March 8th is International Working Women’s Day. On this day the woman can feel as the big boss of the family. I wanted to create a humorous illustration to express the way that women stand tall for change.

Complexions are just colour fields, why would you get irritated by them? Why would you even segregate them or be hostile to them? Who decides from which colour field someone belongs to the good ones or the bad ones?
It is necessary to stop the segregation and bring those colours back together.

Stomach and brain are strictly connected, and every sensorial experience is assimilated and transformed into emotions by those two essential parts of our organism. For this reason, every time we feed our body we also feed our soul.

The goal of the poster is to raise awareness about domestic violence and reflect on its complexity. The image shows an idyllic “mother-father-child” scene, drawn in the style of a child’s crayon sketch. But subtle details hint at a disturbing reality behind the surface.

The concept of the poster was inspired by the philosophy of the absurd — the compulsive search for meaning where there is none. As we vainly seek wholeness, the elements of our reality are abstracted into smaller and smaller parts, until they become pervasive noise. The more we try to make sense of it, the more it becomes unintelligible. And yet, we try.

Iranian women are forced to wear veil which should be cover the hair and body. When a person doesn’t have minimum of liberty to choose her dress, how could she be a dynamic person?This person with a such a black background couldn’t be effective in the social,economical,political,arenas of her life.But our Iranian women don’t desist from the struggle-our coloured revolution fight without violence.

Ritalin is »the« trendy medication of our time, which is being prescribed way too often, in my opinion to active children in order to adjust them to common standard. In my poster, a future is shown in hyperrealistic style, where Ritalin is used as a basic ingredient in children’s nutrition products, such as the well known Swiss ice cream brand »Rakete« from Frisco (Nestlé).

My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

The message of my poster titled Find (or Lelet in Hungarian) is that if humanity will not change in its attitude towards the environment, then the legacy that left on Earth will be only the accummulated heaps of garbage. Waste that takes ages to break down and the overuse of plastics are becoming more and more important topics, in my opinion. My poster is meant to bring attention to this problem.

I would like environmental pollution to become our history and for humankind to strive to eradicate even its memory for the future generations.

Making pictograms visible in urban areas of feelings and thoughts of those who left their home countries and live in a new country is the aim of migrantas. Key elements and similarities between the experiences of migration are emerging after a careful analysis of drawings from various workshops. The central motifs are graphically and artistically implemented by migrantas in pictograms – a visual, understandable language for all.

My poster represent the fear that children feels when they are abused from their own fathers. The poster is like the shoe of the father when he is coming home and at the same time is like the door of the home with the afraid eyes of the child.

We are running in circles for money, trying to earn faster and more. Life is becoming a sport competition. Once we have started running, we will never stop as there’s no finish.

When money sets the rules of the game, fairness becomes a tool manipulated by the few.

men cry,
women masturbate,
men can use makeup,
women age,
men can wear dresses,
women must not want children,
men are vulnerable,
women can get violent,
men can love men,
women can love women,
men can like pink,
women can have body hair,
men don’t have to be muscular,
women don’t have to be thin,
men don’t have to love sex,
women can be good bosses
…

Immanuel Kant, Voltaire, David Hasselhoff, Joachim Gauck, James Doakes, …

This poster presents a feminist demand engraved into a stone tablet — borrowing the visual language of monuments to give weight to the ongoing protest against the gender pay gap, which still stands at 16%. Maybe we really do need to carve our demands into stone in order to be heard.
Truly etched in stone is the custom-designed display typeface Friedländer—inspired by an early sketch by Elisabeth Friedländer, one of Germany’s first female type designers.

Solutions instead of fighting and arguing!
In this work fighting men and women are compared with poultry. Problems shouldn´t be resolved through fighting, but peaceful consultation.

Language is evolving: a visual statement for diversity and inclusion. In German, symbols like *, :, or · are increasingly used to mark gender-inclusive language. In this work, they replace vowels—making linguistic change boldly visible.

Ein Zitat von Paul Ernst scheint mir ganz passend für mein Plakatmotiv zu sein. “Hass erzeugt Hass, aber nie will der Hass sich nach dieser Wahrheit richten. Wie man selbst seinen Mitmenschen begegnet, so begegnen diese einem selbst. Das ist die zentrale Aussage des Plakats.

Ach wie schön ist doch die Freiheit
im selbst gewählten Käfig.

The motive: the periodical capitalist crisis dramatic shows, that for this profit economic system of the human being is disposable, the life of millions is a throwaway to “save” a tiny group of banks and companies.

Most major german cities are bursting at the seams, the rents go into the absurd, many residents suffer from the narrows and often flee into nature. Meanwhile, rural areas slowly but surely are orphaned: abandoned villages, old people and lack of prospects determine the picture. Young, motivated residents flee to the cities – a vicious circle.

This poster deals with the way we depict ourselves on social media. It exaggerates the idea of losing oneself when not online.

As the gap between rich and poor keeps growing, the wealthiest percentage of the global population gains more and more influence and power. This imbalance plays out not only in financial terms but across all aspects of social life.
In response to these injustices—especially in times when figures like Donald Trump are considered “the most powerful man in the world”—more and more people are taking to the streets. One slogan of this resistance: Eat the [Filthy] Rich—a call to action against excessive wealth and capitalism that dates back to the French Revolution.

The vulgar face and ways of Donald Trump are so ugly to watch and experience, there must be some way to make him shut up. His politics and attitude are brainless and empty.
He is a puppet of big industry. The only face that might look as hollow as Trump is the face of a rubber-sex-doll.

Hungary, Great Britain, France, USA, … The rise of populist politicians and parties is increasing worldwide. Time to hold a mirror up to the protagonists and supporters. Translation: Populisten – german for „populists“ / Popo – german for „bum“)

The poster is about the Chernobyl disaster in 1986. It shows its negative effects on human health.

Is it the time to lose or to tighten our belts to the last hole? We don’t know it yet.

Beneath the polished suit and synthetic hair lies rot. This poster shatters the illusion, revealing a man driven not by ethics, but by ego. Mold grows where it doesn’t belong. He flatters with lies, shirks responsibility, and plays both sides for personal gain. This is not diplomacy—it’s rot masquerading as leadership. A portrait of a man who speaks loudly and decays from within. Ladies and gentlemen: the Orange President.

Violence generates violence, how do we stop this circulation of aggression? A man beats his wife, the son is watching, the boy grows up and now he is beating his own wife, his child is watching…the circle will repeat. We need to stop this creation of violence. It circulates shamelessly in every part of our lives. It is everywhere: in our home, school, university, workplace, on the streets, in media, movies and we cannot find a perfect solution to reduce violent crime – because the solution doesn‘t exist.