The AfD and its members are primarily known for their right-wing, racist, fascist, and inhumane statements. Statements reminiscent of the Nazis. For this reason, the arrow in the AfD logo was slightly altered, adapted, and colored brown. This clarifies what the AfD really is. Brown shit.

The priest’s penis winds in treacherous christianity around its shelter. It covers criminals, blurres offenses and surpresses its pilgrimage victims. It preaches old concepts of misleading care and assured damnation in foul innocence. Free yourself from sin and bid welcome god’s seed, for that it thrives its roots in you.

The capitalistic exploitation logic steers us increasingly destructive to the abyss of self-destruction. Modern human beings remain in an attitude of passive endurance and seemingly comfortable self-deception, when the alternative would be a necessary revolution. We remain calm as Hindu cows and operate business as usual.

The first time I heard about the competition, I thought »Courage for what?« because I did not understand what  it was about. Later when I read the details, I understood the significance of these 3 words. Sometimes we have the courage, burning inside, but we are not sure how to use that rage, we don‘t have a suitable way to express it and tend to do what the masses do.  idea how cruel his short existence will be, before it ends at a fast food restaurant.

The poster is based on the element of the fist, combined with the image of China’s national leader »Xi Jinping«. Xi Jinping is like a pioneer against corruption and wants to form an honest government and thus realizes the great dream of a powerful country.

Look fast, think fast, eat fast, live fast and die fast.

Groceries in Germany are too cheap (especially compared to other countries), still too many people complain about the prizes.
– Say nein! to ja!

In our society pharmaceuticals are taken for granted and therefore consumed thoughtlessly. We should give more thought to their effect on society and our own quality of life. Do we really want to get older and older? The poster is also an allusion to Niklaus Stoecklins poster for Gaba in 1927.

The UN Has Lost All Credibility. United Nations climate summit turned to  war of the poor and the rich. Discrimination was made for interests of the rich at the summits.

One of the most important question in the world that doesn’t have any answer is: How much does it cost to develop the world? Please see the costs at this poster and judge!

As we all are glass people already, it does’nt make a difference when we present ourselves blatantly and liberal to drones. (Irony)

We create our own world.
Our little universe.
A world of self-centered individualists.

The symbols are relative. Different functions can be named depending on where and how they are used. Sometimes a symbol has no meaning to someone. In the same way, concepts are relative too. Sometimes they’re not even concepts, they’re only words. Such as “Peace”.

The poster portraits the feeling of being overwhelmed by the rush of images, content and information on our mobile devices. Download, Loading, Overload!

The clean slate is filthy and oozes with guilt and pain. Europe is playing a spineless game of ignorance and refusing to help. There are no other rules to stick to, besides building the walls tall enough and decorated with wires and spikes all the way.

This poster is a commentary on the condition of the modern human. We are so very virtual.

Nestlé ist Branchenführer im riesigen Markt der Flaschenwasser-Hersteller. Entgegen ihrem Image als umweltbewusster und ressourcenschonender Trinkwasserversorger, kauft Nestlé Nutzungsrechte an Wasservorkommen für wenig Geld, schließt die lokale Bevölkerung vom direkten Bezug der Ressource aus ‒ nur um ihnen anschließend das selbe Wasser, verpackt in Plastikflaschen, wieder zu verkaufen.

Dies alles geschieht zudem ohne Rücksicht auf die Umwelt, Beispielsweise wenn das Unternehmen die Quellen zusätzlich anbohrt um mehr Wasser als auf dem natürlichen Wege zu gewinnen. Dabei trocknen ganzen Landstriche aus, Ernten bleiben aus, ganze Ökosysteme sterben und Quellen haben keine Zeit sich wieder zu regenerieren.

In dem Bewusstsein, dass wahrscheinlich bereits 2025 ca. 3 Milliarden Menschen unter Wassermangel leiden werden, treibt Nestlé die Privatisierung und auch Monopolisierung dieser wichtigen Ressource stetig voran. Leider wird über dieses Thema nur sehr wenig berichtet und gesprochen.

