The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

The idea of the poster came out recently when the Native American tribe Sioux were protesting against the installation of an oil pipeline in their reservation Standing Rock in North Dakota. This protest became widely known, especially because of the violence the U.S. Government used with riot police and the army. This is only the origin of the idea, but the main thing is that times change (from the old times of the Conquest of the West to nowadays, from the “romantic” cowboy to the non-romantic at all riot police), but the oppression is always there, and it’s used always by the same oppressor. And we could extend this idea to every era, situation or geographic place.

“Fisches Nachtgesang” poem by Christian Morgenstern

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Populists are increasing throughout the Europe from different parties. Their success is symptomatic of the weakness of European political parties and party systems.

A chimney blowing black smoke … it is causing global warming.

Lights off. Body twisted. One eye shut.
The nightly ritual begins.
Hours pass in silence, screen aglow—
until the spine curls, the neck stiffens,
and the eyes slowly forget how to look straight.
Not blind.
Just… committed to a different angle.

Faster! When do we finally arrive?

Tens of thousands of refugees are on their dangerous journey across the Mediterranean Sea to Europe. In recent years, the number of »boat people« has increased drastically, and with it the number of drowned refugees. The »SOS« sign on the horizon of the Mediterranean Sea is a call for help and a bearer for hope at the same time and requires support.

Behind an invisible, yet strong curtain, anything seems possible.  Apparently.

As a graphic designer the basis of my art-work is often world issues that bother me. Recession is one of these matters for which I designed my poster titled Capitalism. Colorful hats are metaphors of a Capitalist society which invisibly deceives its members and as a result, economic pressure is born. The culture industry produces the cultural commodity which is the sale of similar mass produced goods. This industry produces these products based on the human perception of life. The net result is anti-enlightenment or public manipulation to ensure and limit independent thought, thinking, and judgment. All this is achieved by the culture industry while making the masses believe that this is new and exactly what they’re looking for. The result forces the public to conform to the system and capitalism at large and prevents critical thinking.

Truth is difficult where anyone is easily satisfied.

Switzerland is a paradise for Russian oligarchs due to its unregulated commodity trading center and lack of financial transparency. Despite Putin’s war of aggression in Ukraine, Swiss authorities show little interest in tracking down Russian money in Switzerland. So far, only a small percentage of the suspected assets have been frozen. Even in times of war, Switzerland serves as a safe haven for the money of all those who support Putin’s totalitarian and imperialist policies, and who significantly contribute to financing the Kremlin’s war machine.

A raccoon dog, skinned alive on a fur farm: Its screams separated from a sound track an visualized.

This poster brings visibility to what the world often tries to hide: homelessness, slums, and favelas. Thousands of such places exist worldwide—pushed to the margins of society.
I used bold colors and layered compositions to symbolize cramped, overcrowded living. The limited poster size reflects the lack of space; overlapping rectangles mark the tiny areas people are forced to live in. The scattered typography represents people in motion—searching for stability and believing in a sustainable future. This work is a call to look closer—because behind every makeshift home, there is a human being.

The poster takes up on the design of typical german prohibition signs and their language. There are many prohibition signs in Germany and the yellow ones with black borders are a common sight. Often applied to guard against trespassing or to keep people from putting up posters.

The signal effect and imperative nature of these signs is retained in order to play with familiar visual patterns. The command „Diskutieren statt plakatieren!“ could roughly translate to „No Posters. Discussions!“

On the surface „Diskutieren statt plakatieren!“ looks like a prohibition sign but beneath that is a demand for a more nuanced culture of discussion beyond slogans and the language of campaigning.

In average, women are paid 22% less than men. The paper used for the poster is a German wage slip, the rest speaks for itself.

This poster is a quick reminder in the name of reality.
Lift your head and cross the thin line between screen life and real life. You won’t regret it.

No comment!

Donald and I designed this poster together. He is a big fan of my work. We did a tremendous job. Tremendous. The design is really great. We made graphic design great again. Afterwards we played some Golf and ate Chocolate cake. It was a beautiful piece of chocolate cake, I can tell you that.

A good idea is hard to come by, and to communicate it visually is even harder. Ideas always will always create effects, they have consequences. They can shape the world, mold the planet and leave a trace … like they did on my forehead.

By law we are free. Free to decide to accept an offer and use it or not. This freedom of use is not permitted by the GEZ, in this case we are forced to pay for something whether we use it or not.

After hearing the news that “Japan is going to dump nuclear waste water into the Pacific Ocean”, I believe everyone’s mood and expression in the world are just like this poster, dazed and anxious… This expression has been integrated with the spread of nuclear waste water in the Pacific Ocean, so as to warn the whole mankind to resolutely oppose this behavior.

This poster is meant to visualize typical migraine pain.

Disturbances of the visual field (flickering before the eyes, flashes of light, blurred vision) are very common. Aside from this speech problems can occur. This is caused by disturbed signal transmission in the brain. Like an electric pulse a wave of disturbance is shot from a single across the cerebral cortex.

The letters M-I-G-R-A-I-N-E are reconstructed to create cuts, doublings and displacements. This is meant to recreate the feeling of migraine attack for anyone looking at the poster.

The poster is a critique of the present consumer society and its impact on the individual as an end user.

Migration, unemployment & islamophobia: three of the current decade’s largest topics – especially in Europe. The poster, written from the perspective of a fictional Mohamed (the most common name in the world according to Wikipedia), highlights the bureaucratic and political difficulties of being a recently migrated foreigner seeking for employment: sitting in front of the typewriter, writing the same sentence over and over, slowly spiralling into madness and waiting for any future.

At a time when society is divided by global challenges, right-wing populists often come up with simple solutions, not aimed at the complexity of the problem at hand but at peoples fears and worries. Rising refugee figures have stirred a debate in Germany in 2016, thus being a catalyst for the party “Alternative für Deutschland”.

Peoples insecurities and resignation in politics have led to electoral success of the party in question.

I tried to approach the themes destruction of environment and globalization in a funny way.

Most major german cities are bursting at the seams, the rents go into the absurd, many residents suffer from the narrows and often flee into nature. Meanwhile, rural areas slowly but surely are orphaned: abandoned villages, old people and lack of prospects determine the picture. Young, motivated residents flee to the cities – a vicious circle.

In Turkey activists and journalists are arrested and silenced.