Love life, stop fanaticism.

Sei westlich – Sei verschwenderisch! 
Der gedankenlose Umgang mit unserem Essen ist nicht nur ein aktueller Trend, sondern hat eine lange Tradition in unseren Breitengraden. Bereits im Barockzeitalter wurden die Menschen durch die Lebensmittelsymbolik in sogenannten »Vanitas-Stilleben« ermahnt, ihre Essensgelüste zu mäßigen. An jener Maßlosigkeit hat sich aber nicht viel geändert. Wir leben heute in einem wahren Schlaraffenland: Eine Auswahl in XXL, 24/7 verfügbar, das Beste, das Neuste, immer frisch, immer billig. Und was wir nicht aufessen können, das schmeissen wir halt weg.

For 10 years, the infrastructures of the Football World Cup are being built in Qatar. For 10 years, a silent massacre is happening there: the massacre of Indian, Pakistani, Nepalese, Bengali, Sri Lankan workers, reduced to near slavery conditions. At least 6500 workers died on those building sites according to The Guardian.

42 years ago, the French graphic designer, Alain Le Quernec, created a poster to alert people about the World Cup in Argentina where Videla’s bloody dictatorship raged. In reference to this previous « shame cup » and as a tribute to Alain, I have revisited his graphic idea today to denounce this new mass grave on which a party will be hosted, with the complicity of FIFA and our governments.

The capitalistic exploitation logic steers us increasingly destructive to the abyss of self-destruction. Modern human beings remain in an attitude of passive endurance and seemingly comfortable self-deception, when the alternative would be a necessary revolution. We remain calm as Hindu cows and operate business as usual.

Die Idee für mein Plakat entstand während der Präsidentschaftskandidatur Sepp Blatters für eine vierte Amtszeit als FIFA-Präsident.

Die FIFA stellt sich gerne als völkerverbindender, die Kulturen einender, Global Player dar. Was hinter verschlossenen Türen geschieht, hat allerdings nichts mit einem weltoffenen Unternehmen zu tun. Skurrile Entscheidungen werden von einem erlesenen Kreis von Funktionären getroffen: Die WM-Vergabe an Katar oder der Bau riesiger Stadien ohne nachhaltigen Nutzen für die Bevölkerung Südafrikas sind Beispiele dafür. Hier scheint es nur um das schnelle Geschäft und um maximalen Profit zu gehen. Die Korruptionsvorwürfe wollen nicht verstummen. Doch Kritik wird nicht geduldet, das System um jeden Preis erhalten.

Die Idee des globalen FAIR PLAY wird zum leeren Marketingversprechen. FUCK OFF ist meine Antwort darauf. Sie steht gleichzeitig für die Haltung der FIFA ihrem eigenem Claim gegenüber: Blatter hat ihn zu einer zynischen Worthülse degradiert.

»Description? Sorry, no time!«

The poster ICH/WIR sends a clear message in a time when social cohesion seems to be falling apart. The oversized, white “I” screams at us—loud, dominant, impossible to miss.
Only on second glance do we notice the tiny “WE” tucked into the bottom corner—quiet, almost invisible.

This work is a critique of growing social indifference, isolation, and the erosion of collective responsibility, all fueled by an increasing obsession with the self.
In a time when individual concerns often outweigh the common good, the poster reminds us not to lose sight of the WE.

You are living among people. Does it hurt you when you are not accepted for who you are? Each of us can become a victim of intolerant attitude. Check your life by asking yourself a question: Do you harm other people or make them feel uncomfortable?

This poster is a quick reminder in the name of reality.
Lift your head and cross the thin line between screen life and real life. You won’t regret it.

The case of Trayvon Martin, a 17 year old black teenager recently killed in Florida by George Zimmerman (an armed neighborhood watch captain) and the related comments about the dress codes of an especially black and Latin American youth illustrates how the Conservative mind in the U.S.A. works. Guns can never be the problem, so something else must be the problem.

