The industry entertainment is functional to the industry of death. This poster attempts to denounce the frivolity of human pain, the human misery commercialized as mass entertainment.

The weapon of the western civilization is the surveillance. Nobody is safe – anywhere.

The German government plans massive cuts to the federal budget to comply with the “debt brake.” Of all sectors, culture is hit especially hard. These austerity measures will leave significant gaps—many cultural institutions fear for their very existence.
Yet art and culture are essential for a diverse and open society.

This poster shows the game world of a small child with the central theme of war, the Kalashnikov, build out of blocks. War is not a game and children should not be tempted to the use of weapons, either caused by media in our western culture or as child soldiers in armed conflicts.

The EU includes some of the wealthiest countries in the world and possesses abundant resources, knowledge, and prosperity. We consider ourselves democratic societies that uphold values such as human dignity, freedom, and equality. It is therefore our responsibility to devise improved solutions instead of resorting to aggressive push-backs at Europe’s external borders or mass accommodation in camps with inhumane living conditions. The right to live in a safe country should not be viewed as a privilege but as a fundamental human right.



In average, women are paid 22% less than men. The paper used for the poster is a German wage slip, the rest speaks for itself.

Stomach and brain are strictly connected, and every sensorial experience is assimilated and transformed into emotions by those two essential parts of our organism. For this reason, every time we feed our body we also feed our soul.

Populists are increasing throughout the Europe from different parties. Their success is symptomatic of the weakness of European political parties and party systems.

Many people die each year in multiple car crashes, because the necessary driving distance is not being respected.

At a time when society is divided by global challenges, right-wing populists often come up with simple solutions, not aimed at the complexity of the problem at hand but at peoples fears and worries. Rising refugee figures have stirred a debate in Germany in 2016, thus being a catalyst for the party “Alternative für Deutschland”.

Peoples insecurities and resignation in politics have led to electoral success of the party in question.

In this absurd and strange situation worlds collide. On the one hand you see tourists, looking for pleasure and relaxation and on the other hand refugees, risking their lives to escape war, persecution and distress. A scene where suffering of the „aliens“ cannot be ignored. The question is, however, why a legal and secure entry is not allowed to such people seeking protection.

Women have less legal rights so they become more often victims of violence. In many countries, in many areas there are no clear laws or regulations to punish domestic violence, although it is a common problem. Domestic violence is generally regarded as a private matter not to be accepted by national jurisdictions.

The poster is a critique of the present consumer society and its impact on the individual as an end user.

Many Internet, Facebook and Twitter users are reckless and irresponsible with their personal data. The consequences are often devastating.

The poster portraits the feeling of being overwhelmed by the rush of images, content and information on our mobile devices. Download, Loading, Overload!

This poster is meant to visualize typical migraine pain.

Disturbances of the visual field (flickering before the eyes, flashes of light, blurred vision) are very common. Aside from this speech problems can occur. This is caused by disturbed signal transmission in the brain. Like an electric pulse a wave of disturbance is shot from a single across the cerebral cortex.

The letters M-I-G-R-A-I-N-E are reconstructed to create cuts, doublings and displacements. This is meant to recreate the feeling of migraine attack for anyone looking at the poster.

The worst part of bullying isn’t the leader of the angry crowd—it’s the silent followers. They see what’s happening, but say nothing, afraid of ending up on the other side.

Tens of thousands of refugees are on their dangerous journey across the Mediterranean Sea to Europe. In recent years, the number of »boat people« has increased drastically, and with it the number of drowned refugees. The »SOS« sign on the horizon of the Mediterranean Sea is a call for help and a bearer for hope at the same time and requires support.

The idea of the poster came out recently when the Native American tribe Sioux were protesting against the installation of an oil pipeline in their reservation Standing Rock in North Dakota. This protest became widely known, especially because of the violence the U.S. Government used with riot police and the army. This is only the origin of the idea, but the main thing is that times change (from the old times of the Conquest of the West to nowadays, from the “romantic” cowboy to the non-romantic at all riot police), but the oppression is always there, and it’s used always by the same oppressor. And we could extend this idea to every era, situation or geographic place.

Election ink is a semi-permanent ink that is applied to the forefinger of voters during elections in countries where identification documents for
citizens are not always standardized or institutionalized.

The old saying »throwing the baby out with the bath water« describes situations in which we take much too drastic actions than necessary.

YES WE SCAN! Sounds quite right, but obviously isn’t. President Obama’s claim changed its true meaning tragically overnight, when the whistle was finally blown. Mind the Gap!

Ein gutes Plakat braucht keinen Anwalt, obwohl es selbst sehr oft diese Rolle übernehmen muß, indem es z.B. Menschenrechte in Schutz nimmt“.

We’re living in the times when social norms are being reconsidered and broadened, which is amazing and promising. However, when I was reading articles about the widening definition of normal, I was thinking that there would always be individuals who wouldn’t fit into the new normal paradigm. I believe there is a catch in this discussion, by defining normal we are also highlighting our differences. So, the idea of this poster was to show that not belonging could be an incredible experience, too, and there was nothing abnormal with not being normal. The poster is a bit ironical, as the creature is setting its own tail on fire (or biting it, the interpretation is up to the viewers). The poster was hand-drawn with acrylic on paper.

After hatching, a small, innocent creature looks expectantly on his future life.
It has no idea how cruel his short existence will be, before it ends at a fast food restaurant.

This work uses fingers and animals to combine graphic creativity. Because of the destruction of the nature of human beings, the killing of living things, so the creatures continue to evolve, mutate into colorful colors, but also grow human hands, in an attempt to resist this evil. Hope to warn people not to kill animals, care about the current global environmental problems.

The poster deeply digs and creatively from the phenomenon of life, using graphics to show the last scene of people falling into the water asking for help, while the people close at hand are taking photos as a rubberneck, thus criticizing this strange phenomenon of “indifference”, hoping to wake up the people’s sense of social responsibility, and make it a social atmosphere to be brave and good.

My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

This poster presents a feminist demand engraved into a stone tablet — borrowing the visual language of monuments to give weight to the ongoing protest against the gender pay gap, which still stands at 16%. Maybe we really do need to carve our demands into stone in order to be heard.
Truly etched in stone is the custom-designed display typeface Friedländer—inspired by an early sketch by Elisabeth Friedländer, one of Germany’s first female type designers.