The priest’s penis winds in treacherous christianity around its shelter. It covers criminals, blurres offenses and surpresses its pilgrimage victims. It preaches old concepts of misleading care and assured damnation in foul innocence. Free yourself from sin and bid welcome god’s seed, for that it thrives its roots in you.

Each individual has the right of freedom of speech and expression. The freedom of information is the most important threat for antidemocratic regimes; hence, attacks against the freedom of speech are a daily occurrence on all continents. I have chosen the image of the famous videogame Pac-Man of the 80ies. Pac-Man consists of bullet casings and chases a pencil, the instrument of writing and the symbol of the freedom of expression, and tries to eat it.

Three-quarters of all suicides are committed by men. This poster references the symbol of Mars—a circle with an arrow pointing diagonally upwards, used to represent masculinity. Here, the arrow also marks the entry point of a bullet.

Iranian women are forced to wear veil which should be cover the hair and body. When a person doesn’t have minimum of liberty to choose her dress, how could she be a dynamic person?This person with a such a black background couldn’t be effective in the social,economical,political,arenas of her life.But our Iranian women don’t desist from the struggle-our coloured revolution fight without violence.

One of the most important question in the world that doesn’t have any answer is: How much does it cost to develop the world? Please see the costs at this poster and judge!

In 2015, women in the United States were paid roughly 79¢ for every dollar men were. While this image depicts one regional statistic, the broader objective is to call attention to the myriad injustices faced predominantly by women in the workforce. In addition to unequal pay, issues like sexual harassment, biased dress codes, and lack of paid and/or adequate family leave continue to plague workers throughout much of the world.

Sei westlich – Sei verschwenderisch! 
Der gedankenlose Umgang mit unserem Essen ist nicht nur ein aktueller Trend, sondern hat eine lange Tradition in unseren Breitengraden. Bereits im Barockzeitalter wurden die Menschen durch die Lebensmittelsymbolik in sogenannten »Vanitas-Stilleben« ermahnt, ihre Essensgelüste zu mäßigen. An jener Maßlosigkeit hat sich aber nicht viel geändert. Wir leben heute in einem wahren Schlaraffenland: Eine Auswahl in XXL, 24/7 verfügbar, das Beste, das Neuste, immer frisch, immer billig. Und was wir nicht aufessen können, das schmeissen wir halt weg.

This poster is about complexity of freedom nowadays. We must think when and how our actions affect others sense of freedom.

Tens of thousands of refugees are on their dangerous journey across the Mediterranean Sea to Europe. In recent years, the number of »boat people« has increased drastically, and with it the number of drowned refugees. The »SOS« sign on the horizon of the Mediterranean Sea is a call for help and a bearer for hope at the same time and requires support.

Being stuck in a fundamental inerrant religious pattern and therefore feeling infallible and unmistakable, prone to evading one’s responsibility.

Despite great progress in equality between man and woman in everyday life a woman is often confronted and degraded in the planning of her future and career or in the family circle with outdated gender thinking.
This poster is a play on words with sexist elements that degrades a woman on the role of a housewife and a sex object. The poster “Ironing and getting ironed” is an exaggerated confrontation with the still often disparagingly rated life of a woman.
The woman irons well-behaved the laundry and indicates at the same time by her bare breasts that she can always be ironed. “Ironed” is a German dialect meaning: “Getting fucked”.

Flourishing of social media has led to the global shift in how we perceive privacy. Being normalized in everyday life, constant violations of confidentiality make us wonder where is the boundary which separates private from public. In this whirlpool of doubt and caution, everywhere and all the time we feel persistent presence of someone else. Someone who is watching.

The political dialogue in Austria is on a very poor level these days.

For 10 years, the infrastructures of the Football World Cup are being built in Qatar. For 10 years, a silent massacre is happening there: the massacre of Indian, Pakistani, Nepalese, Bengali, Sri Lankan workers, reduced to near slavery conditions. At least 6500 workers died on those building sites according to The Guardian.

42 years ago, the French graphic designer, Alain Le Quernec, created a poster to alert people about the World Cup in Argentina where Videla’s bloody dictatorship raged. In reference to this previous « shame cup » and as a tribute to Alain, I have revisited his graphic idea today to denounce this new mass grave on which a party will be hosted, with the complicity of FIFA and our governments.

