A person is noticibly nervous and even frightened by what reveals itself on the table after the package is opened – the person is frightened so much that he or she almost does not dare to look at it.

My idea deals with the individual and his or her fear and unwillingness to accept personal responsibility for the (often brutal) truth in his or her own life. The opportunity to bear this responsibility reveals itself not only in difficult situations but also in seemingly trivial ones. I believe that avoiding your responsibility for the truth has severe individual and global consequences.

The Japanese even have a name for it: Karojisatsu, suicide from overwork. A society that places achievement over the human being isn‘t only the reality in Japan. Even though we have no word for it yet, we need to change something. Otherwise we will need one very soon. I demand: Let’s distance ourselves from the pressure of achievement, back to more quality of life.

Basic salary, tray, baptisms, weddings, funerals and carols – those are sources of priests earnings. But according to what they say, they earn as much as doctors and pay ten times lower taxes. That sound pretty good. Divine life!

The poster East/West was created with current events in the East in mind. I can confidently say: “Nothing changes in the East.” The central idea was to show two directions—an arrow pointing west and another east—as a kind of warning. The rocket symbolizes ongoing conflict on many fronts: racial, ethnic, and religious. Stop war!

Do what you want, devil may care, other people are none of my business.

How can you seriously be upset about ingredients in food, if you are not willing to pay a fair price for it?

The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

None of them did. Trapped in a net of unscrupulous and avaricious human traffickers, all over the world hundreds of thousands women are accompanied by pain and anxiety – their whole life.

The UN Has Lost All Credibility. United Nations climate summit turned to  war of the poor and the rich. Discrimination was made for interests of the rich at the summits.

By law we are free. Free to decide to accept an offer and use it or not. This freedom of use is not permitted by the GEZ, in this case we are forced to pay for something whether we use it or not.

Die Katastrophe für Mensch und Natur in Japan ist nur wenige Monate alt, aber medial weitestgehend schon wieder vergessen. Das Plakat soll uns das Schicksal und die noch ungeklärten folgen für Mensch und Natur wieder ins gedächtniss rufen. Zugleich weißt das Plakat auch darauf hin, das die atomare Katastrophe in fukushima nicht behoben quasi nicht “abgeschaltet” ist.

Everyday the media provides information from all over the world. Whether plane crashes or breast augmentation, nothing remains unmentioned. Because of the large amount of information there is no more time to question the content. Did it really happen? Is the image real? Who wrote the article? How precise was the research? Is the statement true? We should not trust everything the media presents us.

The poster is about the connection between education and democracy. A fair world is only possible if all people are responsible and capable of understanding and producing content matter. No one may be left out.

A twelve year old boy with a toy gun has been shot in a playground in Cleveland, Ohio, by two policemen.

Bangkok is a city of animism where supernatural beings dwell in both natural and constructed objects. Tales of ghosts and superstitions are parts of our everyday life. There are two types of land spirits whose a majority of Thais believes in; Deity of the Land and Lord of the Place.

The blue ghosts seen in the poster represent the spirits in everyday sights throughout the city, the noble landlords who possess acres after acres of land. We, as Bangkok’s ordinary people, can do nothing apart from watching them and paying for taxes and rents to them for the rest of our lives.

With our Devices we are just one click lick away from the Instant gratification,  the problem is we are trapped in this loop. Be Independent, Be the Change.

Unter Verwendung eines heute doppeldeutig klingenden Meisner-Zitates aus den jährlichen Soldatengottesdiensten im Kölner Dom wird die Sakralisierung des modernen Kriegsapparates und zugleich die sexualisierte Gewalt in der Kirche ins Bild gesetzt. Erst ein genauer Blick – etwa auf den Verlauf der Soutanenknöpfe – erschließt die Abgründe der Bildmitte. Der priesterliche Amtsträger selbst ist gesichtslos, auf dem Hintergrund der liturgischen Farbe der Bußzeit dominiert ein Schwarz ohne Zukunft.

Donald Trump is incessantly scattering messages around the globe – only a small part of which are true.

Caution is advised here, as lies are greedy and love to devour those who feed them.

Although we are all aware of the excessive pollution that we face in urban areas, we have, so far, been unable to find a solution for our rising problem. That being said, we seem to be okay with the current situation, as if pollution has become a part of our everyday livelihood and with every breath it consumes us even more.

The idea of the poster came out recently when the Native American tribe Sioux were protesting against the installation of an oil pipeline in their reservation Standing Rock in North Dakota. This protest became widely known, especially because of the violence the U.S. Government used with riot police and the army. This is only the origin of the idea, but the main thing is that times change (from the old times of the Conquest of the West to nowadays, from the “romantic” cowboy to the non-romantic at all riot police), but the oppression is always there, and it’s used always by the same oppressor. And we could extend this idea to every era, situation or geographic place.

Being selfcentered harbours the risk of not being able to understand other viewpoints and positions.

This quick sketch (originally drawn on a sticky note) is an ironical approach to clarify the paradox and misleading term “moderate rebels“. A disguised person sits in front of a TV. Holding a rifle in one hand and a TV remote in the other one. This guy does not seem to be in the mood for a rebellion. His dullness is emphasized by the words „Heute kein Bock!“ (engl. “Not Today!“).

How normal is the norm, and since when? Being sure of something and completely ignoring the fact seems to have become an everyday thing in these time.

When you are working in the creative industry for example, you probably love what you do. Being busy with your work all the time seems almost natural. The Poster is a little reminder that there are still other worlds you can enter.

One of Yoko Ono’s tips for self-care: Look at a screen and record its feelings. Stop working when the earth or the laptop gets too hot.

The concept of the poster was inspired by the philosophy of the absurd — the compulsive search for meaning where there is none. As we vainly seek wholeness, the elements of our reality are abstracted into smaller and smaller parts, until they become pervasive noise. The more we try to make sense of it, the more it becomes unintelligible. And yet, we try.

It is so comfortable to be dependent. Laziness and cowardice let people follow others’ opinions and aims. Governments or companies can use us for their benefits. The more we keep silent, the more others raise their voices. It is so uncomfortable to have an own opinion. The shame is liberated; the thoughts are covered by leaves: The poster shows the change of censorship in our society.

*»Kein Blatt vor den Mund nehmen«(literally: Not putting a leaf in front of your mouth.) means to speak out liberate, directly and shameless.

The goal of the poster is to raise awareness about domestic violence and reflect on its complexity. The image shows an idyllic “mother-father-child” scene, drawn in the style of a child’s crayon sketch. But subtle details hint at a disturbing reality behind the surface.

Groceries in Germany are too cheap (especially compared to other countries), still too many people complain about the prizes.
– Say nein! to ja!