Election ink is a semi-permanent ink that is applied to the forefinger of voters during elections in countries where identification documents for
citizens are not always standardized or institutionalized.

How normal is the norm, and since when? Being sure of something and completely ignoring the fact seems to have become an everyday thing in these time.

 I mean –  who doesn’t like cake?

Flourishing of social media has led to the global shift in how we perceive privacy. Being normalized in everyday life, constant violations of confidentiality make us wonder where is the boundary which separates private from public. In this whirlpool of doubt and caution, everywhere and all the time we feel persistent presence of someone else. Someone who is watching.

The idea was to show a positive expression of showing one’s teeth, because it needs courage to do so. Have you ever blunt your teeth on trying to achieve something? Mostly, it’s worth the effort.

My poster represent the fear that children feels when they are abused from their own fathers. The poster is like the shoe of the father when he is coming home and at the same time is like the door of the home with the afraid eyes of the child.

The old saying »throwing the baby out with the bath water« describes situations in which we take much too drastic actions than necessary.

We like to blame others, but… Everyone else is poisoning the environment, but… I’m not going to stop flying log distance, drinking from plastic cups, or get rid of my car. (It’s often the right-wing that loves to place the blame on others, and get offended when their own hypocrisy is unmasked).

The poster East/West was created with current events in the East in mind. I can confidently say: “Nothing changes in the East.” The central idea was to show two directions—an arrow pointing west and another east—as a kind of warning. The rocket symbolizes ongoing conflict on many fronts: racial, ethnic, and religious. Stop war!

men cry,
women masturbate,
men can use makeup,
women age,
men can wear dresses,
women must not want children,
men are vulnerable,
women can get violent,
men can love men,
women can love women,
men can like pink,
women can have body hair,
men don’t have to be muscular,
women don’t have to be thin,
men don’t have to love sex,
women can be good bosses
…

March 8th is International Working Women’s Day. On this day the woman can feel as the big boss of the family. I wanted to create a humorous illustration to express the way that women stand tall for change.

The specter of plastic pollution is everywhere – like the cry of a human soul trapped in a world choked by plastic bags.

Bangkok is a city of animism where supernatural beings dwell in both natural and constructed objects. Tales of ghosts and superstitions are parts of our everyday life. There are two types of land spirits whose a majority of Thais believes in; Deity of the Land and Lord of the Place.

The blue ghosts seen in the poster represent the spirits in everyday sights throughout the city, the noble landlords who possess acres after acres of land. We, as Bangkok’s ordinary people, can do nothing apart from watching them and paying for taxes and rents to them for the rest of our lives.

To grin and bear it.

The message of “Increase the peace” is as easily described as the design I created to communicate it: a fat dove of peace.

We need to find solutions for making sure that no children are excluded from schooling, educative systems, poverty alleviation, human rights.

Hitlers quote about the german boy is well known all over the world. It is both naive and lowbrow at the same time.

This poster shows the dependence of teens and young adults to social media. Services such as Facebook, Twitter und Co. have become an addiction, and seem to be increasingly seen as a requirement to live our lives.

In the world every day many women are harassed and sexually abused, but they are silent for improper judgments​.

Action und Panik haben sich im Nachrichtengeschäft schon immer am besten verkauft, ganz nach dem Motto “If it bleeds, it leads”. Was mich enorm stört, ist dabei jedoch die immer aktivere Rolle der Nachrichtensender, die sich längst nicht mehr auf die reine Berichterstattung beschränken. Statt nur zu beobachten, betätigen sie oftmals sozusagen selbst den Abzug – ohne Rücksicht auf Verluste.

This poster reflects our neglect with the planet present situation, the unnecessary excessive pollution that we generate and the direction we are taking.

The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

Unter Verwendung eines heute doppeldeutig klingenden Meisner-Zitates aus den jährlichen Soldatengottesdiensten im Kölner Dom wird die Sakralisierung des modernen Kriegsapparates und zugleich die sexualisierte Gewalt in der Kirche ins Bild gesetzt. Erst ein genauer Blick – etwa auf den Verlauf der Soutanenknöpfe – erschließt die Abgründe der Bildmitte. Der priesterliche Amtsträger selbst ist gesichtslos, auf dem Hintergrund der liturgischen Farbe der Bußzeit dominiert ein Schwarz ohne Zukunft.

Right-wing populist parties in Europe have been gaining strength for years. Simple answers to complex questions turn them into stars of the modern age. This poster is an appeal: Don’t trust anyone blindly!

The poster deeply digs and creatively from the phenomenon of life, using graphics to show the last scene of people falling into the water asking for help, while the people close at hand are taking photos as a rubberneck, thus criticizing this strange phenomenon of “indifference”, hoping to wake up the people’s sense of social responsibility, and make it a social atmosphere to be brave and good.

Everything is On, everybody is On, everywhere is On
I wish Africa was On.

This artwork uses the form of traditional Chinese ink painting to depict grapes made from grenades and barbed wire—symbolizing how the consequences of war bring only suffering and sorrow, like bitter fruit. This sharply contrasts the sweetness usually associated with grapes, merging two opposite sensations into one. It invites the viewer to “taste the bitter fruit of war”—a plea for peace and the avoidance of conflict.

“Unity and justice and freedom” – in a country where individual profit comes first, the corresponding passage in the national anthem should be adjusted.

None of them did. Trapped in a net of unscrupulous and avaricious human traffickers, all over the world hundreds of thousands women are accompanied by pain and anxiety – their whole life.

Like the fish in the water we are in our safe and peaceful environment. The feeling of helplessness turns us into passive observers.