Flourishing of social media has led to the global shift in how we perceive privacy. Being normalized in everyday life, constant violations of confidentiality make us wonder where is the boundary which separates private from public. In this whirlpool of doubt and caution, everywhere and all the time we feel persistent presence of someone else. Someone who is watching.

Bombs fall, people flee, cities crumble – war is pure catastrophe. For millions, it means pain, loss and fear. But not for everyone. There are those who profit from suffering: Shareholders whose investments in arms companies bring maximum profits. Heads of state who secure raw materials and power under the guise of peace. Banks that increase their profits with loans for arms deals. As long as there is money to be made from war, why should there be peace?

 Say something truthful Donald, your nose is getting awfully long…

Nestlé ist Branchenführer im riesigen Markt der Flaschenwasser-Hersteller. Entgegen ihrem Image als umweltbewusster und ressourcenschonender Trinkwasserversorger, kauft Nestlé Nutzungsrechte an Wasservorkommen für wenig Geld, schließt die lokale Bevölkerung vom direkten Bezug der Ressource aus ‒ nur um ihnen anschließend das selbe Wasser, verpackt in Plastikflaschen, wieder zu verkaufen.

Dies alles geschieht zudem ohne Rücksicht auf die Umwelt, Beispielsweise wenn das Unternehmen die Quellen zusätzlich anbohrt um mehr Wasser als auf dem natürlichen Wege zu gewinnen. Dabei trocknen ganzen Landstriche aus, Ernten bleiben aus, ganze Ökosysteme sterben und Quellen haben keine Zeit sich wieder zu regenerieren.

In dem Bewusstsein, dass wahrscheinlich bereits 2025 ca. 3 Milliarden Menschen unter Wassermangel leiden werden, treibt Nestlé die Privatisierung und auch Monopolisierung dieser wichtigen Ressource stetig voran. Leider wird über dieses Thema nur sehr wenig berichtet und gesprochen.

Für mein Plakat habe ich das Logo von Nestlé der Realität angepasst, und den Slogan von „Good Food, Good Life“ zu „Control Water, Control Life“ umgewandelt. Wer das Wasser kontrolliert, kontrolliert das Leben.

This poster brings visibility to what the world often tries to hide: homelessness, slums, and favelas. Thousands of such places exist worldwide—pushed to the margins of society.
I used bold colors and layered compositions to symbolize cramped, overcrowded living. The limited poster size reflects the lack of space; overlapping rectangles mark the tiny areas people are forced to live in. The scattered typography represents people in motion—searching for stability and believing in a sustainable future. This work is a call to look closer—because behind every makeshift home, there is a human being.

I tried to approach the themes destruction of environment and globalization in a funny way.

Hungary, Great Britain, France, USA, … The rise of populist politicians and parties is increasing worldwide. Time to hold a mirror up to the protagonists and supporters. Translation: Populisten – german for „populists“ / Popo – german for „bum“)

It is so comfortable to be dependent. Laziness and cowardice let people follow others’ opinions and aims. Governments or companies can use us for their benefits. The more we keep silent, the more others raise their voices. It is so uncomfortable to have an own opinion. The shame is liberated; the thoughts are covered by leaves: The poster shows the change of censorship in our society.

*»Kein Blatt vor den Mund nehmen«(literally: Not putting a leaf in front of your mouth.) means to speak out liberate, directly and shameless.

The poster design is inspired by “gravity”. The bullets fired by terrorists fly around the earth under the action of gravity, and finally hit themselves, so as to reflect the war starting from evil, and finally It’s still me who eats back.

Rugged individualism is a common disease of our time. It is bound with selfishness and has many negative consequences at all levels. Excessive self-adoration leads to ignoring each other; each individual sees its own interests without consideration of the common good, while we live in a world, in which we are increasingly interdependent on each other.
To illustrate this idea, I chose to use an iconic image of pure beauty and transformed it thoroughly in order to create something monstrous. The belly button – is the center of the individual and moving it to the center of the Venuses face expresses this imbalance called “belly button gazing”.

