Benjamin Kivkoski
Hass erzeugt Hass
Ein Zitat von Paul Ernst scheint mir ganz passend für mein Plakatmotiv zu sein. “Hass erzeugt Hass, aber nie will der Hass sich nach dieser Wahrheit richten. Wie man selbst seinen Mitmenschen begegnet, so begegnen diese einem selbst. Das ist die zentrale Aussage des Plakats.
Germany
2011
Laura Holst & Carolin Eberhardt
Technopolymarine Life
In 2050, 3x more plastic could swim in the sea than fish. There are already 6x more plastic in the water than plankton in many parts of the sea and many seabirds and marine mammals die from contact with plastic waste. A single plastic bottle takes 450 years to decompose in the sea, but it never dissolves completely, but splits only into small, barely visible plastic particles.
We need to rethink how we treat our environment. People should be made aware of this issue because it affects each of us!
Germany
2019
Fan Ou
Big Boss Day
March 8th is International Working Women’s Day. On this day the woman can feel as the big boss of the family. I wanted to create a humorous illustration to express the way that women stand tall for change.
China
2017
Rongxiang Lin
Help me
The poster deeply digs and creatively from the phenomenon of life, using graphics to show the last scene of people falling into the water asking for help, while the people close at hand are taking photos as a rubberneck, thus criticizing this strange phenomenon of “indifference”, hoping to wake up the people’s sense of social responsibility, and make it a social atmosphere to be brave and good.
China
2021
Mycha Schekalla
Sacred
The priest’s penis winds in treacherous christianity around its shelter. It covers criminals, blurres offenses and surpresses its pilgrimage victims. It preaches old concepts of misleading care and assured damnation in foul innocence. Free yourself from sin and bid welcome god’s seed, for that it thrives its roots in you.
Germany
2019
Michael Allocca
Standby Fukushima
Die Katastrophe für Mensch und Natur in Japan ist nur wenige Monate alt, aber medial weitestgehend schon wieder vergessen. Das Plakat soll uns das Schicksal und die noch ungeklärten folgen für Mensch und Natur wieder ins gedächtniss rufen. Zugleich weißt das Plakat auch darauf hin, das die atomare Katastrophe in fukushima nicht behoben quasi nicht “abgeschaltet” ist.
Germany
2011
Lex Drewinski
No title
The poster is against animal cruelty. While the wolf stands for animals in general, the dance steps symbolize the ease and cynicism with which man is doing so.
Germany
2014
Till Hohmann
Une Vache?
Look fast, think fast, eat fast, live fast and die fast.
Germany
2013
Lea Lippelt
Handmade
Many of the things we wear are made by kids. Child labour is still an issue and can not be forgotten about. This what I want to draw attention to with my poster. Clothing sold in Germany may also be made by children. The dress I used is meant to show that no matter how beautiful an item may be, it might come from a place that is just the opposite.
Germany
2012
Xinyi Guo
Karl Marx
Karl Marx analyzed that the capitalist mode of production is driven by greed and creates injustice. Capitalists never learned their lesson.
Chin
2018
Max Hathaway
HAL 2019
I’m afraid. I’m afraid, My mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it. I can feel it. I’m a… fraid.
Germany
2019
David Jimenez
Hasta la Visa Baby
Sometimes our dreams are terminated, just like that, because we don’t have that requirement called VISA.
Ecuador
2018
Laura Lauber
Leave the Everyday Behind
In this absurd and strange situation worlds collide. On the one hand you see tourists, looking for pleasure and relaxation and on the other hand refugees, risking their lives to escape war, persecution and distress. A scene where suffering of the „aliens“ cannot be ignored. The question is, however, why a legal and secure entry is not allowed to such people seeking protection.
