Der Fleischkonsum ist so hoch wie nie. Jährlich werden Milliarden Tiere durch ein System geschleust, das sie möglichst effizient tötet und verarbeitet. Ethisch, ökologisch und gesundheitlich ist das höchst problematisch.

Don´t be careless – be careful!

The message of my poster titled Find (or Lelet in Hungarian) is that if humanity will not change in its attitude towards the environment, then the legacy that left on Earth will be only the accummulated heaps of garbage. Waste that takes ages to break down and the overuse of plastics are becoming more and more important topics, in my opinion. My poster is meant to bring attention to this problem.

I would like environmental pollution to become our history and for humankind to strive to eradicate even its memory for the future generations.

Despite the social consensus for equality between women and men, the actual gender equality has still not really been enforced. There are many hidden and rather inconspicuous scenarios of gender discrimination, but one of the most obvious injustices is the difference in payment between men and women engaged in the same occupation. And this is only influenced by a small physical difference. And even more important: it doesn´t have any affect on the performance in any way. It´s just ridiculous, that´s why we want to put things right with this poster!

Nuclear disaster contaminates many food such as milk, mushrooms, fish, vegetables, meats, fruits, rice, tea and etc. Once it happens, it will make the nature continue to be contaminated because of long half-lives of radioactive materials (those of Sr-90 and Cs-137 are about 30 years). Unstable damaged Fukushima nuclear power plants still emit radioactive materials to the environment. I live in Tokyo, and like many other people I have had fears for invisible radiation since last year, which was often invoked when I thought what to eat. I have expressed in this poster what I have felt in this pessimistic daily life. Nuclear power is very destructive to both the nature and our lives.

Karl Marx analyzed that the capitalist mode of production is driven by greed and creates injustice. Capitalists never learned their lesson.

BILD is a german newspaper, known for its unmistakable style of headlines. By using the same corporate identity, this poster shows the functioning of BILD: The sensationalistic articles are aiming to incite fear in society.

Hunger is a social problem that exists throughout the world, physically and mentally.  Mankind not only needs money to live, you need it for food, to survive, to feed the soul of motivation and to succeed. You need food to protect your family from disease. Without food mankind has no sense to survive in this globalized world of the wealthy.

The poster announces the annihilation of the world caused by humans. The poster humorously references Posters of classic Monster Films. Because the scariest Monster of them all is not the next Godzilla but the human. In our time of the Anthropocene, he chews his way through the world while drooling all over the place. The legs and arms of the parasite wrap greedily around the world while it slowly melts. Shortage of resources, climate change and species extinction have become common problems, which require more radical actions. Because the end of the world will not happen dramatically like in a disaster movie, but slowly with every day the world is exploited by humans to the point of maximum profit.

The poster reflects the inequality between social classes. In this dog-eat-dog world, whoever is wealthier and has a bigger influence reigns over those who are inferior, and the “superiors” can enforce their rights more easily against the others, thus keeping them suppressed.

Sometimes our dreams are terminated, just like that, because we don’t have that requirement called VISA.

My poster is a diversion of the famous paint “Pollice Verso” or “Thumb-down” from French artist Jean-Léon Gérôme created in 1872. The controversy on the reality of the thumb_down during gladiator time doesn’t matter because the public still have the right to save or kill a life…

What is important to me, is how the public, anonymous persons, can have the right on penalty death on an unknown person trying to save his life. How can people make their own opinion on a situation and decide how it will end or continue? Gladiatorial is a combat but before everything an entertainment. Gladiators are looking for opportunities and self-promotion. Public make them famous or not.

How weird is our time which, through social media, seems to replicate the same entertainments with the brutalities. Is human being changed in two thousand years?

We observe exactly the same mechanism on social media. In one hand few people make incredible things trying to get famous, earn money and in a way promote themselves. In the other hand, unknown people, debate, talk, judge, observe, look and decide with the thumb (or common social media language) to like or dislike any content, any post, any page… any person.