A poster based on a motif taken from the classic pop album cover – Michael Jackson’s Bad. I was inspired by characteristic pose, the title of the record and the singer’s penetrating look. When I thought about the series of Bad Posters, it was the first, completely natural idea that came to my mind. Punk, anarchist use and transformation of an existing theme, taken from pop culture. I simplify motif, leave only black shape and mysterious look. I tried to create mysterious, slightly grotesque, dark image with high power, simplicity and use appearance of a cult and controversial vocalist.

We need to find solutions for making sure that no children are excluded from schooling, educative systems, poverty alleviation, human rights.

The topic of my poster “Stop Female Genital Mutilation” is a much discussed theme in the human rights debate, nevertheless, most people do not know what exactly happens during the procedure and how cruel it actually is. This is what I tried to communicate with my motive, while displaying the shape of the female sex the poster gives brutal information in short and direct sentences. The font I used is called “Thorn” and has been designed by Hubert Jocham and is just the right font to emphasize the brutality of the procedure. FGM is, although it is a serious violation of the human rights, carried out in many regions, among them western countries (up to 500000 girls and women living in the European Union are affected or threatened by FGM). Just recently illegal procedures in South Africa (which is not even on the list of countries where FGM is practiced) have been discovered. After the terrible circumcision, these girls are branded with a mark on their thighs as evidence of having attended the procedure. We all need to raise awareness, Stop FGM Now!

Many African children (and non african) have chronic hunger. Situation that puts them at disadvantage and their life expectancy is very low. This terrible situation generates, among other undesirable consequences, the development of their life.

The motive: the periodical capitalist crisis dramatic shows, that for this profit economic system of the human being is disposable, the life of millions is a throwaway to “save” a tiny group of banks and companies.

This poster is a commentary on the condition of the modern human. We are so very virtual.

In the world every day many women are harassed and sexually abused, but they are silent for improper judgments​.

Concerns profit, people lose.

Who is deciding over rights?
Rights made for whom and by whom?
Can we categorize human beings by laws?
Is it sometimes just convenient to cling to paragraphs and thereby shirk responsibility?

Every day we have to make many decisions of varying importance. Thanks to e-mail and social media, we are flooded with information and a multitude of more choices. So how can we make the best decision? Do we have the courage to commit ourselves to a decision? Or should we postpone, or even just ignore it? Perhaps with a self-justification that ‘maybe’ a better choice may present itself in the future? This solution seems simple enough for us but yields no added value to the people affected, or does it? For my part I can say that it even pisses me off major league. A ‘maybe’ in itself is not evil and often essential. But it has mutated into a state of mind and a justification towards inaction. Beyond a doubt, this is dangerous. So snap out of lethargy and indifference, make a stand for things that matter and start committing yourselves to your convictions.

Many Internet, Facebook and Twitter users are reckless and irresponsible with their personal data. The consequences are often devastating.

The poster design is inspired by “gravity”. The bullets fired by terrorists fly around the earth under the action of gravity, and finally hit themselves, so as to reflect the war starting from evil, and finally It’s still me who eats back.

„Wutbürger“ wurde zum Wort des Jahres 2010 gewählt. Mein Plakat gibt den Passanten nun die Möglichkeit, selbst zu einem zu werden und ihre eigene Meinung öffentlich zu machen. Nur Mut!

Faster! When do we finally arrive?

Complexions are just colour fields, why would you get irritated by them? Why would you even segregate them or be hostile to them? Who decides from which colour field someone belongs to the good ones or the bad ones?
It is necessary to stop the segregation and bring those colours back together.

The poster East/West was created with current events in the East in mind. I can confidently say: “Nothing changes in the East.” The central idea was to show two directions—an arrow pointing west and another east—as a kind of warning. The rocket symbolizes ongoing conflict on many fronts: racial, ethnic, and religious. Stop war!

We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”

You are filled! Sober up!

Truth is difficult where anyone is easily satisfied.

When the lie becomes the truth, propaganda celebrates its greatest victory.