If one visits an art exhibition in 2023, one gets the impression that the majority of visitors spend their time creating a reproduction of the work with their smartphone or camera.
According to a study, visitors spend an average of 27 seconds in front of a work of art. But seeing a work of art, understanding, reflecting on it, and appreciating all the sensory perceptions that only the immediate experience can provide takes time.

Take your Time.
It’s worth it.

The poster East/West was created with current events in the East in mind. I can confidently say: “Nothing changes in the East.” The central idea was to show two directions—an arrow pointing west and another east—as a kind of warning. The rocket symbolizes ongoing conflict on many fronts: racial, ethnic, and religious. Stop war!

My poster is a diversion of the famous paint “Pollice Verso” or “Thumb-down” from French artist Jean-Léon Gérôme created in 1872. The controversy on the reality of the thumb_down during gladiator time doesn’t matter because the public still have the right to save or kill a life…

What is important to me, is how the public, anonymous persons, can have the right on penalty death on an unknown person trying to save his life. How can people make their own opinion on a situation and decide how it will end or continue? Gladiatorial is a combat but before everything an entertainment. Gladiators are looking for opportunities and self-promotion. Public make them famous or not.

How weird is our time which, through social media, seems to replicate the same entertainments with the brutalities. Is human being changed in two thousand years?

We observe exactly the same mechanism on social media. In one hand few people make incredible things trying to get famous, earn money and in a way promote themselves. In the other hand, unknown people, debate, talk, judge, observe, look and decide with the thumb (or common social media language) to like or dislike any content, any post, any page… any person.

We’s have seen how far can people go on social media and the power of the public on it.

Is social media the new arena for modern gladiatorial?

Women earn less for the same work and the same qualifications.
Women are sexualized in the media and in everyday life.
Women mostly take care of children or the sick without being paid.
Women are more often affected by poverty in old age.
Women experience sexualized and/or domestic violence more often.
Women still do not have the same rights as men.
Women are less represented in politics and leadership positions.

In order to change something, equal rights are needed.

Therefore — men — make some space!

Form Phallus Function is more than a pun – it points out and criticizes that architecture and design have been a male domain since ever. Simplicity in color and shape, inspired by the iconic bauhaus designs, hit the nail on the head and – in a charming and humorous manner – ridicule this ever lasting motto in design. Less women are never more!

In 2014, black male teenagers between15-19, were killed nine times more  by law enforcement officers in the U.S. than white males in that age range.

The poster is about the Chernobyl disaster in 1986. It shows its negative effects on human health.

The poster reflects the inequality between social classes. In this dog-eat-dog world, whoever is wealthier and has a bigger influence reigns over those who are inferior, and the “superiors” can enforce their rights more easily against the others, thus keeping them suppressed.

There are millions of birds and hundreds of thousands of sea mammals dying around the world because of the waste in the oceans. A lot of animals confuse plastic particles with food and starve to death, the stomach full of plastic. For example there are 95% of fulmars dying with plastic in their stomachs (27 particles per bird).
I quote a poster from Pierre Mendell for the “Kieler Woche”, a sailing regatta and a big public festival at the German Sea. I changed the text and substituted the paper-sail by plastic-sail.

As the gap between rich and poor keeps growing, the wealthiest percentage of the global population gains more and more influence and power. This imbalance plays out not only in financial terms but across all aspects of social life.
In response to these injustices—especially in times when figures like Donald Trump are considered “the most powerful man in the world”—more and more people are taking to the streets. One slogan of this resistance: Eat the [Filthy] Rich—a call to action against excessive wealth and capitalism that dates back to the French Revolution.

“Plakate sind interaktiv.
Und provokativ.
Dieses mal nicht dekorativ.
Aber dafür plakativ.

Donald Trump is incessantly scattering messages around the globe – only a small part of which are true.

Caution is advised here, as lies are greedy and love to devour those who feed them.

„Wutbürger“ wurde zum Wort des Jahres 2010 gewählt. Mein Plakat gibt den Passanten nun die Möglichkeit, selbst zu einem zu werden und ihre eigene Meinung öffentlich zu machen. Nur Mut!

Not considering yourself a Nazi does not mean you’re allowed to be rassistic towards others in public. Same as the sentence „I don’t have anything against foreigners, but …“ often ends with the complete opposite opinion. This is a poster to remind all the concerned citizens on what the other people really think about their behaviour.

“Unity and justice and freedom” – in a country where individual profit comes first, the corresponding passage in the national anthem should be adjusted.

The background why I created it: The most of people in the world long for a peaceful and happy life without guns and blood. But to be the different Union there are different conflicts of interest, in this situation, some super nations arbitrary interfere others. For example the Iraq War 2007 and today’s Syrian War.

Donald Trump darkens the truth by misusing it, piece by piece. In the end, even the shadows lie.

Female genital mutilation is a terrible situation for women, especially in Africa.
In this procedure knifes, razors or scissors are used.

Menschen neigen dazu, Schwächere zu ihren Gunsten auszubeuten. In jedem von uns steckt ein kleines Stück dieses Menschenpopcorn fressenden, gesichtslosen Monsters.

This poster depicts a political slogan chanted in the Monday demonstrations in 1989/1990, as a protest against the GDR government.

Nowadays the masses have found the internet to voice protest and express their opinion. Anytime and immediately on can exert influence through online petitions, in comment sections or by hitting like buttons. The poster shows this shift in our culture of demonstration by a swarm of mouse pointers and thereby shows how a large number of individual elements can shape the public understanding.

The symbols are relative. Different functions can be named depending on where and how they are used. Sometimes a symbol has no meaning to someone. In the same way, concepts are relative too. Sometimes they’re not even concepts, they’re only words. Such as “Peace”.

Social media keeps feeding us new content. Algorithms filter and reinforce existing opinions. We are in an information bubble that we cannot escape.

The poster is a critique of the present consumer society and its impact on the individual as an end user.

The idea of the poster is to represent freedom of movement.

Groceries in Germany are too cheap (especially compared to other countries), still too many people complain about the prizes.
– Say nein! to ja!

Peace talks with adversaries like Vladimir Putin are like playing Russian roulette.

In Darfur a civil war has cost 300.000 human lives and let 2,5 million people to flee the country since 2003. The government backed mounted militias “Dschandschawid” destroy villages, massacring and raping the population. Famine and draught further worsen the lives of the people. In the media everyday life we don´t hear much about Darfur. Many can´t even place the word. Because of this “Darfur” for me stands for the injustice in the world that we don´t know about or possibly don´t want to know about. It might be worth it to reflect on what is truly important in life and the world.

This poster combines two familiar symbols: the disability icon and a city road sign.
The city skyline stands for broken, inaccessible public spaces—potholes, crumbling sidewalks, steep curbs, and the absence of smooth pathways. The person in the wheelchair is trapped in it.

For week and months the back and forth of the farce that is Brexit, has dominated the news European landscape, blocking space that might have been better used for other issues. Politions all around seem little inclined to admit, that they have hit a wall. Many proposed solutions seem watered down and arbitrary, with one referendum chasing the next. It might be time to tear it down and start over!