Für mein Plakat habe ich das Logo von Nestlé der Realität angepasst, und den Slogan von „Good Food, Good Life“ zu „Control Water, Control Life“ umgewandelt. Wer das Wasser kontrolliert, kontrolliert das Leben.

As the gap between rich and poor keeps growing, the wealthiest percentage of the global population gains more and more influence and power. This imbalance plays out not only in financial terms but across all aspects of social life.
In response to these injustices—especially in times when figures like Donald Trump are considered “the most powerful man in the world”—more and more people are taking to the streets. One slogan of this resistance: Eat the [Filthy] Rich—a call to action against excessive wealth and capitalism that dates back to the French Revolution.

In 2015, women in the United States were paid roughly 79¢ for every dollar men were. While this image depicts one regional statistic, the broader objective is to call attention to the myriad injustices faced predominantly by women in the workforce. In addition to unequal pay, issues like sexual harassment, biased dress codes, and lack of paid and/or adequate family leave continue to plague workers throughout much of the world.

»Description? Sorry, no time!«

men cry,
women masturbate,
men can use makeup,
women age,
men can wear dresses,
women must not want children,
men are vulnerable,
women can get violent,
men can love men,
women can love women,
men can like pink,
women can have body hair,
men don’t have to be muscular,
women don’t have to be thin,
men don’t have to love sex,
women can be good bosses
…

We like to blame others, but… Everyone else is poisoning the environment, but… I’m not going to stop flying log distance, drinking from plastic cups, or get rid of my car. (It’s often the right-wing that loves to place the blame on others, and get offended when their own hypocrisy is unmasked).

This poster combines two familiar symbols: the disability icon and a city road sign.
The city skyline stands for broken, inaccessible public spaces—potholes, crumbling sidewalks, steep curbs, and the absence of smooth pathways. The person in the wheelchair is trapped in it.

When you are working in the creative industry for example, you probably love what you do. Being busy with your work all the time seems almost natural. The Poster is a little reminder that there are still other worlds you can enter.

One of Yoko Ono’s tips for self-care: Look at a screen and record its feelings. Stop working when the earth or the laptop gets too hot.

If we can’t keep the bees we will lose our ecosystem. So please, don’t let them leave because of us.

Life in cities has become a question of financial status over recent years. Rent and property prices have increased way faster than wages have. At the same time new spaces are only scarcely created. More and more people are struggling to find an adequate place to live and this fact is further creating social divide. This is a real problem of our times.

„Love your neighbor“ seems to have another meaning

Unsere Arbeit lässt sich schnell beschreiben: Dinge, die wir scheiße finden. Und die mussten einfach mal gesagt werden.
Da Wut in der Regel subjektiv ist haben wir Wörter aus unserem Sprachgebrauch, hauptsächlich Eigenkreationen, verwendet. Die verschobene Optik und die Farbigkeit unterstützen diesen Ansatz und machen agressiv/unruhig, wenn man das Plakat länger ansieht.

The symbol of the cycle is omnipresent on todays products and packagings. To the consumer this can be misleading, constantly suggesting the waste will be reused. This way of recycling often is just a disposal via detours. Wrongly disposed or problematic materials are burnt or exported, statistically counting as recycled. While the total amount of waste produced is going up, the real challenge of reducing waste is neglected.

Unter Verwendung eines heute doppeldeutig klingenden Meisner-Zitates aus den jährlichen Soldatengottesdiensten im Kölner Dom wird die Sakralisierung des modernen Kriegsapparates und zugleich die sexualisierte Gewalt in der Kirche ins Bild gesetzt. Erst ein genauer Blick – etwa auf den Verlauf der Soutanenknöpfe – erschließt die Abgründe der Bildmitte. Der priesterliche Amtsträger selbst ist gesichtslos, auf dem Hintergrund der liturgischen Farbe der Bußzeit dominiert ein Schwarz ohne Zukunft.