We’s have seen how far can people go on social media and the power of the public on it.

Is social media the new arena for modern gladiatorial?

There are so many problems in this world that need our attention and will to change. But we focus on a poor group of people fleeing violence and war, whilst our society is being dismantled by powerful interest groups and our environment is going down the drain for profit of the very same groups. We need to focus instead of listening to self-invested politicians and profit oriented media. We also tend to forget that everything is connected and all the issues can not be seen individually – but together. Most of the blurred words amongst others are direct causes for the refugees in focus.

Everything is On, everybody is On, everywhere is On
I wish Africa was On.

The self-determined message communicates a clear statement for the emancipation of girls and women. The childlike style of handwriting expresses that we learn the view of female and male gender roles at an early age. Therefore, the foundation of future equality and equal opportunities can be set at an early stage in life.

Basic salary, tray, baptisms, weddings, funerals and carols – those are sources of priests earnings. But according to what they say, they earn as much as doctors and pay ten times lower taxes. That sound pretty good. Divine life!

This poster presents a feminist demand engraved into a stone tablet — borrowing the visual language of monuments to give weight to the ongoing protest against the gender pay gap, which still stands at 16%. Maybe we really do need to carve our demands into stone in order to be heard.
Truly etched in stone is the custom-designed display typeface Friedländer—inspired by an early sketch by Elisabeth Friedländer, one of Germany’s first female type designers.

The Wiesenhof brand uses the image of a small country house on a green field, with a few trees, to promote their products. It is meant to sell the idea of idyllic farms and happy chickens. Through extensive marketing the brand is very well-known in Germany, calling itself “the #1 poultry brand”. Every third chicken eaten is from Wiesenhof. The PHW-Group, which owns Wiesenhof, is the #1 animal exploitation company in Germany, and third largest in Europe regarding chicken farming, poultry raising and chicken slaughter. Every week this group slaughters around 4,5 million chickens.

Daily, throughout the whole world, not only in India, there are crime scenes of brutal rapes.
My work calls for the observer to reflect, but still gives them the freedom to imagine the extent of the serious injuries of a rape victim.
At the same time the ever increasing red tones – the strongest being the word “rape” visualizes the damage which is irreparable.

My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

Unsere Arbeit lässt sich schnell beschreiben: Dinge, die wir scheiße finden. Und die mussten einfach mal gesagt werden.
Da Wut in der Regel subjektiv ist haben wir Wörter aus unserem Sprachgebrauch, hauptsächlich Eigenkreationen, verwendet. Die verschobene Optik und die Farbigkeit unterstützen diesen Ansatz und machen agressiv/unruhig, wenn man das Plakat länger ansieht.

A raccoon dog, skinned alive on a fur farm: Its screams separated from a sound track an visualized.

According to Wikipedia, there are more than 30 ongoing military conflicts all over the world – excluding riots like the current ones in Turkey. Most of the conflicts are still faded out from public attention, even though social media puts us into the position of observers and confidants.

The UN Has Lost All Credibility. United Nations climate summit turned to  war of the poor and the rich. Discrimination was made for interests of the rich at the summits.

The goal of the poster is to raise awareness about domestic violence and reflect on its complexity. The image shows an idyllic “mother-father-child” scene, drawn in the style of a child’s crayon sketch. But subtle details hint at a disturbing reality behind the surface.

 Say something truthful Donald, your nose is getting awfully long…

 I mean –  who doesn’t like cake?

The worst part of bullying isn’t the leader of the angry crowd—it’s the silent followers. They see what’s happening, but say nothing, afraid of ending up on the other side.

“Plakate sind interaktiv.
Und provokativ.
Dieses mal nicht dekorativ.
Aber dafür plakativ.

Unsolved Payments, which apparently nobody knows about. Corruption scandals cast a shadow over the world of soccer. My poster puts the trouble in explaining of the German Football Association in a nutshell by imitating the rhetorical skills of Franz Beckenbauer.