Sometimes our dreams are terminated, just like that, because we don’t have that requirement called VISA.

The poster portraits the feeling of being overwhelmed by the rush of images, content and information on our mobile devices. Download, Loading, Overload!

Nestlé ist Branchenführer im riesigen Markt der Flaschenwasser-Hersteller. Entgegen ihrem Image als umweltbewusster und ressourcenschonender Trinkwasserversorger, kauft Nestlé Nutzungsrechte an Wasservorkommen für wenig Geld, schließt die lokale Bevölkerung vom direkten Bezug der Ressource aus ‒ nur um ihnen anschließend das selbe Wasser, verpackt in Plastikflaschen, wieder zu verkaufen.

Dies alles geschieht zudem ohne Rücksicht auf die Umwelt, Beispielsweise wenn das Unternehmen die Quellen zusätzlich anbohrt um mehr Wasser als auf dem natürlichen Wege zu gewinnen. Dabei trocknen ganzen Landstriche aus, Ernten bleiben aus, ganze Ökosysteme sterben und Quellen haben keine Zeit sich wieder zu regenerieren.

In dem Bewusstsein, dass wahrscheinlich bereits 2025 ca. 3 Milliarden Menschen unter Wassermangel leiden werden, treibt Nestlé die Privatisierung und auch Monopolisierung dieser wichtigen Ressource stetig voran. Leider wird über dieses Thema nur sehr wenig berichtet und gesprochen.

Für mein Plakat habe ich das Logo von Nestlé der Realität angepasst, und den Slogan von „Good Food, Good Life“ zu „Control Water, Control Life“ umgewandelt. Wer das Wasser kontrolliert, kontrolliert das Leben.

Over 70 years ago the fundamental human rights were enshrined by the United Nations for every human being on the planet – Yet almost everywhere around the world, women and girls are still denied them, often simply because of their gender. Ranging from the right to live free from violence and discrimination – including domestic violence, sexual assault, forced marriage, trafficking and awful practices such as female genital mutilation. To the right to be educated; to own property; to vote; to run for office; to earn an equal wage.

We are running in circles for money, trying to earn faster and more. Life is becoming a sport competition. Once we have started running, we will never stop as there’s no finish.

The AfD and its members are primarily known for their right-wing, racist, fascist, and inhumane statements. Statements reminiscent of the Nazis. For this reason, the arrow in the AfD logo was slightly altered, adapted, and colored brown. This clarifies what the AfD really is. Brown shit.

Although we are all aware of the excessive pollution that we face in urban areas, we have, so far, been unable to find a solution for our rising problem. That being said, we seem to be okay with the current situation, as if pollution has become a part of our everyday livelihood and with every breath it consumes us even more.

In 2050, 3x more plastic could swim in the sea than fish. There are already 6x more plastic in the water than plankton in many parts of the sea and many seabirds and marine mammals die from contact with plastic waste. A single plastic bottle takes 450 years to decompose in the sea, but it never dissolves completely, but splits only into small, barely visible plastic particles.

We need to rethink how we treat our environment. People should be made aware of this issue because it affects each of us!

Life in cities has become a question of financial status over recent years. Rent and property prices have increased way faster than wages have. At the same time new spaces are only scarcely created. More and more people are struggling to find an adequate place to live and this fact is further creating social divide. This is a real problem of our times.

How normal is the norm, and since when? Being sure of something and completely ignoring the fact seems to have become an everyday thing in these time.

The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

Since the landroute across Balkans is closed dying in the Mediterranean Sea continues.

Migration, unemployment & islamophobia: three of the current decade’s largest topics – especially in Europe. The poster, written from the perspective of a fictional Mohamed (the most common name in the world according to Wikipedia), highlights the bureaucratic and political difficulties of being a recently migrated foreigner seeking for employment: sitting in front of the typewriter, writing the same sentence over and over, slowly spiralling into madness and waiting for any future.

Complexions are just colour fields, why would you get irritated by them? Why would you even segregate them or be hostile to them? Who decides from which colour field someone belongs to the good ones or the bad ones?
It is necessary to stop the segregation and bring those colours back together.

