Before 2050, the Arctic pack ice will melt completely in summer, even if ambitious climate targets are met. Nowhere on Earth is warming happening as rapidly as in the Arctic. The consequences are problematic for both humans and nature. The bright ice sheet plays a crucial role in the climate system by reflecting sunlight back into space, cooling the Arctic, and preventing further heating of the Earth’s atmosphere. While the ice masses melt, sea levels rise, coastal areas flood worldwide, extreme weather phenomena become more frequent.

Don´t be careless – be careful!

According to Wikipedia, there are more than 30 ongoing military conflicts all over the world – excluding riots like the current ones in Turkey. Most of the conflicts are still faded out from public attention, even though social media puts us into the position of observers and confidants.

With our Devices we are just one click lick away from the Instant gratification,  the problem is we are trapped in this loop. Be Independent, Be the Change.

The poster could either criticize companies that aim to target new audiences with hypocritical promises and enhance their brand image, or it could represent an actual advertising campaign by Company XY, targeting the ‘Climate Warriors’ demographic. But following through with actions that match the beautiful words is not as important, especially if those words have already achieved the desired effect.

The symbol of the cycle is omnipresent on todays products and packagings. To the consumer this can be misleading, constantly suggesting the waste will be reused. This way of recycling often is just a disposal via detours. Wrongly disposed or problematic materials are burnt or exported, statistically counting as recycled. While the total amount of waste produced is going up, the real challenge of reducing waste is neglected.

These days the meaning of help is changing in social and political fields. So you cannot rely on people. When you ask someone for help, you will often not get help without giving something in return. People want to achieve their own targets with their help or harm you.

Allein in Europa werden über 500 000 Frauen gewaltsam zur Prostitution gezwungen. Mit ihrem Handel machen Menschenhändler einen Umsatz von etwa 10 Mrd. Dollar im Jahr. Rechtsstaatliche Maßnahmen dagegen verpuffen meist im Dschungel aus Bürokratie, Korruption und Aussage-Angst auf der Opferseite. Und wenn doch mal eine den Mut beweist, etwas auszusagen: wer glaubt schon einer Hure?

Being selfcentered harbours the risk of not being able to understand other viewpoints and positions.

Limp silence is a critique on the Vaticans silence on the child abuses in churches which were/are happening all over the world.

Look fast, think fast, eat fast, live fast and die fast.

Take a look at Poland these days, and you will see one scandal after another. Suppression and decay of democracy in the heart of europe.

It doesn’t matter if it‘s about the formation of government, another move toward police state or the amendment about same sex marriage, Angela Merkel is always up for surprises.

Donald Trump darkens the truth by misusing it, piece by piece. In the end, even the shadows lie.

My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

This artwork uses the form of traditional Chinese ink painting to depict grapes made from grenades and barbed wire—symbolizing how the consequences of war bring only suffering and sorrow, like bitter fruit. This sharply contrasts the sweetness usually associated with grapes, merging two opposite sensations into one. It invites the viewer to “taste the bitter fruit of war”—a plea for peace and the avoidance of conflict.

67% of men and 53% of women in Germany are overweight (RKI). Both an unhealthy diet and lack of exercise can be actively changed! The number of clinically obese patients has doubled over the course of five years. Where is this trend heading? McDonalds and the like are not changing course: they still use glossy advertising, sweepstakes and toys for the little ones, to market their product. Aside from toys you might also get diabetes, cancer and fatty liver, for no extra charge!

Many African children (and non african) have chronic hunger. Situation that puts them at disadvantage and their life expectancy is very low. This terrible situation generates, among other undesirable consequences, the development of their life.

The German government plans massive cuts to the federal budget to comply with the “debt brake.” Of all sectors, culture is hit especially hard. These austerity measures will leave significant gaps—many cultural institutions fear for their very existence.
Yet art and culture are essential for a diverse and open society.

The poster turns our traditional role models of men and women upside down by showing Olive Oyl, not Popeye, smoking a pipe and flexing her muscles.
The supposedly masculine attributes on Olivia seem rather silly and show how much clichéd role models have manifested themselves in our minds.

This poster brings visibility to what the world often tries to hide: homelessness, slums, and favelas. Thousands of such places exist worldwide—pushed to the margins of society.
I used bold colors and layered compositions to symbolize cramped, overcrowded living. The limited poster size reflects the lack of space; overlapping rectangles mark the tiny areas people are forced to live in. The scattered typography represents people in motion—searching for stability and believing in a sustainable future. This work is a call to look closer—because behind every makeshift home, there is a human being.

The focus of my poster is beauty and how we deal with wild, urban nature, which flourishes in locations that are heavily influenced by humans (wasteland, old industrial areas). This so-called 4th nature does not fit into our classic concept of beauty due to its rampant and unadorned aesthetics and is often not given much attention. Nonetheless its heterogeneity enables one great biodiversity in urban areas and creates the opportunity to experience wild nature close to city-centers. However, these areas mostly only exist temporarily, as they fall victim to new construction projects in the course of urbanization and densification.

This poster is commenting on the adverse consequences of overfishing and overhunting for human gratification, which often results in the critical endangerment of certain species and puts biodiversity in grave danger.

The poster deeply digs and creatively from the phenomenon of life, using graphics to show the last scene of people falling into the water asking for help, while the people close at hand are taking photos as a rubberneck, thus criticizing this strange phenomenon of “indifference”, hoping to wake up the people’s sense of social responsibility, and make it a social atmosphere to be brave and good.

The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

The soccer World Cup ist becoming increasingly tainted by all the scandals, leaving the real celebration in the shadows. The champion are tose with wealth, who play with the world – not the ball.

Populists are increasing throughout the Europe from different parties. Their success is symptomatic of the weakness of European political parties and party systems.

The Eurocentric-based beauty filters on Instagram or TikTok, for example, not only help to achieve a clear skin appearance and digital make-up, but also “correct” non-European features into small noses, big eyes, high cheekbones and even an automated lighter skin tone. This not only perpetuates the Eurocentric bias of globally accepted beauty ideals, but digitally erases diversity.

Es ist ganz einfach:
Kopf einschalten – AKWs ausschalten.