Since the landroute across Balkans is closed dying in the Mediterranean Sea continues.

A poster, on a wall, in a city somewhere. A JPG, embedded on a website, somewhere online. A chance encounter – or predestined by the mathematic codes that create our personalized worlds on facebook, google and so forth?

The poster design is inspired by “gravity”. The bullets fired by terrorists fly around the earth under the action of gravity, and finally hit themselves, so as to reflect the war starting from evil, and finally It’s still me who eats back.

The background why I created it: The most of people in the world long for a peaceful and happy life without guns and blood. But to be the different Union there are different conflicts of interest, in this situation, some super nations arbitrary interfere others. For example the Iraq War 2007 and today’s Syrian War.

Although we are all aware of the excessive pollution that we face in urban areas, we have, so far, been unable to find a solution for our rising problem. That being said, we seem to be okay with the current situation, as if pollution has become a part of our everyday livelihood and with every breath it consumes us even more.

We’re living in the times when social norms are being reconsidered and broadened, which is amazing and promising. However, when I was reading articles about the widening definition of normal, I was thinking that there would always be individuals who wouldn’t fit into the new normal paradigm. I believe there is a catch in this discussion, by defining normal we are also highlighting our differences. So, the idea of this poster was to show that not belonging could be an incredible experience, too, and there was nothing abnormal with not being normal. The poster is a bit ironical, as the creature is setting its own tail on fire (or biting it, the interpretation is up to the viewers). The poster was hand-drawn with acrylic on paper.

None of them did. Trapped in a net of unscrupulous and avaricious human traffickers, all over the world hundreds of thousands women are accompanied by pain and anxiety – their whole life.

This poster is about freedom of speech.
It is the inalienable right of every human being who is denied of his in some countries.
The dove with beak tied is the metaphor of man under pressure that he could not express his opinions freely.

Reicher Mann und armer Mann
standen da und sah´n sich an.
Und der Arme sagte bleich:
‚Wär ich nicht arm, wärst du nicht reich.’

(Bertolt Brecht)

The use of national symbols — a tradition in need for improvement.

Right-wing populist parties in Europe have been gaining strength for years. Simple answers to complex questions turn them into stars of the modern age. This poster is an appeal: Don’t trust anyone blindly!

Limp silence is a critique on the Vaticans silence on the child abuses in churches which were/are happening all over the world.

The AfD and its members are primarily known for their right-wing, racist, fascist, and inhumane statements. Statements reminiscent of the Nazis. For this reason, the arrow in the AfD logo was slightly altered, adapted, and colored brown. This clarifies what the AfD really is. Brown shit.

The poster is about the connection between education and democracy. A fair world is only possible if all people are responsible and capable of understanding and producing content matter. No one may be left out.

This poster brings visibility to what the world often tries to hide: homelessness, slums, and favelas. Thousands of such places exist worldwide—pushed to the margins of society.
I used bold colors and layered compositions to symbolize cramped, overcrowded living. The limited poster size reflects the lack of space; overlapping rectangles mark the tiny areas people are forced to live in. The scattered typography represents people in motion—searching for stability and believing in a sustainable future. This work is a call to look closer—because behind every makeshift home, there is a human being.

National and international turmoil has divided our political landscape and given way to right-wing parties. We must band together to create positive change!

The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

Die Idee für mein Plakat entstand während der Präsidentschaftskandidatur Sepp Blatters für eine vierte Amtszeit als FIFA-Präsident.

Die FIFA stellt sich gerne als völkerverbindender, die Kulturen einender, Global Player dar. Was hinter verschlossenen Türen geschieht, hat allerdings nichts mit einem weltoffenen Unternehmen zu tun. Skurrile Entscheidungen werden von einem erlesenen Kreis von Funktionären getroffen: Die WM-Vergabe an Katar oder der Bau riesiger Stadien ohne nachhaltigen Nutzen für die Bevölkerung Südafrikas sind Beispiele dafür. Hier scheint es nur um das schnelle Geschäft und um maximalen Profit zu gehen. Die Korruptionsvorwürfe wollen nicht verstummen. Doch Kritik wird nicht geduldet, das System um jeden Preis erhalten.

Die Idee des globalen FAIR PLAY wird zum leeren Marketingversprechen. FUCK OFF ist meine Antwort darauf. Sie steht gleichzeitig für die Haltung der FIFA ihrem eigenem Claim gegenüber: Blatter hat ihn zu einer zynischen Worthülse degradiert.

This poster combines two familiar symbols: the disability icon and a city road sign.
The city skyline stands for broken, inaccessible public spaces—potholes, crumbling sidewalks, steep curbs, and the absence of smooth pathways. The person in the wheelchair is trapped in it.

The political dialogue in Austria is on a very poor level these days.

Fast internet is still wishful thinking in many rural regions of Germany. The country is known for impeding innovation and flexibility with excessive bureaucracy. On one hand, there are concerns about data security and privacy when it comes to digital solutions. On the other hand, there is a lack of suitable measures to ensure the security of citizens’ data. Furthermore, digital education is still given insufficient importance. If Germany wants to maintain its position as a leading economic nation in the digital age, it still has a lot to do.

By law we are free. Free to decide to accept an offer and use it or not. This freedom of use is not permitted by the GEZ, in this case we are forced to pay for something whether we use it or not.

This work uses fingers and animals to combine graphic creativity. Because of the destruction of the nature of human beings, the killing of living things, so the creatures continue to evolve, mutate into colorful colors, but also grow human hands, in an attempt to resist this evil. Hope to warn people not to kill animals, care about the current global environmental problems.

Queer is a collective term for sexual orientations that are not heterosexual, as well as any gender identities. As a queer person, you don’t have to follow all the stereotypical clichés of the scene. Be who you are.

The trowel is a tool for building. By connecting it with the symbol of the good — of love — we gain the strength of a powerful message.
Building the good is both incredibly simple and incredibly hard. But I believe that only through this act — through building the good — can we remain human in the truest, most humanistic sense.

The poster is against animal cruelty. While the wolf stands for animals in general, the dance steps symbolize the ease and cynicism with which man is doing so.

Don´t worry. You can be sure that German authorities and agencies will pursue their work with absolute thoroughness and order. All work procedures are kept to as required, so an archiving of all files and records in an exemplary manner can be guaranteed.

This poster is a commentary on the condition of the modern human. We are so very virtual.