Groceries in Germany are too cheap (especially compared to other countries), still too many people complain about the prizes.
– Say nein! to ja!

Women have less legal rights so they become more often victims of violence. In many countries, in many areas there are no clear laws or regulations to punish domestic violence, although it is a common problem. Domestic violence is generally regarded as a private matter not to be accepted by national jurisdictions.

This poster is a quick reminder in the name of reality.
Lift your head and cross the thin line between screen life and real life. You won’t regret it.

The capitalistic exploitation logic steers us increasingly destructive to the abyss of self-destruction. Modern human beings remain in an attitude of passive endurance and seemingly comfortable self-deception, when the alternative would be a necessary revolution. We remain calm as Hindu cows and operate business as usual.

“Libertas, Securitas, Justitia” lautet das Motto der EU-Grenzschutzagentur Frontex.
Ihre Einsätze im Mittelmeerraum sind völkerrechtlich bedenklich und reduzieren dieses Motto auf einen einzigen Begriff:
Sicherheit um jeden Preis.

Being selfcentered harbours the risk of not being able to understand other viewpoints and positions.

When the lie becomes the truth, propaganda celebrates its greatest victory.

The focus of my poster is beauty and how we deal with wild, urban nature, which flourishes in locations that are heavily influenced by humans (wasteland, old industrial areas). This so-called 4th nature does not fit into our classic concept of beauty due to its rampant and unadorned aesthetics and is often not given much attention. Nonetheless its heterogeneity enables one great biodiversity in urban areas and creates the opportunity to experience wild nature close to city-centers. However, these areas mostly only exist temporarily, as they fall victim to new construction projects in the course of urbanization and densification.

Despite great progress in equality between man and woman in everyday life a woman is often confronted and degraded in the planning of her future and career or in the family circle with outdated gender thinking.
This poster is a play on words with sexist elements that degrades a woman on the role of a housewife and a sex object. The poster “Ironing and getting ironed” is an exaggerated confrontation with the still often disparagingly rated life of a woman.
The woman irons well-behaved the laundry and indicates at the same time by her bare breasts that she can always be ironed. “Ironed” is a German dialect meaning: “Getting fucked”.

As the gap between rich and poor keeps growing, the wealthiest percentage of the global population gains more and more influence and power. This imbalance plays out not only in financial terms but across all aspects of social life.
In response to these injustices—especially in times when figures like Donald Trump are considered “the most powerful man in the world”—more and more people are taking to the streets. One slogan of this resistance: Eat the [Filthy] Rich—a call to action against excessive wealth and capitalism that dates back to the French Revolution.

Light, symbolizing life, happiness, hope, justice and sacredness, conveys the most glorious and spectacular impression to mankind. While it has a guiding role, it can also cause the instinctive excitement and joy of all things of life. But we are at home with mobile phones in our hands, so where is the hope of mankind now? Where does this light lead us? Maybe in the next generation.

Posters are made to transport certain information. Nowadays the free or politically motivated posters are decreasing. What we are left with are rejoicing advertisements and cheap ampaign slogans. My poster deals with this subject matter. Ambiguously arranged typography prompts to leave the everyday comfort zone behind and begin to challenge the information and pictures we are fed.

Wrestling belongs to the Olympic Games, as the rings to the Olympic symbol.

The weapon of the western civilization is the surveillance. Nobody is safe – anywhere.

We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”

You are filled! Sober up!

An idea about forced marriage, sexual slavery and gender domination.

The goal of the poster is to raise awareness about domestic violence and reflect on its complexity. The image shows an idyllic “mother-father-child” scene, drawn in the style of a child’s crayon sketch. But subtle details hint at a disturbing reality behind the surface.

The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

Women earn less for the same work and the same qualifications.
Women are sexualized in the media and in everyday life.
Women mostly take care of children or the sick without being paid.
Women are more often affected by poverty in old age.
Women experience sexualized and/or domestic violence more often.
Women still do not have the same rights as men.
Women are less represented in politics and leadership positions.

In order to change something, equal rights are needed.

Therefore — men — make some space!

Take a look at Poland these days, and you will see one scandal after another. Suppression and decay of democracy in the heart of europe.

The end of an era narrated through the fall of a vincible superhero.
An icon of the 20th century showing his visual strength for the last time before the crash.
A logo immortalized in the moment, this means changes.

The symbol of the cycle is omnipresent on todays products and packagings. To the consumer this can be misleading, constantly suggesting the waste will be reused. This way of recycling often is just a disposal via detours. Wrongly disposed or problematic materials are burnt or exported, statistically counting as recycled. While the total amount of waste produced is going up, the real challenge of reducing waste is neglected.

My poster shows a whale being symbolically cut into pieces by sound waves.
The noise exposure under water is constantly increasing; cargo ships, navy sonar systems, the installation of offshore wind parks, ships looking for oil and gas, altogether form an immensely, continuous noise.  Whales and other water creatures are losing their orientation, as they are communicating by ultrasound and their orientation is disturbed.
Hence they are driven away from reproduction and nutrition places, lose their group, some get deaf. Whole schools of whales stranded after seismic examinations and sonar experiments, used in order to find oil. The animals concerned die in a torturous way, and are finally found with internal bleedings and damaged acoustic organs at our beaches.
They tried, without any orientation, to flee from the acoustic noise surrounding them.

This poster is about freedom of speech.
It is the inalienable right of every human being who is denied of his in some countries.
The dove with beak tied is the metaphor of man under pressure that he could not express his opinions freely.

Over cutting of human beings will eventually lead to the disappearance of forests.

The poster turns our traditional role models of men and women upside down by showing Olive Oyl, not Popeye, smoking a pipe and flexing her muscles.
The supposedly masculine attributes on Olivia seem rather silly and show how much clichéd role models have manifested themselves in our minds.

This poster is commenting on the adverse consequences of overfishing and overhunting for human gratification, which often results in the critical endangerment of certain species and puts biodiversity in grave danger.

This poster combines two familiar symbols: the disability icon and a city road sign.
The city skyline stands for broken, inaccessible public spaces—potholes, crumbling sidewalks, steep curbs, and the absence of smooth pathways. The person in the wheelchair is trapped in it.

I’m afraid. I’m afraid, My mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it. I can feel it. I’m a… fraid.