When money sets the rules of the game, fairness becomes a tool manipulated by the few.

Hungary, Great Britain, France, USA, … The rise of populist politicians and parties is increasing worldwide. Time to hold a mirror up to the protagonists and supporters. Translation: Populisten – german for „populists“ / Popo – german for „bum“)

The poster takes up on the design of typical german prohibition signs and their language. There are many prohibition signs in Germany and the yellow ones with black borders are a common sight. Often applied to guard against trespassing or to keep people from putting up posters.

The signal effect and imperative nature of these signs is retained in order to play with familiar visual patterns. The command „Diskutieren statt plakatieren!“ could roughly translate to „No Posters. Discussions!“

On the surface „Diskutieren statt plakatieren!“ looks like a prohibition sign but beneath that is a demand for a more nuanced culture of discussion beyond slogans and the language of campaigning.

Brainwashed, blinded and fueled by tantalizing promises, everyone could become a controllable and faceless extremist.

This poster shows the game world of a small child with the central theme of war, the Kalashnikov, build out of blocks. War is not a game and children should not be tempted to the use of weapons, either caused by media in our western culture or as child soldiers in armed conflicts.

In our society pharmaceuticals are taken for granted and therefore consumed thoughtlessly. We should give more thought to their effect on society and our own quality of life. Do we really want to get older and older? The poster is also an allusion to Niklaus Stoecklins poster for Gaba in 1927.

East meets West’ by Gorilla is a comment on the clash of Western and Middle East culture. In the West, there has been a lot of discussion about prohibiting traditional Eastern clothing like the burqa and the niqab. There seems to be a fear of the anonymous. On the other end of the scale, exhibitionism, voyeurism and pornography is becoming an increasingly dominant part of Western culture. One can question oneself what is more offending to the other.

According to Wikipedia, there are more than 30 ongoing military conflicts all over the world – excluding riots like the current ones in Turkey. Most of the conflicts are still faded out from public attention, even though social media puts us into the position of observers and confidants.

In the context of creation, this poster is about me: I’m angry at myself—angry that I’m not more angry at myself. But in the context of presentation, this anger turns on you. I’m angry at you for not being angry enough at yourself. And I’m probably angry at you now because you might not understand the concept behind this poster. We direct our anger outward, forgetting how hypocritical and unreflective that really is. It’s incredibly easy to point fingers at others instead of turning that anger inward. Ironically, this poster does exactly that.

The Japanese even have a name for it: Karojisatsu, suicide from overwork. A society that places achievement over the human being isn‘t only the reality in Japan. Even though we have no word for it yet, we need to change something. Otherwise we will need one very soon. I demand: Let’s distance ourselves from the pressure of achievement, back to more quality of life.

Donald Trump spent more than a year rousing crowds with a simple promise: “I’ll build a great, great wall on our southern border, and I will have Mexico pay for that wall. Since the “bad hombres” were entering the United States and not leaving, Trump deemed it appropriate that Mexico would pay for this wall.

With a simple adjustment to the American flag I made this poster which depicts Trumps ultimate monument to xenophobia.

Sex is a must. For most people, physical closeness and tenderness are basic needs, comparable to eating, drinking or sleeping. It is therefore all the more important that sexual relationships can be lived free of discrimination and shame.

We should all have the opportunity to decide openly and self-determined about our sexuality and to live
out our individual preferences – always provided that this happens in agreement and with respect for all involved.

Sex is a must, but without sexism.

Being stuck in a fundamental inerrant religious pattern and therefore feeling infallible and unmistakable, prone to evading one’s responsibility.

The poster East/West was created with current events in the East in mind. I can confidently say: “Nothing changes in the East.” The central idea was to show two directions—an arrow pointing west and another east—as a kind of warning. The rocket symbolizes ongoing conflict on many fronts: racial, ethnic, and religious. Stop war!

Daily, throughout the whole world, not only in India, there are crime scenes of brutal rapes.
My work calls for the observer to reflect, but still gives them the freedom to imagine the extent of the serious injuries of a rape victim.
At the same time the ever increasing red tones – the strongest being the word “rape” visualizes the damage which is irreparable.