There are so many problems in this world that need our attention and will to change. But we focus on a poor group of people fleeing violence and war, whilst our society is being dismantled by powerful interest groups and our environment is going down the drain for profit of the very same groups. We need to focus instead of listening to self-invested politicians and profit oriented media. We also tend to forget that everything is connected and all the issues can not be seen individually – but together. Most of the blurred words amongst others are direct causes for the refugees in focus.

A good idea is hard to come by, and to communicate it visually is even harder. Ideas always will always create effects, they have consequences. They can shape the world, mold the planet and leave a trace … like they did on my forehead.

The AfD and its members are primarily known for their right-wing, racist, fascist, and inhumane statements. Statements reminiscent of the Nazis. For this reason, the arrow in the AfD logo was slightly altered, adapted, and colored brown. This clarifies what the AfD really is. Brown shit.

For 10 years, the infrastructures of the Football World Cup are being built in Qatar. For 10 years, a silent massacre is happening there: the massacre of Indian, Pakistani, Nepalese, Bengali, Sri Lankan workers, reduced to near slavery conditions. At least 6500 workers died on those building sites according to The Guardian.

42 years ago, the French graphic designer, Alain Le Quernec, created a poster to alert people about the World Cup in Argentina where Videla’s bloody dictatorship raged. In reference to this previous « shame cup » and as a tribute to Alain, I have revisited his graphic idea today to denounce this new mass grave on which a party will be hosted, with the complicity of FIFA and our governments.

In many Islamic countries women rights are suppressed, there are too many rules and they have to dress in overall burkas that look like restraining cages, exposing only eyes that resemble a small prison window revealing a trace of light. This appeal is intended to loosen the restrictions on women.

Life in cities has become a question of financial status over recent years. Rent and property prices have increased way faster than wages have. At the same time new spaces are only scarcely created. More and more people are struggling to find an adequate place to live and this fact is further creating social divide. This is a real problem of our times.

Switzerland should open their boarders for refugees. In small letter „s.v.p.“ means in French „s’il-vous-plaît“, in English „please“. But in capitol letters, SVP stays for the Swiss right wing party SVP (Swiss Popular Party), who is against all immigration of refugees.

The focus of my poster is beauty and how we deal with wild, urban nature, which flourishes in locations that are heavily influenced by humans (wasteland, old industrial areas). This so-called 4th nature does not fit into our classic concept of beauty due to its rampant and unadorned aesthetics and is often not given much attention. Nonetheless its heterogeneity enables one great biodiversity in urban areas and creates the opportunity to experience wild nature close to city-centers. However, these areas mostly only exist temporarily, as they fall victim to new construction projects in the course of urbanization and densification.

Donald Trump is incessantly scattering messages around the globe – only a small part of which are true.

Caution is advised here, as lies are greedy and love to devour those who feed them.

As the gap between rich and poor keeps growing, the wealthiest percentage of the global population gains more and more influence and power. This imbalance plays out not only in financial terms but across all aspects of social life.
In response to these injustices—especially in times when figures like Donald Trump are considered “the most powerful man in the world”—more and more people are taking to the streets. One slogan of this resistance: Eat the [Filthy] Rich—a call to action against excessive wealth and capitalism that dates back to the French Revolution.

Do not make meticulous care to be their cage.

According to Wikipedia, there are more than 30 ongoing military conflicts all over the world – excluding riots like the current ones in Turkey. Most of the conflicts are still faded out from public attention, even though social media puts us into the position of observers and confidants.

Don´t worry. You can be sure that German authorities and agencies will pursue their work with absolute thoroughness and order. All work procedures are kept to as required, so an archiving of all files and records in an exemplary manner can be guaranteed.

Worldwide, more and more industrial farming is carried on. Regardless of risks to man and nature monocultures are used from genetically modified seeds. Monsanto is heavily involved in this development. The agricultural chemical company is a global leader in biotechnology and has 90% of the patents of the currently cultivated genetically modified organisms.

