I tried to approach the themes destruction of environment and globalization in a funny way.

Das sinkende Schiff.
Es scheint ein finanzieller Tsunami durch Europa zu brausen. Indem wir die anderen retten, versuchen wir uns selbst zu retten, um in einem aussichtslosen Versuch der Schulden Herr zu werden.

So often there is talk about the “equality” of men and women. However, the reality is quite different. Because women are still oppressed in many areas of society, the line on the playing card that normally divides the card into two equal parts slips down in my design. The woman feels constrained and tries to fight back, while the man, like a king, proudly rests on his privileges. The suits of spades and clubs stand anciently for the nobility and the peasantry and are meant to emphasize the statement again.

The poster takes up on the design of typical german prohibition signs and their language. There are many prohibition signs in Germany and the yellow ones with black borders are a common sight. Often applied to guard against trespassing or to keep people from putting up posters.

The signal effect and imperative nature of these signs is retained in order to play with familiar visual patterns. The command „Diskutieren statt plakatieren!“ could roughly translate to „No Posters. Discussions!“

On the surface „Diskutieren statt plakatieren!“ looks like a prohibition sign but beneath that is a demand for a more nuanced culture of discussion beyond slogans and the language of campaigning.

This poster was made to denounce the concept of corruption. It is a personal vision on monopolistic practices, an analogy between industry and the monarchy where there is a single leader.

The poster is a critique of the present consumer society and its impact on the individual as an end user.

Unsolved Payments, which apparently nobody knows about. Corruption scandals cast a shadow over the world of soccer. My poster puts the trouble in explaining of the German Football Association in a nutshell by imitating the rhetorical skills of Franz Beckenbauer.

The motive: the periodical capitalist crisis dramatic shows, that for this profit economic system of the human being is disposable, the life of millions is a throwaway to “save” a tiny group of banks and companies.

March 8th is International Working Women’s Day. On this day the woman can feel as the big boss of the family. I wanted to create a humorous illustration to express the way that women stand tall for change.

The symbol of the cycle is omnipresent on todays products and packagings. To the consumer this can be misleading, constantly suggesting the waste will be reused. This way of recycling often is just a disposal via detours. Wrongly disposed or problematic materials are burnt or exported, statistically counting as recycled. While the total amount of waste produced is going up, the real challenge of reducing waste is neglected.

None of them did. Trapped in a net of unscrupulous and avaricious human traffickers, all over the world hundreds of thousands women are accompanied by pain and anxiety – their whole life.

Fast internet is still wishful thinking in many rural regions of Germany. The country is known for impeding innovation and flexibility with excessive bureaucracy. On one hand, there are concerns about data security and privacy when it comes to digital solutions. On the other hand, there is a lack of suitable measures to ensure the security of citizens’ data. Furthermore, digital education is still given insufficient importance. If Germany wants to maintain its position as a leading economic nation in the digital age, it still has a lot to do.

Populists are increasing throughout the Europe from different parties. Their success is symptomatic of the weakness of European political parties and party systems.

The message of my poster titled Find (or Lelet in Hungarian) is that if humanity will not change in its attitude towards the environment, then the legacy that left on Earth will be only the accummulated heaps of garbage. Waste that takes ages to break down and the overuse of plastics are becoming more and more important topics, in my opinion. My poster is meant to bring attention to this problem.

I would like environmental pollution to become our history and for humankind to strive to eradicate even its memory for the future generations.

Death penalty is a controversial topic. Despite our worldwide humanist society, there are still countries that try to atone for almost medieval ways of punishment of certain crimes by the death of the accused. The question of how it can be fair to repay an injustice, such as the death of a person caused willfully by the same injustice is something unacceptable and certainly incomprehensible. We believe that with thorough and conscientious thinking, everyone should come to this conclusion. The fact that Germany is no longer in use of this inhuman punishment shouldn’t distract from the fact that many other countries are still carrying out this procedure.

This poster highlights the privilege and advantage some people are born with. Dice are the ultimate symbol of chance—once thrown, no one can control the outcome, and it seems like everyone has equal odds. But in reality, some people play with better odds than others—without merit, effort, or achievement.

Brainwashed, blinded and fueled by tantalizing promises, everyone could become a controllable and faceless extremist.

My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

May all the love you’ve given away come back to you soon!

Der Fleischkonsum ist so hoch wie nie. Jährlich werden Milliarden Tiere durch ein System geschleust, das sie möglichst effizient tötet und verarbeitet. Ethisch, ökologisch und gesundheitlich ist das höchst problematisch.

The goal of the poster is to raise awareness about domestic violence and reflect on its complexity. The image shows an idyllic “mother-father-child” scene, drawn in the style of a child’s crayon sketch. But subtle details hint at a disturbing reality behind the surface.

The priest’s penis winds in treacherous christianity around its shelter. It covers criminals, blurres offenses and surpresses its pilgrimage victims. It preaches old concepts of misleading care and assured damnation in foul innocence. Free yourself from sin and bid welcome god’s seed, for that it thrives its roots in you.

Donald Trump darkens the truth by misusing it, piece by piece. In the end, even the shadows lie.

Do what you want, devil may care, other people are none of my business.

The Eurocentric-based beauty filters on Instagram or TikTok, for example, not only help to achieve a clear skin appearance and digital make-up, but also “correct” non-European features into small noses, big eyes, high cheekbones and even an automated lighter skin tone. This not only perpetuates the Eurocentric bias of globally accepted beauty ideals, but digitally erases diversity.

Ritalin is »the« trendy medication of our time, which is being prescribed way too often, in my opinion to active children in order to adjust them to common standard. In my poster, a future is shown in hyperrealistic style, where Ritalin is used as a basic ingredient in children’s nutrition products, such as the well known Swiss ice cream brand »Rakete« from Frisco (Nestlé).

Concerns profit, people lose.

1.  The Tibetan antelope is facing a massacre.
2. Shotguns are the embodiment of greed and ignorance.
3. No killing, no trading.