The specter of plastic pollution is everywhere – like the cry of a human soul trapped in a world choked by plastic bags.

In many Islamic countries women rights are suppressed, there are too many rules and they have to dress in overall burkas that look like restraining cages, exposing only eyes that resemble a small prison window revealing a trace of light. This appeal is intended to loosen the restrictions on women.

The poster East/West was created with current events in the East in mind. I can confidently say: “Nothing changes in the East.” The central idea was to show two directions—an arrow pointing west and another east—as a kind of warning. The rocket symbolizes ongoing conflict on many fronts: racial, ethnic, and religious. Stop war!

I tried to approach the themes destruction of environment and globalization in a funny way.

The “Zeitgeist” poster was created in response to the news headlines from several online newspapers one day in October 2017. When scrolling through news portal sites, the discrepancy between positive and negative, important and unimportant news is incredibly large. On some days, this rapid change of moods causes discomfort. On other days, it triggers a state of indifference.

The German word “Einfalt” (Simplemindedness), which denotes a certain narrowness of mind is made up composed of the word “ein” and the word “falt”.
So far “Einfalt” – following the word origin – is just something that applies to the human behind.

Ein Zitat von Paul Ernst scheint mir ganz passend für mein Plakatmotiv zu sein. “Hass erzeugt Hass, aber nie will der Hass sich nach dieser Wahrheit richten. Wie man selbst seinen Mitmenschen begegnet, so begegnen diese einem selbst. Das ist die zentrale Aussage des Plakats.

After hearing the news that “Japan is going to dump nuclear waste water into the Pacific Ocean”, I believe everyone’s mood and expression in the world are just like this poster, dazed and anxious… This expression has been integrated with the spread of nuclear waste water in the Pacific Ocean, so as to warn the whole mankind to resolutely oppose this behavior.

The aim of the poster is to raise awareness about the risks of one of the most commonly used digital tools. This risk is caused by the lack of information about data security. Even people with a higher knowledge, the security of digital security is ignored. At some point, a multitude of users seem to be through user-friendly design. By rearranging the letters of the original, the design has been configured to give an erroneous view in a certain way to an observer – a warning sign that a irresponsible collection of data can be used in a dangerous way, especially for minorities.

This poster presents a feminist demand engraved into a stone tablet — borrowing the visual language of monuments to give weight to the ongoing protest against the gender pay gap, which still stands at 16%. Maybe we really do need to carve our demands into stone in order to be heard.
Truly etched in stone is the custom-designed display typeface Friedländer—inspired by an early sketch by Elisabeth Friedländer, one of Germany’s first female type designers.

The first time I heard about the competition, I thought »Courage for what?« because I did not understand what  it was about. Later when I read the details, I understood the significance of these 3 words. Sometimes we have the courage, burning inside, but we are not sure how to use that rage, we don‘t have a suitable way to express it and tend to do what the masses do.  idea how cruel his short existence will be, before it ends at a fast food restaurant.

With my piece, I wanted to make a layout that could give a distant feeling of what it’s like to suffer from the disease. As a visual realization, especially in background with the contest for Mut zur Wut, I was looking for a way to bring the topic to an understandable point and with the help of which you can put yourself a little bit into the depressive state. My experiences with depression have led me to make a personal contribution to this topic. On the one hand, I wanted to tell those affected that they are not alone with their feelings and to give people who find it difficult to put themselves in this position a visual clue: Look, the world is hidden behind it (or a good poster;-), but it is not available to you. Be brave! Talk about it.

The capitalistic exploitation logic steers us increasingly destructive to the abyss of self-destruction. Modern human beings remain in an attitude of passive endurance and seemingly comfortable self-deception, when the alternative would be a necessary revolution. We remain calm as Hindu cows and operate business as usual.

The theme of the poster is water as the most important natural resource and the basis for all life. It is a wake-up call about pollution and abuse in the use and consumption of this natural resource. If we do not take care of the water and continue the current trend this natural resource will have been consumed or will be so polluted that it will become practically useless. It is a scream for help.

Unsolved Payments, which apparently nobody knows about. Corruption scandals cast a shadow over the world of soccer. My poster puts the trouble in explaining of the German Football Association in a nutshell by imitating the rhetorical skills of Franz Beckenbauer.

A poster based on a motif taken from the classic pop album cover – Michael Jackson’s Bad. I was inspired by characteristic pose, the title of the record and the singer’s penetrating look. When I thought about the series of Bad Posters, it was the first, completely natural idea that came to my mind. Punk, anarchist use and transformation of an existing theme, taken from pop culture. I simplify motif, leave only black shape and mysterious look. I tried to create mysterious, slightly grotesque, dark image with high power, simplicity and use appearance of a cult and controversial vocalist.

“Libertas, Securitas, Justitia” lautet das Motto der EU-Grenzschutzagentur Frontex.
Ihre Einsätze im Mittelmeerraum sind völkerrechtlich bedenklich und reduzieren dieses Motto auf einen einzigen Begriff:
Sicherheit um jeden Preis.

My poster represent the fear that children feels when they are abused from their own fathers. The poster is like the shoe of the father when he is coming home and at the same time is like the door of the home with the afraid eyes of the child.

Ein gutes Plakat braucht keinen Anwalt, obwohl es selbst sehr oft diese Rolle übernehmen muß, indem es z.B. Menschenrechte in Schutz nimmt“.

Female genital mutilation is a terrible situation for women, especially in Africa.
In this procedure knifes, razors or scissors are used.

The dangerous demagogy of Donald Trump

In the context of creation, this poster is about me: I’m angry at myself—angry that I’m not more angry at myself. But in the context of presentation, this anger turns on you. I’m angry at you for not being angry enough at yourself. And I’m probably angry at you now because you might not understand the concept behind this poster. We direct our anger outward, forgetting how hypocritical and unreflective that really is. It’s incredibly easy to point fingers at others instead of turning that anger inward. Ironically, this poster does exactly that.

The political dialogue in Austria is on a very poor level these days.

Donald Trump spent more than a year rousing crowds with a simple promise: “I’ll build a great, great wall on our southern border, and I will have Mexico pay for that wall. Since the “bad hombres” were entering the United States and not leaving, Trump deemed it appropriate that Mexico would pay for this wall.

With a simple adjustment to the American flag I made this poster which depicts Trumps ultimate monument to xenophobia.

Switzerland should open their boarders for refugees. In small letter „s.v.p.“ means in French „s’il-vous-plaît“, in English „please“. But in capitol letters, SVP stays for the Swiss right wing party SVP (Swiss Popular Party), who is against all immigration of refugees.

We’re living in the times when social norms are being reconsidered and broadened, which is amazing and promising. However, when I was reading articles about the widening definition of normal, I was thinking that there would always be individuals who wouldn’t fit into the new normal paradigm. I believe there is a catch in this discussion, by defining normal we are also highlighting our differences. So, the idea of this poster was to show that not belonging could be an incredible experience, too, and there was nothing abnormal with not being normal. The poster is a bit ironical, as the creature is setting its own tail on fire (or biting it, the interpretation is up to the viewers). The poster was hand-drawn with acrylic on paper.

This poster shows the dependence of teens and young adults to social media. Services such as Facebook, Twitter und Co. have become an addiction, and seem to be increasingly seen as a requirement to live our lives.