This poster shows the game world of a small child with the central theme of war, the Kalashnikov, build out of blocks. War is not a game and children should not be tempted to the use of weapons, either caused by media in our western culture or as child soldiers in armed conflicts.

The poster East/West was created with current events in the East in mind. I can confidently say: “Nothing changes in the East.” The central idea was to show two directions—an arrow pointing west and another east—as a kind of warning. The rocket symbolizes ongoing conflict on many fronts: racial, ethnic, and religious. Stop war!

Angela Merkel is the Mum of all Germans. She is known for her signature gesture (forming a rhombus with her hands) and her coloured blazers. Along with her motto “there is no alternative”, it is clear: Mummy knows how it’s done.

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In the context of creation, this poster is about me: I’m angry at myself—angry that I’m not more angry at myself. But in the context of presentation, this anger turns on you. I’m angry at you for not being angry enough at yourself. And I’m probably angry at you now because you might not understand the concept behind this poster. We direct our anger outward, forgetting how hypocritical and unreflective that really is. It’s incredibly easy to point fingers at others instead of turning that anger inward. Ironically, this poster does exactly that.

For 10 years, the infrastructures of the Football World Cup are being built in Qatar. For 10 years, a silent massacre is happening there: the massacre of Indian, Pakistani, Nepalese, Bengali, Sri Lankan workers, reduced to near slavery conditions. At least 6500 workers died on those building sites according to The Guardian.

42 years ago, the French graphic designer, Alain Le Quernec, created a poster to alert people about the World Cup in Argentina where Videla’s bloody dictatorship raged. In reference to this previous « shame cup » and as a tribute to Alain, I have revisited his graphic idea today to denounce this new mass grave on which a party will be hosted, with the complicity of FIFA and our governments.

Many of the things we wear are made by kids. Child labour is still an issue and can not be forgotten about. This what I want to draw attention to with my poster. Clothing sold in Germany may also be made by children. The dress I used is meant to show that no matter how beautiful an item may be, it might come from a place that is just the opposite.

No comment!

People are reduced to superficialities, which have nothing to do with the natural course of events. The (western) beauty ideal detaches itself from the original function of the human organism. This example refers to men, but the principle obviously counts for women too.

The application of military drones has greatly reduced the risks and costs of bombing. For certain political authorities and interests, the new technology provides the convenience to harm innocent civilians in the name of justice. Facing violent tactics like bombing, the figure of the picture is howling from the bottom of his heart: NO!

This poster reflects our neglect with the planet present situation, the unnecessary excessive pollution that we generate and the direction we are taking.

None of them did. Trapped in a net of unscrupulous and avaricious human traffickers, all over the world hundreds of thousands women are accompanied by pain and anxiety – their whole life.

The explosion of the Chernobyl nuclear power station was the worst industrial accident of any kind in history. Tens of thousands of people have died, and there is more death to come.. Nuclear power’s waste is deadly, causes cancer and genetic mutations, and there is no known way to permanently contain, dispose or neutralize it. Building more reactors simply means death.

Karl Marx analyzed that the capitalist mode of production is driven by greed and creates injustice. Capitalists never learned their lesson.

This work uses fingers and animals to combine graphic creativity. Because of the destruction of the nature of human beings, the killing of living things, so the creatures continue to evolve, mutate into colorful colors, but also grow human hands, in an attempt to resist this evil. Hope to warn people not to kill animals, care about the current global environmental problems.

Posters are made to transport certain information. Nowadays the free or politically motivated posters are decreasing. What we are left with are rejoicing advertisements and cheap ampaign slogans. My poster deals with this subject matter. Ambiguously arranged typography prompts to leave the everyday comfort zone behind and begin to challenge the information and pictures we are fed.

The specter of plastic pollution is everywhere – like the cry of a human soul trapped in a world choked by plastic bags.

Not considering yourself a Nazi does not mean you’re allowed to be rassistic towards others in public. Same as the sentence „I don’t have anything against foreigners, but …“ often ends with the complete opposite opinion. This is a poster to remind all the concerned citizens on what the other people really think about their behaviour.