The poster is about the Chernobyl disaster in 1986. It shows its negative effects on human health.

The poster could either criticize companies that aim to target new audiences with hypocritical promises and enhance their brand image, or it could represent an actual advertising campaign by Company XY, targeting the ‘Climate Warriors’ demographic. But following through with actions that match the beautiful words is not as important, especially if those words have already achieved the desired effect.

No. Thanks.

 Say something truthful Donald, your nose is getting awfully long…

Pacifists face a complex dilemma in dramatic situations like the war in Ukraine. Si vis pacem, para bellum (“if you want peace get ready for war”) or Si vis pacem para pacem?

People speak, write and shout but nothing changes. We speak the same language but don’t understand each other. The hamster wheel is turning faster and faster, the engines roar louder and louder, drowning out the helplessness of some and frightening others. Anger is the engine of change. Have courage to change!

BILD is a german newspaper, known for its unmistakable style of headlines. By using the same corporate identity, this poster shows the functioning of BILD: The sensationalistic articles are aiming to incite fear in society.

The specter of plastic pollution is everywhere – like the cry of a human soul trapped in a world choked by plastic bags.

Being stuck in a fundamental inerrant religious pattern and therefore feeling infallible and unmistakable, prone to evading one’s responsibility.

The idea of the poster is to represent freedom of movement.

Our ice melts as fast as never before, mainly triggered by our massive Co2 output. Global warming has some serious consequences, such as the rapid melting of glaciers.

If we do not start to act environmentally conscious soon, our postponed problems will become existential fears in the future.

How can you seriously be upset about ingredients in food, if you are not willing to pay a fair price for it?

The poster design is inspired by “gravity”. The bullets fired by terrorists fly around the earth under the action of gravity, and finally hit themselves, so as to reflect the war starting from evil, and finally It’s still me who eats back.

This poster was made to denounce the concept of corruption. It is a personal vision on monopolistic practices, an analogy between industry and the monarchy where there is a single leader.

Ritalin is »the« trendy medication of our time, which is being prescribed way too often, in my opinion to active children in order to adjust them to common standard. In my poster, a future is shown in hyperrealistic style, where Ritalin is used as a basic ingredient in children’s nutrition products, such as the well known Swiss ice cream brand »Rakete« from Frisco (Nestlé).

We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”

You are filled! Sober up!

One of the most important question in the world that doesn’t have any answer is: How much does it cost to develop the world? Please see the costs at this poster and judge!

Nestlé ist Branchenführer im riesigen Markt der Flaschenwasser-Hersteller. Entgegen ihrem Image als umweltbewusster und ressourcenschonender Trinkwasserversorger, kauft Nestlé Nutzungsrechte an Wasservorkommen für wenig Geld, schließt die lokale Bevölkerung vom direkten Bezug der Ressource aus ‒ nur um ihnen anschließend das selbe Wasser, verpackt in Plastikflaschen, wieder zu verkaufen.

Dies alles geschieht zudem ohne Rücksicht auf die Umwelt, Beispielsweise wenn das Unternehmen die Quellen zusätzlich anbohrt um mehr Wasser als auf dem natürlichen Wege zu gewinnen. Dabei trocknen ganzen Landstriche aus, Ernten bleiben aus, ganze Ökosysteme sterben und Quellen haben keine Zeit sich wieder zu regenerieren.

In dem Bewusstsein, dass wahrscheinlich bereits 2025 ca. 3 Milliarden Menschen unter Wassermangel leiden werden, treibt Nestlé die Privatisierung und auch Monopolisierung dieser wichtigen Ressource stetig voran. Leider wird über dieses Thema nur sehr wenig berichtet und gesprochen.

Für mein Plakat habe ich das Logo von Nestlé der Realität angepasst, und den Slogan von „Good Food, Good Life“ zu „Control Water, Control Life“ umgewandelt. Wer das Wasser kontrolliert, kontrolliert das Leben.

This poster presents a feminist demand engraved into a stone tablet — borrowing the visual language of monuments to give weight to the ongoing protest against the gender pay gap, which still stands at 16%. Maybe we really do need to carve our demands into stone in order to be heard.
Truly etched in stone is the custom-designed display typeface Friedländer—inspired by an early sketch by Elisabeth Friedländer, one of Germany’s first female type designers.

Complexions are just colour fields, why would you get irritated by them? Why would you even segregate them or be hostile to them? Who decides from which colour field someone belongs to the good ones or the bad ones?
It is necessary to stop the segregation and bring those colours back together.

The weapon of the western civilization is the surveillance. Nobody is safe – anywhere.

The German word “Einfalt” (Simplemindedness), which denotes a certain narrowness of mind is made up composed of the word “ein” and the word “falt”.
So far “Einfalt” – following the word origin – is just something that applies to the human behind.

Be active, be aware, be of good cheer, be kind, be ready, be smart, love other people, take on responsibility, BE A HERO!

March 8th is International Working Women’s Day. On this day the woman can feel as the big boss of the family. I wanted to create a humorous illustration to express the way that women stand tall for change.

This poster shows the dependence of teens and young adults to social media. Services such as Facebook, Twitter und Co. have become an addiction, and seem to be increasingly seen as a requirement to live our lives.

Faster! When do we finally arrive?

Cities all over the world are becoming more and more invisible. They become invisible because of the smog we create to reach ever higher goals. But the smog destroys the basis of living and everything gets ugly and we grow ill – until we can’t see each other anymore.

This poster is meant to visualize typical migraine pain.

Disturbances of the visual field (flickering before the eyes, flashes of light, blurred vision) are very common. Aside from this speech problems can occur. This is caused by disturbed signal transmission in the brain. Like an electric pulse a wave of disturbance is shot from a single across the cerebral cortex.

The letters M-I-G-R-A-I-N-E are reconstructed to create cuts, doublings and displacements. This is meant to recreate the feeling of migraine attack for anyone looking at the poster.

Facebook wird immer mehr zu einem festen Bestandteil alltäglicher Kommunikation, doch wird dieses soziale Netzwerk oft eher unreflektiert genutzt. Neben anderen negativen Aspekten fiel mir vor allem die dortige Definition und der Umgang mit dem Wort »friend«, also »Freund« auf. Funktioniert Facebook nicht unter anderem, wie der Name schon sagt, als »Gesicht(sammel)buch«? Wie viele Menschen in seiner Freundesliste kennt man wirklich?