Digitalisation has changed our lives – and the way we communicate with each other. In some moments, it seems as if our mobile phones are making life really difficult for us. Then it’s just a matter of: heads up and smartphones down.

This poster is a quick reminder in the name of reality.
Lift your head and cross the thin line between screen life and real life. You won’t regret it.

To grin and bear it.

Flourishing of social media has led to the global shift in how we perceive privacy. Being normalized in everyday life, constant violations of confidentiality make us wonder where is the boundary which separates private from public. In this whirlpool of doubt and caution, everywhere and all the time we feel persistent presence of someone else. Someone who is watching.

Pacifists face a complex dilemma in dramatic situations like the war in Ukraine. Si vis pacem, para bellum (“if you want peace get ready for war”) or Si vis pacem para pacem?

In the context of creation, this poster is about me: I’m angry at myself—angry that I’m not more angry at myself. But in the context of presentation, this anger turns on you. I’m angry at you for not being angry enough at yourself. And I’m probably angry at you now because you might not understand the concept behind this poster. We direct our anger outward, forgetting how hypocritical and unreflective that really is. It’s incredibly easy to point fingers at others instead of turning that anger inward. Ironically, this poster does exactly that.

In 2015, women in the United States were paid roughly 79¢ for every dollar men were. While this image depicts one regional statistic, the broader objective is to call attention to the myriad injustices faced predominantly by women in the workforce. In addition to unequal pay, issues like sexual harassment, biased dress codes, and lack of paid and/or adequate family leave continue to plague workers throughout much of the world.

 I mean –  who doesn’t like cake?

»Description? Sorry, no time!«

The aim of the poster is to raise awareness about the risks of one of the most commonly used digital tools. This risk is caused by the lack of information about data security. Even people with a higher knowledge, the security of digital security is ignored. At some point, a multitude of users seem to be through user-friendly design. By rearranging the letters of the original, the design has been configured to give an erroneous view in a certain way to an observer – a warning sign that a irresponsible collection of data can be used in a dangerous way, especially for minorities.

The “Zeitgeist” poster was created in response to the news headlines from several online newspapers one day in October 2017. When scrolling through news portal sites, the discrepancy between positive and negative, important and unimportant news is incredibly large. On some days, this rapid change of moods causes discomfort. On other days, it triggers a state of indifference.

In recent months, the work of sea rescuers has been made incredibly difficult by the Corona pandemic. While inaction on one front ensured falling infection figures, missions on the Mediterranean came to a complete standstill at times. Many states even took restrictive measures against non-governmental teams of sea rescuers. Allowing people to die on the Mediterranean Sea in order to further the isolation of Europe and to fight political power struggles is intolerable and speaks against any humanity.

Global disaster made by mankind.

My poster depicts military equipment as toy models. Politicians, seated comfortably in safe places, eating lavish meals, decide the fate of others — treating war and the deaths of innocent people like a game. This work is a protest against that kind of leadership.

The idea of the poster came out recently when the Native American tribe Sioux were protesting against the installation of an oil pipeline in their reservation Standing Rock in North Dakota. This protest became widely known, especially because of the violence the U.S. Government used with riot police and the army. This is only the origin of the idea, but the main thing is that times change (from the old times of the Conquest of the West to nowadays, from the “romantic” cowboy to the non-romantic at all riot police), but the oppression is always there, and it’s used always by the same oppressor. And we could extend this idea to every era, situation or geographic place.

My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

No description!

Not considering yourself a Nazi does not mean you’re allowed to be rassistic towards others in public. Same as the sentence „I don’t have anything against foreigners, but …“ often ends with the complete opposite opinion. This is a poster to remind all the concerned citizens on what the other people really think about their behaviour.

We’re living in the times when social norms are being reconsidered and broadened, which is amazing and promising. However, when I was reading articles about the widening definition of normal, I was thinking that there would always be individuals who wouldn’t fit into the new normal paradigm. I believe there is a catch in this discussion, by defining normal we are also highlighting our differences. So, the idea of this poster was to show that not belonging could be an incredible experience, too, and there was nothing abnormal with not being normal. The poster is a bit ironical, as the creature is setting its own tail on fire (or biting it, the interpretation is up to the viewers). The poster was hand-drawn with acrylic on paper.

A raccoon dog, skinned alive on a fur farm: Its screams separated from a sound track an visualized.

Sei westlich – Sei verschwenderisch! 
Der gedankenlose Umgang mit unserem Essen ist nicht nur ein aktueller Trend, sondern hat eine lange Tradition in unseren Breitengraden. Bereits im Barockzeitalter wurden die Menschen durch die Lebensmittelsymbolik in sogenannten »Vanitas-Stilleben« ermahnt, ihre Essensgelüste zu mäßigen. An jener Maßlosigkeit hat sich aber nicht viel geändert. Wir leben heute in einem wahren Schlaraffenland: Eine Auswahl in XXL, 24/7 verfügbar, das Beste, das Neuste, immer frisch, immer billig. Und was wir nicht aufessen können, das schmeissen wir halt weg.

We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”

You are filled! Sober up!

The Japanese even have a name for it: Karojisatsu, suicide from overwork. A society that places achievement over the human being isn‘t only the reality in Japan. Even though we have no word for it yet, we need to change something. Otherwise we will need one very soon. I demand: Let’s distance ourselves from the pressure of achievement, back to more quality of life.

The poster design is inspired by “gravity”. The bullets fired by terrorists fly around the earth under the action of gravity, and finally hit themselves, so as to reflect the war starting from evil, and finally It’s still me who eats back.

Bombs fall, people flee, cities crumble – war is pure catastrophe. For millions, it means pain, loss and fear. But not for everyone. There are those who profit from suffering: Shareholders whose investments in arms companies bring maximum profits. Heads of state who secure raw materials and power under the guise of peace. Banks that increase their profits with loans for arms deals. As long as there is money to be made from war, why should there be peace?

The specter of plastic pollution is everywhere – like the cry of a human soul trapped in a world choked by plastic bags.

Truth is difficult where anyone is easily satisfied.

Over 70 years ago the fundamental human rights were enshrined by the United Nations for every human being on the planet – Yet almost everywhere around the world, women and girls are still denied them, often simply because of their gender. Ranging from the right to live free from violence and discrimination – including domestic violence, sexual assault, forced marriage, trafficking and awful practices such as female genital mutilation. To the right to be educated; to own property; to vote; to run for office; to earn an equal wage.

To some of the leaders of the world the idea of war is the same as the music notes which they play whenever they want without considering the consequences, and as a result, countless civilians and soldiers die without a reasonable cause!

My poster shows a whale being symbolically cut into pieces by sound waves.
The noise exposure under water is constantly increasing; cargo ships, navy sonar systems, the installation of offshore wind parks, ships looking for oil and gas, altogether form an immensely, continuous noise.  Whales and other water creatures are losing their orientation, as they are communicating by ultrasound and their orientation is disturbed.
Hence they are driven away from reproduction and nutrition places, lose their group, some get deaf. Whole schools of whales stranded after seismic examinations and sonar experiments, used in order to find oil. The animals concerned die in a torturous way, and are finally found with internal bleedings and damaged acoustic organs at our beaches.
They tried, without any orientation, to flee from the acoustic noise surrounding them.