Nestlé ist Branchenführer im riesigen Markt der Flaschenwasser-Hersteller. Entgegen ihrem Image als umweltbewusster und ressourcenschonender Trinkwasserversorger, kauft Nestlé Nutzungsrechte an Wasservorkommen für wenig Geld, schließt die lokale Bevölkerung vom direkten Bezug der Ressource aus ‒ nur um ihnen anschließend das selbe Wasser, verpackt in Plastikflaschen, wieder zu verkaufen.

Dies alles geschieht zudem ohne Rücksicht auf die Umwelt, Beispielsweise wenn das Unternehmen die Quellen zusätzlich anbohrt um mehr Wasser als auf dem natürlichen Wege zu gewinnen. Dabei trocknen ganzen Landstriche aus, Ernten bleiben aus, ganze Ökosysteme sterben und Quellen haben keine Zeit sich wieder zu regenerieren.

In dem Bewusstsein, dass wahrscheinlich bereits 2025 ca. 3 Milliarden Menschen unter Wassermangel leiden werden, treibt Nestlé die Privatisierung und auch Monopolisierung dieser wichtigen Ressource stetig voran. Leider wird über dieses Thema nur sehr wenig berichtet und gesprochen.

Für mein Plakat habe ich das Logo von Nestlé der Realität angepasst, und den Slogan von „Good Food, Good Life“ zu „Control Water, Control Life“ umgewandelt. Wer das Wasser kontrolliert, kontrolliert das Leben.

The menu of the media. (Recap of last years most notable issues as a single headline)

Wars deprive kids of the right to learn.

With our Devices we are just one click lick away from the Instant gratification,  the problem is we are trapped in this loop. Be Independent, Be the Change.

We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”

You are filled! Sober up!

My poster represent the fear that children feels when they are abused from their own fathers. The poster is like the shoe of the father when he is coming home and at the same time is like the door of the home with the afraid eyes of the child.

Our ice melts as fast as never before, mainly triggered by our massive Co2 output. Global warming has some serious consequences, such as the rapid melting of glaciers.

If we do not start to act environmentally conscious soon, our postponed problems will become existential fears in the future.

We’re living in the times when social norms are being reconsidered and broadened, which is amazing and promising. However, when I was reading articles about the widening definition of normal, I was thinking that there would always be individuals who wouldn’t fit into the new normal paradigm. I believe there is a catch in this discussion, by defining normal we are also highlighting our differences. So, the idea of this poster was to show that not belonging could be an incredible experience, too, and there was nothing abnormal with not being normal. The poster is a bit ironical, as the creature is setting its own tail on fire (or biting it, the interpretation is up to the viewers). The poster was hand-drawn with acrylic on paper.

 Say something truthful Donald, your nose is getting awfully long…

We‘re consuming non-stop. Only because we have the possibility to.
Instead of grappling with our discontentedness we buy stuff that we don‘t even need.
We consume to compensate the condition of feeling empty.
The use of stained and strong colours call the viewers attention.
On the first sight it seems amusing and fun to spot more and more things.
After a while the overfill starts to produce overstimulation in order to thought-provoking.

The Japanese even have a name for it: Karojisatsu, suicide from overwork. A society that places achievement over the human being isn‘t only the reality in Japan. Even though we have no word for it yet, we need to change something. Otherwise we will need one very soon. I demand: Let’s distance ourselves from the pressure of achievement, back to more quality of life.

The Wiesenhof brand uses the image of a small country house on a green field, with a few trees, to promote their products. It is meant to sell the idea of idyllic farms and happy chickens. Through extensive marketing the brand is very well-known in Germany, calling itself “the #1 poultry brand”. Every third chicken eaten is from Wiesenhof. The PHW-Group, which owns Wiesenhof, is the #1 animal exploitation company in Germany, and third largest in Europe regarding chicken farming, poultry raising and chicken slaughter. Every week this group slaughters around 4,5 million chickens.

The EU includes some of the wealthiest countries in the world and possesses abundant resources, knowledge, and prosperity. We consider ourselves democratic societies that uphold values such as human dignity, freedom, and equality. It is therefore our responsibility to devise improved solutions instead of resorting to aggressive push-backs at Europe’s external borders or mass accommodation in camps with inhumane living conditions. The right to live in a safe country should not be viewed as a privilege but as a fundamental human right.



The self-determined message communicates a clear statement for the emancipation of girls and women. The childlike style of handwriting expresses that we learn the view of female and male gender roles at an early age. Therefore, the foundation of future equality and equal opportunities can be set at an early stage in life.