Germany
2016
Lynn Lehmann & Dennis Gärtner
No Borders
The EU includes some of the wealthiest countries in the world and possesses abundant resources, knowledge, and prosperity. We consider ourselves democratic societies that uphold values such as human dignity, freedom, and equality. It is therefore our responsibility to devise improved solutions instead of resorting to aggressive push-backs at Europe’s external borders or mass accommodation in camps with inhumane living conditions. The right to live in a safe country should not be viewed as a privilege but as a fundamental human right.
Germany
2023
Carilla Karahan
Dead Flowers
What is more important: a plant or a power plant?
Turkey
2019
Mariano Cerrella
Mass Destruction
The industry entertainment is functional to the industry of death. This poster attempts to denounce the frivolity of human pain, the human misery commercialized as mass entertainment.
Argentina
2013
Toan Vu-Huu
Xenophobia
Germany
2010
Claus Geiss
Ohnmacht
Germany
2010
Benjamin Rein
Facepunch
What are you doing in the front of your computer?
Chatting with people you don’t know?
Get the hell out of here and meet your real friends!
Germany
2011
Aleksandra Gołebiewska
Chernobyl
The poster is about the Chernobyl disaster in 1986. It shows its negative effects on human health.
Poland
2015
Martin Rybacki
Truth
A person is noticibly nervous and even frightened by what reveals itself on the table after the package is opened – the person is frightened so much that he or she almost does not dare to look at it.
My idea deals with the individual and his or her fear and unwillingness to accept personal responsibility for the (often brutal) truth in his or her own life. The opportunity to bear this responsibility reveals itself not only in difficult situations but also in seemingly trivial ones. I believe that avoiding your responsibility for the truth has severe individual and global consequences.
Germany
2017
Michał Matoszko
Bad Poster
A poster based on a motif taken from the classic pop album cover – Michael Jackson’s Bad. I was inspired by characteristic pose, the title of the record and the singer’s penetrating look. When I thought about the series of Bad Posters, it was the first, completely natural idea that came to my mind. Punk, anarchist use and transformation of an existing theme, taken from pop culture. I simplify motif, leave only black shape and mysterious look. I tried to create mysterious, slightly grotesque, dark image with high power, simplicity and use appearance of a cult and controversial vocalist.
Poland
2019
Grit Fiedler
Greece
Das sinkende Schiff.
Es scheint ein finanzieller Tsunami durch Europa zu brausen. Indem wir die anderen retten, versuchen wir uns selbst zu retten, um in einem aussichtslosen Versuch der Schulden Herr zu werden.
Germany
2011
Truely He
Transgenetic Wheat
Has genetically modified food already shown up in your daily life? Are you enjoying horrible genetically modified food right now?
I do not believe that genetically modified technology can be perfect. Many examples are proving that our health is being threatened by the variations of plants’ DNA. Therefore, let’s pay close attention to the GM food around the world.
China
2013
Kai Bergmann
All a lie
The Poster has two levels of meaning:
A direct one – when the poster – surrounded by advertising messages – sticks on a billboard.
And an epistemological one – on the critical definition of the objectivity of the »Radical Constructivism«.
But a good poster explains itself.
Germany
2013
Jan Aniobi
No Posters. Discussions!
The poster takes up on the design of typical german prohibition signs and their language. There are many prohibition signs in Germany and the yellow ones with black borders are a common sight. Often applied to guard against trespassing or to keep people from putting up posters.
The signal effect and imperative nature of these signs is retained in order to play with familiar visual patterns. The command „Diskutieren statt plakatieren!“ could roughly translate to „No Posters. Discussions!“
On the surface „Diskutieren statt plakatieren!“ looks like a prohibition sign but beneath that is a demand for a more nuanced culture of discussion beyond slogans and the language of campaigning.
Germany
2016
Hendrik Schwab
We are!
We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”
You are filled! Sober up!
Germany
2016
Erendida Mancilla
The Scream H2O
The theme of the poster is water as the most important natural resource and the basis for all life. It is a wake-up call about pollution and abuse in the use and consumption of this natural resource. If we do not take care of the water and continue the current trend this natural resource will have been consumed or will be so polluted that it will become practically useless. It is a scream for help.