Peace talks with adversaries like Vladimir Putin are like playing Russian roulette.

The political dialogue in Austria is on a very poor level these days.

The poster turns our traditional role models of men and women upside down by showing Olive Oyl, not Popeye, smoking a pipe and flexing her muscles.
The supposedly masculine attributes on Olivia seem rather silly and show how much clichéd role models have manifested themselves in our minds.

In a world of self-isolation and loneliness, it’s easy to fall under the impression that the only excitement and happiness you get is from the courier carrying you a package full of things you don’t really need.

The Wiesenhof brand uses the image of a small country house on a green field, with a few trees, to promote their products. It is meant to sell the idea of idyllic farms and happy chickens. Through extensive marketing the brand is very well-known in Germany, calling itself “the #1 poultry brand”. Every third chicken eaten is from Wiesenhof. The PHW-Group, which owns Wiesenhof, is the #1 animal exploitation company in Germany, and third largest in Europe regarding chicken farming, poultry raising and chicken slaughter. Every week this group slaughters around 4,5 million chickens.

Residential and commercial space has become a rare and expensive thing in cities. To achieve sustainable urban development one must properly handle resources, and this includes existing buildings. This is not a rational or social issue per say, but more a question of creating a space for fresh impulses. With the right amount of commitment, dedication and active involvement, we can create attractive new forms of utilization.

We must raise awareness of vacancy within the population of our cities, and this poster is designed to just that. The main message is aimed to make the issue up close and personal, by addressing us directly. The poster mourns the state of affairs, pressing us to change something about it.

The cloud is my friend. The world is a window.
A click-swipe-zoom-quit-shift-finger is my body.
It’s the pink glow I am longing for when I press BUY.

According to Wikipedia, there are more than 30 ongoing military conflicts all over the world – excluding riots like the current ones in Turkey. Most of the conflicts are still faded out from public attention, even though social media puts us into the position of observers and confidants.

The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

In a not too distant future everybody might be a drone’s target. With countless cameras and even weapons on board a drone might be worse than any insect you´ve ever felt disturbed by.
Once they decide to attack you it will most likely be too late for a court hearing. So watch out for this dangerous man-made species as there won’t be much we can do once they´ve grown.

The poster announces the annihilation of the world caused by humans. The poster humorously references Posters of classic Monster Films. Because the scariest Monster of them all is not the next Godzilla but the human. In our time of the Anthropocene, he chews his way through the world while drooling all over the place. The legs and arms of the parasite wrap greedily around the world while it slowly melts. Shortage of resources, climate change and species extinction have become common problems, which require more radical actions. Because the end of the world will not happen dramatically like in a disaster movie, but slowly with every day the world is exploited by humans to the point of maximum profit.

Like the fish in the water we are in our safe and peaceful environment. The feeling of helplessness turns us into passive observers.

The poster East/West was created with current events in the East in mind. I can confidently say: “Nothing changes in the East.” The central idea was to show two directions—an arrow pointing west and another east—as a kind of warning. The rocket symbolizes ongoing conflict on many fronts: racial, ethnic, and religious. Stop war!

The clean slate is filthy and oozes with guilt and pain. Europe is playing a spineless game of ignorance and refusing to help. There are no other rules to stick to, besides building the walls tall enough and decorated with wires and spikes all the way.

An attempt to show the absurdity of government supervision with simple and minimal resources, and an appeal to everyone to rebel against it.

Most major german cities are bursting at the seams, the rents go into the absurd, many residents suffer from the narrows and often flee into nature. Meanwhile, rural areas slowly but surely are orphaned: abandoned villages, old people and lack of prospects determine the picture. Young, motivated residents flee to the cities – a vicious circle.

Death penalty is a controversial topic. Despite our worldwide humanist society, there are still countries that try to atone for almost medieval ways of punishment of certain crimes by the death of the accused. The question of how it can be fair to repay an injustice, such as the death of a person caused willfully by the same injustice is something unacceptable and certainly incomprehensible. We believe that with thorough and conscientious thinking, everyone should come to this conclusion. The fact that Germany is no longer in use of this inhuman punishment shouldn’t distract from the fact that many other countries are still carrying out this procedure.

This poster is meant to visualize typical migraine pain.

Disturbances of the visual field (flickering before the eyes, flashes of light, blurred vision) are very common. Aside from this speech problems can occur. This is caused by disturbed signal transmission in the brain. Like an electric pulse a wave of disturbance is shot from a single across the cerebral cortex.

The letters M-I-G-R-A-I-N-E are reconstructed to create cuts, doublings and displacements. This is meant to recreate the feeling of migraine attack for anyone looking at the poster.

Flourishing of social media has led to the global shift in how we perceive privacy. Being normalized in everyday life, constant violations of confidentiality make us wonder where is the boundary which separates private from public. In this whirlpool of doubt and caution, everywhere and all the time we feel persistent presence of someone else. Someone who is watching.

In recent months, the work of sea rescuers has been made incredibly difficult by the Corona pandemic. While inaction on one front ensured falling infection figures, missions on the Mediterranean came to a complete standstill at times. Many states even took restrictive measures against non-governmental teams of sea rescuers. Allowing people to die on the Mediterranean Sea in order to further the isolation of Europe and to fight political power struggles is intolerable and speaks against any humanity.

The poster is against animal cruelty. While the wolf stands for animals in general, the dance steps symbolize the ease and cynicism with which man is doing so.

Being selfcentered harbours the risk of not being able to understand other viewpoints and positions.

We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”

You are filled! Sober up!

Do you really want to live in a surveillance state, giving up your privacy and freedom for pretended temporary security?

BILD is a german newspaper, known for its unmistakable style of headlines. By using the same corporate identity, this poster shows the functioning of BILD: The sensationalistic articles are aiming to incite fear in society.

East meets West’ by Gorilla is a comment on the clash of Western and Middle East culture. In the West, there has been a lot of discussion about prohibiting traditional Eastern clothing like the burqa and the niqab. There seems to be a fear of the anonymous. On the other end of the scale, exhibitionism, voyeurism and pornography is becoming an increasingly dominant part of Western culture. One can question oneself what is more offending to the other.

A person is noticibly nervous and even frightened by what reveals itself on the table after the package is opened – the person is frightened so much that he or she almost does not dare to look at it.

My idea deals with the individual and his or her fear and unwillingness to accept personal responsibility for the (often brutal) truth in his or her own life. The opportunity to bear this responsibility reveals itself not only in difficult situations but also in seemingly trivial ones. I believe that avoiding your responsibility for the truth has severe individual and global consequences.

As we all are glass people already, it does’nt make a difference when we present ourselves blatantly and liberal to drones. (Irony)

To grin and bear it.

Switzerland should open their boarders for refugees. In small letter „s.v.p.“ means in French „s’il-vous-plaît“, in English „please“. But in capitol letters, SVP stays for the Swiss right wing party SVP (Swiss Popular Party), who is against all immigration of refugees.