning where there is none. As we vainly seek wholeness, the elements of our reality are abstracted into smaller and smaller parts, until they become pervasive noise. The more we try to make sense of it, the more it becomes unintelligible. And yet, we try.

This poster shows the dependence of teens and young adults to social media. Services such as Facebook, Twitter und Co. have become an addiction, and seem to be increasingly seen as a requirement to live our lives.

The old saying »throwing the baby out with the bath water« describes situations in which we take much too drastic actions than necessary.

Fake news is being a puppet of an unkown.

An idea about forced marriage, sexual slavery and gender domination.

My poster represent the fear that children feels when they are abused from their own fathers. The poster is like the shoe of the father when he is coming home and at the same time is like the door of the home with the afraid eyes of the child.

Populists are increasing throughout the Europe from different parties. Their success is symptomatic of the weakness of European political parties and party systems.

My poster depicts military equipment as toy models. Politicians, seated comfortably in safe places, eating lavish meals, decide the fate of others — treating war and the deaths of innocent people like a game. This work is a protest against that kind of leadership.

Fast internet is still wishful thinking in many rural regions of Germany. The country is known for impeding innovation and flexibility with excessive bureaucracy. On one hand, there are concerns about data security and privacy when it comes to digital solutions. On the other hand, there is a lack of suitable measures to ensure the security of citizens’ data. Furthermore, digital education is still given insufficient importance. If Germany wants to maintain its position as a leading economic nation in the digital age, it still has a lot to do.

October 7, 2023: Another chapter in decades of genocide.
In 1947, the United Nations proposed the partition of Palestine into two states: one Arab, one Jewish. According to the plan, 44% of the land was to go to 1.3 million Palestinians, while 600,000 Jews would receive 55%. This would have made Palestinians a minority in their own homeland. The two states were to be economically connected, but the Arab state and Palestinian leadership rejected the plan. It was never implemented.
Israel was founded, and war broke out. To this day, Palestinians are being displaced from their towns and villages.

A poster, on a wall, in a city somewhere. A JPG, embedded on a website, somewhere online. A chance encounter – or predestined by the mathematic codes that create our personalized worlds on facebook, google and so forth?

This artwork uses the form of traditional Chinese ink painting to depict grapes made from grenades and barbed wire—symbolizing how the consequences of war bring only suffering and sorrow, like bitter fruit. This sharply contrasts the sweetness usually associated with grapes, merging two opposite sensations into one. It invites the viewer to “taste the bitter fruit of war”—a plea for peace and the avoidance of conflict.

This poster is a quick reminder in the name of reality.
Lift your head and cross the thin line between screen life and real life. You won’t regret it.

Global disaster made by mankind.

This poster highlights the privilege and advantage some people are born with. Dice are the ultimate symbol of chance—once thrown, no one can control the outcome, and it seems like everyone has equal odds. But in reality, some people play with better odds than others—without merit, effort, or achievement.

Posters are made to transport certain information. Nowadays the free or politically motivated posters are decreasing. What we are left with are rejoicing advertisements and cheap ampaign slogans. My poster deals with this subject matter. Ambiguously arranged typography prompts to leave the everyday comfort zone behind and begin to challenge the information and pictures we are fed.

“Fisches Nachtgesang” poem by Christian Morgenstern

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⌣   ⌣   ⌣   ⌣

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⌣   ⌣   ⌣   ⌣

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When you are working in the creative industry for example, you probably love what you do. Being busy with your work all the time seems almost natural. The Poster is a little reminder that there are still other worlds you can enter.

One of Yoko Ono’s tips for self-care: Look at a screen and record its feelings. Stop working when the earth or the laptop gets too hot.

Complexions are just colour fields, why would you get irritated by them? Why would you even segregate them or be hostile to them? Who decides from which colour field someone belongs to the good ones or the bad ones?
It is necessary to stop the segregation and bring those colours back together.

The aim of the poster is to raise awareness about the risks of one of the most commonly used digital tools. This risk is caused by the lack of information about data security. Even people with a higher knowledge, the security of digital security is ignored. At some point, a multitude of users seem to be through user-friendly design. By rearranging the letters of the original, the design has been configured to give an erroneous view in a certain way to an observer – a warning sign that a irresponsible collection of data can be used in a dangerous way, especially for minorities.

A poster dealing with the rising brutality of the police force.

None of them did. Trapped in a net of unscrupulous and avaricious human traffickers, all over the world hundreds of thousands women are accompanied by pain and anxiety – their whole life.

This poster brings visibility to what the world often tries to hide: homelessness, slums, and favelas. Thousands of such places exist worldwide—pushed to the margins of society.
I used bold colors and layered compositions to symbolize cramped, overcrowded living. The limited poster size reflects the lack of space; overlapping rectangles mark the tiny areas people are forced to live in. The scattered typography represents people in motion—searching for stability and believing in a sustainable future. This work is a call to look closer—because behind every makeshift home, there is a human being.