Trying to reach the other side of the Mediterranean Sea, hoping to find a better life, refugees often pay a high price; their own lives. They might reach another side, but a side, which does not have landing shores.

The poster aims to draw attention to skin protection, especially in the summer season. The most dangerous skin cancer is melanoma. Every year, the disease affects 160.000 people worldwide. Protect your skin.

In the last few years the issue of „ tax evasion“ became a central topic in German media. On my poster text 2 letters are missing: CH – the abbreviation for Switzerland.

Queer is a collective term for sexual orientations that are not heterosexual, as well as any gender identities. As a queer person, you don’t have to follow all the stereotypical clichés of the scene. Be who you are.

A poster, on a wall, in a city somewhere. A JPG, embedded on a website, somewhere online. A chance encounter – or predestined by the mathematic codes that create our personalized worlds on facebook, google and so forth?

Women are still oppressed and disadvantaged by men in the most diverse areas of life. In the family, as well as in the public and the world of work, they are affected by social inequalities, which are caused, among other things, by traditional roles and gender prejudices. Women are underrepresented in leading positions and more often than men have a passive, reserved role in the background. They are taken less seriously and less perceived and encounter significant obstacles in the ascension within the hierarchy.

Fake news is being a puppet of an unkown.

“Libertas, Securitas, Justitia” lautet das Motto der EU-Grenzschutzagentur Frontex.
Ihre Einsätze im Mittelmeerraum sind völkerrechtlich bedenklich und reduzieren dieses Motto auf einen einzigen Begriff:
Sicherheit um jeden Preis.

The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

The poster is against animal cruelty. While the wolf stands for animals in general, the dance steps symbolize the ease and cynicism with which man is doing so.

Although we are all aware of the excessive pollution that we face in urban areas, we have, so far, been unable to find a solution for our rising problem. That being said, we seem to be okay with the current situation, as if pollution has become a part of our everyday livelihood and with every breath it consumes us even more.

Worldwide, more and more industrial farming is carried on. Regardless of risks to man and nature monocultures are used from genetically modified seeds. Monsanto is heavily involved in this development. The agricultural chemical company is a global leader in biotechnology and has 90% of the patents of the currently cultivated genetically modified organisms.

Water is considered a symbol of life. The waste of water reveals the danger of a total depletion of consumable water and the eventual death of mankind.

By law we are free. Free to decide to accept an offer and use it or not. This freedom of use is not permitted by the GEZ, in this case we are forced to pay for something whether we use it or not.

Most major german cities are bursting at the seams, the rents go into the absurd, many residents suffer from the narrows and often flee into nature. Meanwhile, rural areas slowly but surely are orphaned: abandoned villages, old people and lack of prospects determine the picture. Young, motivated residents flee to the cities – a vicious circle.

March 8th is International Working Women’s Day. On this day the woman can feel as the big boss of the family. I wanted to create a humorous illustration to express the way that women stand tall for change.

As we all are glass people already, it does’nt make a difference when we present ourselves blatantly and liberal to drones. (Irony)

These days the meaning of help is changing in social and political fields. So you cannot rely on people. When you ask someone for help, you will often not get help without giving something in return. People want to achieve their own targets with their help or harm you.

Many of the things we wear are made by kids. Child labour is still an issue and can not be forgotten about. This what I want to draw attention to with my poster. Clothing sold in Germany may also be made by children. The dress I used is meant to show that no matter how beautiful an item may be, it might come from a place that is just the opposite.

Is it the time to lose or to tighten our belts to the last hole? We don’t know it yet.

Women earn less for the same work and the same qualifications.
Women are sexualized in the media and in everyday life.
Women mostly take care of children or the sick without being paid.
Women are more often affected by poverty in old age.
Women experience sexualized and/or domestic violence more often.
Women still do not have the same rights as men.
Women are less represented in politics and leadership positions.

In order to change something, equal rights are needed.

Therefore — men — make some space!

Ein gutes Plakat braucht keinen Anwalt, obwohl es selbst sehr oft diese Rolle übernehmen muß, indem es z.B. Menschenrechte in Schutz nimmt“.

Daily, throughout the whole world, not only in India, there are crime scenes of brutal rapes.
My work calls for the observer to reflect, but still gives them the freedom to imagine the extent of the serious injuries of a rape victim.
At the same time the ever increasing red tones – the strongest being the word “rape” visualizes the damage which is irreparable.

Bangkok is a city of animism where supernatural beings dwell in both natural and constructed objects. Tales of ghosts and superstitions are parts of our everyday life. There are two types of land spirits whose a majority of Thais believes in; Deity of the Land and Lord of the Place.

The blue ghosts seen in the poster represent the spirits in everyday sights throughout the city, the noble landlords who possess acres after acres of land. We, as Bangkok’s ordinary people, can do nothing apart from watching them and paying for taxes and rents to them for the rest of our lives.

The Age of the Selfies started long ago. Regardless of where we are or what we are doing, the only limit to seeing ourselves in our favorite pose, is the length of our own arm. Crafty inventors have become aware of this evolutionary disadvantage and developed the so-called »Selfie Stick«. It isn’t naive to imagine the suitable content, the quick-to-adapt porn industry will soon uncover for this new communication channel (just as they have done with Video, DVD, Internet, Google Glasses, etc.). Because at the end of the day, us selfie-junkies are our own private paparazzis, trying to capture our exposed selves.

The poster ICH/WIR sends a clear message in a time when social cohesion seems to be falling apart. The oversized, white “I” screams at us—loud, dominant, impossible to miss.
Only on second glance do we notice the tiny “WE” tucked into the bottom corner—quiet, almost invisible.

This work is a critique of growing social indifference, isolation, and the erosion of collective responsibility, all fueled by an increasing obsession with the self.
In a time when individual concerns often outweigh the common good, the poster reminds us not to lose sight of the WE.

In a not too distant future everybody might be a drone’s target. With countless cameras and even weapons on board a drone might be worse than any insect you´ve ever felt disturbed by.
Once they decide to attack you it will most likely be too late for a court hearing. So watch out for this dangerous man-made species as there won’t be much we can do once they´ve grown.

When money sets the rules of the game, fairness becomes a tool manipulated by the few.