Lights off. Body twisted. One eye shut.
The nightly ritual begins.
Hours pass in silence, screen aglow—
until the spine curls, the neck stiffens,
and the eyes slowly forget how to look straight.
Not blind.
Just… committed to a different angle.

Cities all over the world are becoming more and more invisible. They become invisible because of the smog we create to reach ever higher goals. But the smog destroys the basis of living and everything gets ugly and we grow ill – until we can’t see each other anymore.

An attempt to show the absurdity of government supervision with simple and minimal resources, and an appeal to everyone to rebel against it.

The poster ICH/WIR sends a clear message in a time when social cohesion seems to be falling apart. The oversized, white “I” screams at us—loud, dominant, impossible to miss.
Only on second glance do we notice the tiny “WE” tucked into the bottom corner—quiet, almost invisible.

This work is a critique of growing social indifference, isolation, and the erosion of collective responsibility, all fueled by an increasing obsession with the self.
In a time when individual concerns often outweigh the common good, the poster reminds us not to lose sight of the WE.

Mental health is hard work and constant effort. Never give that up. Keep well!

The Wiesenhof brand uses the image of a small country house on a green field, with a few trees, to promote their products. It is meant to sell the idea of idyllic farms and happy chickens. Through extensive marketing the brand is very well-known in Germany, calling itself “the #1 poultry brand”. Every third chicken eaten is from Wiesenhof. The PHW-Group, which owns Wiesenhof, is the #1 animal exploitation company in Germany, and third largest in Europe regarding chicken farming, poultry raising and chicken slaughter. Every week this group slaughters around 4,5 million chickens.

Mother Earth does not belong to us, we belong to her, the damage we do, we do it to ourselves. Deforestation is one of the strongest damage and more difficult to solve. Do you want to continue deforesting? Are you sure?

Menschen neigen dazu, Schwächere zu ihren Gunsten auszubeuten. In jedem von uns steckt ein kleines Stück dieses Menschenpopcorn fressenden, gesichtslosen Monsters.

The poster takes up on the design of typical german prohibition signs and their language. There are many prohibition signs in Germany and the yellow ones with black borders are a common sight. Often applied to guard against trespassing or to keep people from putting up posters.

The signal effect and imperative nature of these signs is retained in order to play with familiar visual patterns. The command „Diskutieren statt plakatieren!“ could roughly translate to „No Posters. Discussions!“

On the surface „Diskutieren statt plakatieren!“ looks like a prohibition sign but beneath that is a demand for a more nuanced culture of discussion beyond slogans and the language of campaigning.

Behind an invisible, yet strong curtain, anything seems possible.  Apparently.

Daily, throughout the whole world, not only in India, there are crime scenes of brutal rapes.
My work calls for the observer to reflect, but still gives them the freedom to imagine the extent of the serious injuries of a rape victim.
At the same time the ever increasing red tones – the strongest being the word “rape” visualizes the damage which is irreparable.

My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

Migration, unemployment & islamophobia: three of the current decade’s largest topics – especially in Europe. The poster, written from the perspective of a fictional Mohamed (the most common name in the world according to Wikipedia), highlights the bureaucratic and political difficulties of being a recently migrated foreigner seeking for employment: sitting in front of the typewriter, writing the same sentence over and over, slowly spiralling into madness and waiting for any future.

After hearing the news that “Japan is going to dump nuclear waste water into the Pacific Ocean”, I believe everyone’s mood and expression in the world are just like this poster, dazed and anxious… This expression has been integrated with the spread of nuclear waste water in the Pacific Ocean, so as to warn the whole mankind to resolutely oppose this behavior.

This artwork uses the form of traditional Chinese ink painting to depict grapes made from grenades and barbed wire—symbolizing how the consequences of war bring only suffering and sorrow, like bitter fruit. This sharply contrasts the sweetness usually associated with grapes, merging two opposite sensations into one. It invites the viewer to “taste the bitter fruit of war”—a plea for peace and the avoidance of conflict.