A twelve year old boy with a toy gun has been shot in a playground in Cleveland, Ohio, by two policemen.

Bombs fall, people flee, cities crumble – war is pure catastrophe. For millions, it means pain, loss and fear. But not for everyone. There are those who profit from suffering: Shareholders whose investments in arms companies bring maximum profits. Heads of state who secure raw materials and power under the guise of peace. Banks that increase their profits with loans for arms deals. As long as there is money to be made from war, why should there be peace?

Being selfcentered harbours the risk of not being able to understand other viewpoints and positions.

Who is deciding over rights?
Rights made for whom and by whom?
Can we categorize human beings by laws?
Is it sometimes just convenient to cling to paragraphs and thereby shirk responsibility?

This poster reflects our neglect with the planet present situation, the unnecessary excessive pollution that we generate and the direction we are taking.

The poster takes up on the design of typical german prohibition signs and their language. There are many prohibition signs in Germany and the yellow ones with black borders are a common sight. Often applied to guard against trespassing or to keep people from putting up posters.

The signal effect and imperative nature of these signs is retained in order to play with familiar visual patterns. The command „Diskutieren statt plakatieren!“ could roughly translate to „No Posters. Discussions!“

On the surface „Diskutieren statt plakatieren!“ looks like a prohibition sign but beneath that is a demand for a more nuanced culture of discussion beyond slogans and the language of campaigning.

This poster was designed to show the double moral in treating animals.
Kids are raised by their parents with books showing cute farm animals and happy people.
A wonderful world is presented to them, in which people and animals live in harmony.
On contrary the cute little pigs, sheep, and chicken are not given any second thought when they make it onto our bread for breakfast or into our dishes for lunch and dinner. We live in an illusion of a harmonic world created by ourselves, keeping our eyes shut for the harm that is done to animals.

Fake news is being a puppet of an unkown.

In our society pharmaceuticals are taken for granted and therefore consumed thoughtlessly. We should give more thought to their effect on society and our own quality of life. Do we really want to get older and older? The poster is also an allusion to Niklaus Stoecklins poster for Gaba in 1927.

The concept of the poster was inspired by the philosophy of the absurd — the compulsive search for meaning where there is none. As we vainly seek wholeness, the elements of our reality are abstracted into smaller and smaller parts, until they become pervasive noise. The more we try to make sense of it, the more it becomes unintelligible. And yet, we try.

This poster shows the game world of a small child with the central theme of war, the Kalashnikov, build out of blocks. War is not a game and children should not be tempted to the use of weapons, either caused by media in our western culture or as child soldiers in armed conflicts.

The poster could either criticize companies that aim to target new audiences with hypocritical promises and enhance their brand image, or it could represent an actual advertising campaign by Company XY, targeting the ‘Climate Warriors’ demographic. But following through with actions that match the beautiful words is not as important, especially if those words have already achieved the desired effect.

No description!

After hatching, a small, innocent creature looks expectantly on his future life.
It has no idea how cruel his short existence will be, before it ends at a fast food restaurant.

None of them did. Trapped in a net of unscrupulous and avaricious human traffickers, all over the world hundreds of thousands women are accompanied by pain and anxiety – their whole life.

Switzerland should open their boarders for refugees. In small letter „s.v.p.“ means in French „s’il-vous-plaît“, in English „please“. But in capitol letters, SVP stays for the Swiss right wing party SVP (Swiss Popular Party), who is against all immigration of refugees.

When the lie becomes the truth, propaganda celebrates its greatest victory.

We like to blame others, but… Everyone else is poisoning the environment, but… I’m not going to stop flying log distance, drinking from plastic cups, or get rid of my car. (It’s often the right-wing that loves to place the blame on others, and get offended when their own hypocrisy is unmasked).

Wrestling belongs to the Olympic Games, as the rings to the Olympic symbol.

Look fast, think fast, eat fast, live fast and die fast.

Unsere Arbeit lässt sich schnell beschreiben: Dinge, die wir scheiße finden. Und die mussten einfach mal gesagt werden.
Da Wut in der Regel subjektiv ist haben wir Wörter aus unserem Sprachgebrauch, hauptsächlich Eigenkreationen, verwendet. Die verschobene Optik und die Farbigkeit unterstützen diesen Ansatz und machen agressiv/unruhig, wenn man das Plakat länger ansieht.

 Say something truthful Donald, your nose is getting awfully long…

Like the fish in the water we are in our safe and peaceful environment. The feeling of helplessness turns us into passive observers.

Brainwashed, blinded and fueled by tantalizing promises, everyone could become a controllable and faceless extremist.

Don´t be careless – be careful!

The idea was to show a positive expression of showing one’s teeth, because it needs courage to do so. Have you ever blunt your teeth on trying to achieve something? Mostly, it’s worth the effort.

Women are still oppressed and disadvantaged by men in the most diverse areas of life. In the family, as well as in the public and the world of work, they are affected by social inequalities, which are caused, among other things, by traditional roles and gender prejudices. Women are underrepresented in leading positions and more often than men have a passive, reserved role in the background. They are taken less seriously and less perceived and encounter significant obstacles in the ascension within the hierarchy.

Posters are made to transport certain information. Nowadays the free or politically motivated posters are decreasing. What we are left with are rejoicing advertisements and cheap ampaign slogans. My poster deals with this subject matter. Ambiguously arranged typography prompts to leave the everyday comfort zone behind and begin to challenge the information and pictures we are fed.

“Unity and justice and freedom” – in a country where individual profit comes first, the corresponding passage in the national anthem should be adjusted.

Residential and commercial space has become a rare and expensive thing in cities. To achieve sustainable urban development one must properly handle resources, and this includes existing buildings. This is not a rational or social issue per say, but more a question of creating a space for fresh impulses. With the right amount of commitment, dedication and active involvement, we can create attractive new forms of utilization.

We must raise awareness of vacancy within the population of our cities, and this poster is designed to just that. The main message is aimed to make the issue up close and personal, by addressing us directly. The poster mourns the state of affairs, pressing us to change something about it.