Fast internet is still wishful thinking in many rural regions of Germany. The country is known for impeding innovation and flexibility with excessive bureaucracy. On one hand, there are concerns about data security and privacy when it comes to digital solutions. On the other hand, there is a lack of suitable measures to ensure the security of citizens’ data. Furthermore, digital education is still given insufficient importance. If Germany wants to maintain its position as a leading economic nation in the digital age, it still has a lot to do.

This poster shows the dependence of teens and young adults to social media. Services such as Facebook, Twitter und Co. have become an addiction, and seem to be increasingly seen as a requirement to live our lives.

Don´t be careless – be careful!

The motive: the periodical capitalist crisis dramatic shows, that for this profit economic system of the human being is disposable, the life of millions is a throwaway to “save” a tiny group of banks and companies.

Discount priced weekend or shopping trips via airplane have become part of life in Europe, but this is very bad for the climate. This hasn’t stopped us from flying more and more year after year. If the prices stay this low, the price we all must pay will be enormous.

Despite years of globalization, the genital female mutilation, it still continues as a ritual of great importance in countries in africa,  some of them in the middle east, in communities of asia, north america, latin america and europe.

The rights of women are violated since their childhood, inherits the girl, by a single tradition; death disease chronicles, psychological trauma, countless irreversible damage for life.

This poster requires a high female genital mutilation stop,  and women have the right to decide on her  body, on her  way of thinking, and about their well-being, fortunately, mexico is a country that no count with alarming number in this mutilation genital ritual, and not to suffer this problematic in mexico don´t  forced us  to limit ourselves to do not demonstrate this problem, this poster is a cry of support for them, the women who have been mutilated and at the same time a protest cry for those who are still practicing this action.

Before you criticize others, start with yourself: Germany is Europe´s number one in annual paper consumption.
I love posters but also for posters trees get cut down.

My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

We need to find solutions for making sure that no children are excluded from schooling, educative systems, poverty alleviation, human rights.

The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

Karl Marx analyzed that the capitalist mode of production is driven by greed and creates injustice. Capitalists never learned their lesson.

My poster depicts military equipment as toy models. Politicians, seated comfortably in safe places, eating lavish meals, decide the fate of others — treating war and the deaths of innocent people like a game. This work is a protest against that kind of leadership.

These days the meaning of help is changing in social and political fields. So you cannot rely on people. When you ask someone for help, you will often not get help without giving something in return. People want to achieve their own targets with their help or harm you.

When the lie becomes the truth, propaganda celebrates its greatest victory.

This poster is a call to action: Don’t look away. Don’t stay silent. Get involved. Getting involved doesn’t mean having perfect answers—it means taking a stand. Asking questions. Standing up. Raising your voice, even if it trembles. Don’t be intimidated. Get involved. Because silence is not an option.

The poster turns our traditional role models of men and women upside down by showing Olive Oyl, not Popeye, smoking a pipe and flexing her muscles.
The supposedly masculine attributes on Olivia seem rather silly and show how much clichéd role models have manifested themselves in our minds.

Menschen neigen dazu, Schwächere zu ihren Gunsten auszubeuten. In jedem von uns steckt ein kleines Stück dieses Menschenpopcorn fressenden, gesichtslosen Monsters.

In our society pharmaceuticals are taken for granted and therefore consumed thoughtlessly. We should give more thought to their effect on society and our own quality of life. Do we really want to get older and older? The poster is also an allusion to Niklaus Stoecklins poster for Gaba in 1927.

This poster shows the game world of a small child with the central theme of war, the Kalashnikov, build out of blocks. War is not a game and children should not be tempted to the use of weapons, either caused by media in our western culture or as child soldiers in armed conflicts.

This poster presents a feminist demand engraved into a stone tablet — borrowing the visual language of monuments to give weight to the ongoing protest against the gender pay gap, which still stands at 16%. Maybe we really do need to carve our demands into stone in order to be heard.
Truly etched in stone is the custom-designed display typeface Friedländer—inspired by an early sketch by Elisabeth Friedländer, one of Germany’s first female type designers.

East meets West’ by Gorilla is a comment on the clash of Western and Middle East culture. In the West, there has been a lot of discussion about prohibiting traditional Eastern clothing like the burqa and the niqab. There seems to be a fear of the anonymous. On the other end of the scale, exhibitionism, voyeurism and pornography is becoming an increasingly dominant part of Western culture. One can question oneself what is more offending to the other.

In the world every day many women are harassed and sexually abused, but they are silent for improper judgments​.

I’m afraid. I’m afraid, My mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it. I can feel it. I’m a… fraid.

The menu of the media. (Recap of last years most notable issues as a single headline)

Right-wing populist parties in Europe have been gaining strength for years. Simple answers to complex questions turn them into stars of the modern age. This poster is an appeal: Don’t trust anyone blindly!

The clean slate is filthy and oozes with guilt and pain. Europe is playing a spineless game of ignorance and refusing to help. There are no other rules to stick to, besides building the walls tall enough and decorated with wires and spikes all the way.

Peace talks with adversaries like Vladimir Putin are like playing Russian roulette.