Die Idee für mein Plakat entstand während der Präsidentschaftskandidatur Sepp Blatters für eine vierte Amtszeit als FIFA-Präsident.

Die FIFA stellt sich gerne als völkerverbindender, die Kulturen einender, Global Player dar. Was hinter verschlossenen Türen geschieht, hat allerdings nichts mit einem weltoffenen Unternehmen zu tun. Skurrile Entscheidungen werden von einem erlesenen Kreis von Funktionären getroffen: Die WM-Vergabe an Katar oder der Bau riesiger Stadien ohne nachhaltigen Nutzen für die Bevölkerung Südafrikas sind Beispiele dafür. Hier scheint es nur um das schnelle Geschäft und um maximalen Profit zu gehen. Die Korruptionsvorwürfe wollen nicht verstummen. Doch Kritik wird nicht geduldet, das System um jeden Preis erhalten.

Die Idee des globalen FAIR PLAY wird zum leeren Marketingversprechen. FUCK OFF ist meine Antwort darauf. Sie steht gleichzeitig für die Haltung der FIFA ihrem eigenem Claim gegenüber: Blatter hat ihn zu einer zynischen Worthülse degradiert.

East meets West’ by Gorilla is a comment on the clash of Western and Middle East culture. In the West, there has been a lot of discussion about prohibiting traditional Eastern clothing like the burqa and the niqab. There seems to be a fear of the anonymous. On the other end of the scale, exhibitionism, voyeurism and pornography is becoming an increasingly dominant part of Western culture. One can question oneself what is more offending to the other.

The vulgar face and ways of Donald Trump are so ugly to watch and experience, there must be some way to make him shut up. His politics and attitude are brainless and empty.
He is a puppet of big industry. The only face that might look as hollow as Trump is the face of a rubber-sex-doll.

Be active, be aware, be of good cheer, be kind, be ready, be smart, love other people, take on responsibility, BE A HERO!

The poster is a critique of the present consumer society and its impact on the individual as an end user.

Social media keeps feeding us new content. Algorithms filter and reinforce existing opinions. We are in an information bubble that we cannot escape.

The poster takes up on the design of typical german prohibition signs and their language. There are many prohibition signs in Germany and the yellow ones with black borders are a common sight. Often applied to guard against trespassing or to keep people from putting up posters.

The signal effect and imperative nature of these signs is retained in order to play with familiar visual patterns. The command „Diskutieren statt plakatieren!“ could roughly translate to „No Posters. Discussions!“

On the surface „Diskutieren statt plakatieren!“ looks like a prohibition sign but beneath that is a demand for a more nuanced culture of discussion beyond slogans and the language of campaigning.

Censorship limits human rights and freedoms—and leads to self-censorship born of fear.

The Japanese even have a name for it: Karojisatsu, suicide from overwork. A society that places achievement over the human being isn‘t only the reality in Japan. Even though we have no word for it yet, we need to change something. Otherwise we will need one very soon. I demand: Let’s distance ourselves from the pressure of achievement, back to more quality of life.

Water is considered a symbol of life. The waste of water reveals the danger of a total depletion of consumable water and the eventual death of mankind.

Look fast, think fast, eat fast, live fast and die fast.

With my piece, I wanted to make a layout that could give a distant feeling of what it’s like to suffer from the disease. As a visual realization, especially in background with the contest for Mut zur Wut, I was looking for a way to bring the topic to an understandable point and with the help of which you can put yourself a little bit into the depressive state. My experiences with depression have led me to make a personal contribution to this topic. On the one hand, I wanted to tell those affected that they are not alone with their feelings and to give people who find it difficult to put themselves in this position a visual clue: Look, the world is hidden behind it (or a good poster;-), but it is not available to you. Be brave! Talk about it.

Peace has been threatened by war, there is no peace under war.

More than 350 million tons of plastic waste are produced each year worldwide; 8 million tons end up each year in the oceans; this volume of waste increases by 3 or 4% each year; the largest portion of waste is packaging and containers. Against this disposable plastic production, we need recyclable or biodegradable packaging, and above all we must come back to returnable and reusable containers.

The German government plans massive cuts to the federal budget to comply with the “debt brake.” Of all sectors, culture is hit especially hard. These austerity measures will leave significant gaps—many cultural institutions fear for their very existence.
Yet art and culture are essential for a diverse and open society.