The background why I created it: The most of people in the world long for a peaceful and happy life without guns and blood. But to be the different Union there are different conflicts of interest, in this situation, some super nations arbitrary interfere others. For example the Iraq War 2007 and today’s Syrian War.

This artwork uses the form of traditional Chinese ink painting to depict grapes made from grenades and barbed wire—symbolizing how the consequences of war bring only suffering and sorrow, like bitter fruit. This sharply contrasts the sweetness usually associated with grapes, merging two opposite sensations into one. It invites the viewer to “taste the bitter fruit of war”—a plea for peace and the avoidance of conflict.

Unerringly like a striker is chasing the ball, the big business that is the driving force behind world’s soccer is hit by one scandal after the other. But time and time again there is only the yellow penalty card for the ones responsible. The spectators as well as the players are to tacit complicity. It’s time for a dismissal!

Sei westlich – Sei verschwenderisch! 
Der gedankenlose Umgang mit unserem Essen ist nicht nur ein aktueller Trend, sondern hat eine lange Tradition in unseren Breitengraden. Bereits im Barockzeitalter wurden die Menschen durch die Lebensmittelsymbolik in sogenannten »Vanitas-Stilleben« ermahnt, ihre Essensgelüste zu mäßigen. An jener Maßlosigkeit hat sich aber nicht viel geändert. Wir leben heute in einem wahren Schlaraffenland: Eine Auswahl in XXL, 24/7 verfügbar, das Beste, das Neuste, immer frisch, immer billig. Und was wir nicht aufessen können, das schmeissen wir halt weg.

A little voice in our head. We trust it, as we feel it is our own. It knows what we want, what we need, what’s right and wrong. It seems we have made up our own mind, relying on the “independent” and “trustworthy” information network Facebook. Though it is merely an echo-chamber created by algorithms, which constantly gives us this affirmation.

Who uses facebook anyway?

1,4 billion daily active users, and 2,2 billion users in total. That’s more than a quarter of all people alive. In Europe and the US it makes up half the population. This enormous potential of influence is not only abused commercially, but also for political propaganda and manipulation.

The vulgar face and ways of Donald Trump are so ugly to watch and experience, there must be some way to make him shut up. His politics and attitude are brainless and empty.
He is a puppet of big industry. The only face that might look as hollow as Trump is the face of a rubber-sex-doll.

Quality has it’s price. “The cheaper the better” devalues work, talent and good quality products. Food for a few cents, a shirt for 5 and a logo design for 20 Euros – predatory pricing, price dumping (and connected to that wage dumping) kills quality and businesses.

Trump represents all kind of extremism. This is beyond politics. This is about basic human decency. Integrity, loyalty, honesty. Trump has misrepresented and attacked the poor, Latinos, African-Americans, Asians, immigrants and other minorities. He has openly mocked the disabled. He has called women “fat pigs”, “dogs”, “slobs” and “disgusting animals”. He’s praised for “telling it like it is,” except that Trump rarely says anything rooted in actual truth.

This is very serious: the most powerful country on earth has a fascist to run for president and about to be nominated as Republican candidate and perhaps President of the United States of America.
My poster is a satire of “kkk” using the “dunce cap” and the internet slang “kkkkk” for a big laughing.

Migration, unemployment & islamophobia: three of the current decade’s largest topics – especially in Europe. The poster, written from the perspective of a fictional Mohamed (the most common name in the world according to Wikipedia), highlights the bureaucratic and political difficulties of being a recently migrated foreigner seeking for employment: sitting in front of the typewriter, writing the same sentence over and over, slowly spiralling into madness and waiting for any future.

Every year we produce 35 billion tonnes of carbon dioxide. China is still the worst of all countries regarding these emissions. After that come the USA, India, Russia, Japan and Germany. But what we don’t see, doesn’t worry us.

Peace has been threatened by war, there is no peace under war.

A poster, on a wall, in a city somewhere. A JPG, embedded on a website, somewhere online. A chance encounter – or predestined by the mathematic codes that create our personalized worlds on facebook, google and so forth?

More than 350 million tons of plastic waste are produced each year worldwide; 8 million tons end up each year in the oceans; this volume of waste increases by 3 or 4% each year; the largest portion of waste is packaging and containers. Against this disposable plastic production, we need recyclable or biodegradable packaging, and above all we must come back to returnable and reusable containers.

Many African children (and non african) have chronic hunger. Situation that puts them at disadvantage and their life expectancy is very low. This terrible situation generates, among other undesirable consequences, the development of their life.