Beneath the polished suit and synthetic hair lies rot. This poster shatters the illusion, revealing a man driven not by ethics, but by ego. Mold grows where it doesn’t belong. He flatters with lies, shirks responsibility, and plays both sides for personal gain. This is not diplomacy—it’s rot masquerading as leadership. A portrait of a man who speaks loudly and decays from within. Ladies and gentlemen: the Orange President.

Women earn less for the same work and the same qualifications.
Women are sexualized in the media and in everyday life.
Women mostly take care of children or the sick without being paid.
Women are more often affected by poverty in old age.
Women experience sexualized and/or domestic violence more often.
Women still do not have the same rights as men.
Women are less represented in politics and leadership positions.

In order to change something, equal rights are needed.

Therefore — men — make some space!

Nestlé ist Branchenführer im riesigen Markt der Flaschenwasser-Hersteller. Entgegen ihrem Image als umweltbewusster und ressourcenschonender Trinkwasserversorger, kauft Nestlé Nutzungsrechte an Wasservorkommen für wenig Geld, schließt die lokale Bevölkerung vom direkten Bezug der Ressource aus ‒ nur um ihnen anschließend das selbe Wasser, verpackt in Plastikflaschen, wieder zu verkaufen.

Dies alles geschieht zudem ohne Rücksicht auf die Umwelt, Beispielsweise wenn das Unternehmen die Quellen zusätzlich anbohrt um mehr Wasser als auf dem natürlichen Wege zu gewinnen. Dabei trocknen ganzen Landstriche aus, Ernten bleiben aus, ganze Ökosysteme sterben und Quellen haben keine Zeit sich wieder zu regenerieren.

In dem Bewusstsein, dass wahrscheinlich bereits 2025 ca. 3 Milliarden Menschen unter Wassermangel leiden werden, treibt Nestlé die Privatisierung und auch Monopolisierung dieser wichtigen Ressource stetig voran. Leider wird über dieses Thema nur sehr wenig berichtet und gesprochen.

Für mein Plakat habe ich das Logo von Nestlé der Realität angepasst, und den Slogan von „Good Food, Good Life“ zu „Control Water, Control Life“ umgewandelt. Wer das Wasser kontrolliert, kontrolliert das Leben.

The background why I created it: The most of people in the world long for a peaceful and happy life without guns and blood. But to be the different Union there are different conflicts of interest, in this situation, some super nations arbitrary interfere others. For example the Iraq War 2007 and today’s Syrian War.

Do you really want to live in a surveillance state, giving up your privacy and freedom for pretended temporary security?

Being stuck in a fundamental inerrant religious pattern and therefore feeling infallible and unmistakable, prone to evading one’s responsibility.

Die Katastrophe für Mensch und Natur in Japan ist nur wenige Monate alt, aber medial weitestgehend schon wieder vergessen. Das Plakat soll uns das Schicksal und die noch ungeklärten folgen für Mensch und Natur wieder ins gedächtniss rufen. Zugleich weißt das Plakat auch darauf hin, das die atomare Katastrophe in fukushima nicht behoben quasi nicht “abgeschaltet” ist.

The motive: the periodical capitalist crisis dramatic shows, that for this profit economic system of the human being is disposable, the life of millions is a throwaway to “save” a tiny group of banks and companies.

Complexions are just colour fields, why would you get irritated by them? Why would you even segregate them or be hostile to them? Who decides from which colour field someone belongs to the good ones or the bad ones?
It is necessary to stop the segregation and bring those colours back together.

This poster shows the game world of a small child with the central theme of war, the Kalashnikov, build out of blocks. War is not a game and children should not be tempted to the use of weapons, either caused by media in our western culture or as child soldiers in armed conflicts.

The poster ICH/WIR sends a clear message in a time when social cohesion seems to be falling apart. The oversized, white “I” screams at us—loud, dominant, impossible to miss.
Only on second glance do we notice the tiny “WE” tucked into the bottom corner—quiet, almost invisible.

This work is a critique of growing social indifference, isolation, and the erosion of collective responsibility, all fueled by an increasing obsession with the self.
In a time when individual concerns often outweigh the common good, the poster reminds us not to lose sight of the WE.

The poster announces the annihilation of the world caused by humans. The poster humorously references Posters of classic Monster Films. Because the scariest Monster of them all is not the next Godzilla but the human. In our time of the Anthropocene, he chews his way through the world while drooling all over the place. The legs and arms of the parasite wrap greedily around the world while it slowly melts. Shortage of resources, climate change and species extinction have become common problems, which require more radical actions. Because the end of the world will not happen dramatically like in a disaster movie, but slowly with every day the world is exploited by humans to the point of maximum profit.

The Swiss popular initiative “Against mass immigration”, launched by the national conservative swiss peoples party, was accepted by a majority of the electorate (50,3%). It aims to limit immigration through quotas. This not only causes a loss of image, but threatens the bilateral treaties between the European Union and Switzerland. It’s a shame.

Ein gutes Plakat braucht keinen Anwalt, obwohl es selbst sehr oft diese Rolle übernehmen muß, indem es z.B. Menschenrechte in Schutz nimmt“.

Many Internet, Facebook and Twitter users are reckless and irresponsible with their personal data. The consequences are often devastating.

Who is deciding over rights?
Rights made for whom and by whom?
Can we categorize human beings by laws?
Is it sometimes just convenient to cling to paragraphs and thereby shirk responsibility?

“Unity and justice and freedom” – in a country where individual profit comes first, the corresponding passage in the national anthem should be adjusted.

Many of the things we wear are made by kids. Child labour is still an issue and can not be forgotten about. This what I want to draw attention to with my poster. Clothing sold in Germany may also be made by children. The dress I used is meant to show that no matter how beautiful an item may be, it might come from a place that is just the opposite.

„Love your neighbor“ seems to have another meaning

Verbal abuse is just as harmful as the physical abuse. You have to correct children wisely and with love.

This poster was made to denounce the concept of corruption. It is a personal vision on monopolistic practices, an analogy between industry and the monarchy where there is a single leader.

The menu of the media. (Recap of last years most notable issues as a single headline)

The topic of my poster “Stop Female Genital Mutilation” is a much discussed theme in the human rights debate, nevertheless, most people do not know what exactly happens during the procedure and how cruel it actually is. This is what I tried to communicate with my motive, while displaying the shape of the female sex the poster gives brutal information in short and direct sentences. The font I used is called “Thorn” and has been designed by Hubert Jocham and is just the right font to emphasize the brutality of the procedure. FGM is, although it is a serious violation of the human rights, carried out in many regions, among them western countries (up to 500000 girls and women living in the European Union are affected or threatened by FGM). Just recently illegal procedures in South Africa (which is not even on the list of countries where FGM is practiced) have been discovered. After the terrible circumcision, these girls are branded with a mark on their thighs as evidence of having attended the procedure. We all need to raise awareness, Stop FGM Now!

Each individual has the right of freedom of speech and expression. The freedom of information is the most important threat for antidemocratic regimes; hence, attacks against the freedom of speech are a daily occurrence on all continents. I have chosen the image of the famous videogame Pac-Man of the 80ies. Pac-Man consists of bullet casings and chases a pencil, the instrument of writing and the symbol of the freedom of expression, and tries to eat it.

“Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.”

Article 19 of the Universal Declaration of Human Rights, adopted in 1948

The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

We like to blame others, but… Everyone else is poisoning the environment, but… I’m not going to stop flying log distance, drinking from plastic cups, or get rid of my car. (It’s often the right-wing that loves to place the blame on others, and get offended when their own hypocrisy is unmasked).