The aim of the poster is to raise awareness about the risks of one of the most commonly used digital tools. This risk is caused by the lack of information about data security. Even people with a higher knowledge, the security of digital security is ignored. At some point, a multitude of users seem to be through user-friendly design. By rearranging the letters of the original, the design has been configured to give an erroneous view in a certain way to an observer – a warning sign that a irresponsible collection of data can be used in a dangerous way, especially for minorities.

This poster presents a feminist demand engraved into a stone tablet — borrowing the visual language of monuments to give weight to the ongoing protest against the gender pay gap, which still stands at 16%. Maybe we really do need to carve our demands into stone in order to be heard.
Truly etched in stone is the custom-designed display typeface Friedländer—inspired by an early sketch by Elisabeth Friedländer, one of Germany’s first female type designers.

This poster combines two familiar symbols: the disability icon and a city road sign.
The city skyline stands for broken, inaccessible public spaces—potholes, crumbling sidewalks, steep curbs, and the absence of smooth pathways. The person in the wheelchair is trapped in it.

Tens of thousands of refugees are on their dangerous journey across the Mediterranean Sea to Europe. In recent years, the number of »boat people« has increased drastically, and with it the number of drowned refugees. The »SOS« sign on the horizon of the Mediterranean Sea is a call for help and a bearer for hope at the same time and requires support.

In a not too distant future everybody might be a drone’s target. With countless cameras and even weapons on board a drone might be worse than any insect you´ve ever felt disturbed by.
Once they decide to attack you it will most likely be too late for a court hearing. So watch out for this dangerous man-made species as there won’t be much we can do once they´ve grown.

The poster is about the connection between education and democracy. A fair world is only possible if all people are responsible and capable of understanding and producing content matter. No one may be left out.

Verbal abuse is just as harmful as the physical abuse. You have to correct children wisely and with love.

Trump represents all kind of extremism. This is beyond politics. This is about basic human decency. Integrity, loyalty, honesty. Trump has misrepresented and attacked the poor, Latinos, African-Americans, Asians, immigrants and other minorities. He has openly mocked the disabled. He has called women “fat pigs”, “dogs”, “slobs” and “disgusting animals”. He’s praised for “telling it like it is,” except that Trump rarely says anything rooted in actual truth.

This is very serious: the most powerful country on earth has a fascist to run for president and about to be nominated as Republican candidate and perhaps President of the United States of America.
My poster is a satire of “kkk” using the “dunce cap” and the internet slang “kkkkk” for a big laughing.

This poster brings visibility to what the world often tries to hide: homelessness, slums, and favelas. Thousands of such places exist worldwide—pushed to the margins of society.
I used bold colors and layered compositions to symbolize cramped, overcrowded living. The limited poster size reflects the lack of space; overlapping rectangles mark the tiny areas people are forced to live in. The scattered typography represents people in motion—searching for stability and believing in a sustainable future. This work is a call to look closer—because behind every makeshift home, there is a human being.

45 years ago, a bitter revolution unfolded in Iran, leading to the rise of religious radicals who seized control of the government. As a result, the country’s name was changed from Iran to the Islamic Republic of Iran. Throughout all these years, they have consistently stood against the will of the Iranian people, relentlessly propagating their ideology and ruling the country with a brutal dictatorship.

Wars deprive kids of the right to learn.

The poster takes up on the design of typical german prohibition signs and their language. There are many prohibition signs in Germany and the yellow ones with black borders are a common sight. Often applied to guard against trespassing or to keep people from putting up posters.

The signal effect and imperative nature of these signs is retained in order to play with familiar visual patterns. The command „Diskutieren statt plakatieren!“ could roughly translate to „No Posters. Discussions!“

On the surface „Diskutieren statt plakatieren!“ looks like a prohibition sign but beneath that is a demand for a more nuanced culture of discussion beyond slogans and the language of campaigning.

The focus of my poster is beauty and how we deal with wild, urban nature, which flourishes in locations that are heavily influenced by humans (wasteland, old industrial areas). This so-called 4th nature does not fit into our classic concept of beauty due to its rampant and unadorned aesthetics and is often not given much attention. Nonetheless its heterogeneity enables one great biodiversity in urban areas and creates the opportunity to experience wild nature close to city-centers. However, these areas mostly only exist temporarily, as they fall victim to new construction projects in the course of urbanization and densification.

The Age of the Selfies started long ago. Regardless of where we are or what we are doing, the only limit to seeing ourselves in our favorite pose, is the length of our own arm. Crafty inventors have become aware of this evolutionary disadvantage and developed the so-called »Selfie Stick«. It isn’t naive to imagine the suitable content, the quick-to-adapt porn industry will soon uncover for this new communication channel (just as they have done with Video, DVD, Internet, Google Glasses, etc.). Because at the end of the day, us selfie-junkies are our own private paparazzis, trying to capture our exposed selves.

The symbols are relative. Different functions can be named depending on where and how they are used. Sometimes a symbol has no meaning to someone. In the same way, concepts are relative too. Sometimes they’re not even concepts, they’re only words. Such as “Peace”.

Unerringly like a striker is chasing the ball, the big business that is the driving force behind world’s soccer is hit by one scandal after the other. But time and time again there is only the yellow penalty card for the ones responsible. The spectators as well as the players are to tacit complicity. It’s time for a dismissal!

Rugged individualism is a common disease of our time. It is bound with selfishness and has many negative consequences at all levels. Excessive self-adoration leads to ignoring each other; each individual sees its own interests without consideration of the common good, while we live in a world, in which we are increasingly interdependent on each other.
To illustrate this idea, I chose to use an iconic image of pure beauty and transformed it thoroughly in order to create something monstrous. The belly button – is the center of the individual and moving it to the center of the Venuses face expresses this imbalance called “belly button gazing”.

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An attempt to show the absurdity of government supervision with simple and minimal resources, and an appeal to everyone to rebel against it.

A chimney blowing black smoke … it is causing global warming.

My poster represent the fear that children feels when they are abused from their own fathers. The poster is like the shoe of the father when he is coming home and at the same time is like the door of the home with the afraid eyes of the child.

The plot of the poster is the pollution, more specifically, the car exhaust. The unique ambiguity of the (german) title leaves no doubt who the « bad guy » is.

A poster based on a motif taken from the classic pop album cover – Michael Jackson’s Bad. I was inspired by characteristic pose, the title of the record and the singer’s penetrating look. When I thought about the series of Bad Posters, it was the first, completely natural idea that came to my mind. Punk, anarchist use and transformation of an existing theme, taken from pop culture. I simplify motif, leave only black shape and mysterious look. I tried to create mysterious, slightly grotesque, dark image with high power, simplicity and use appearance of a cult and controversial vocalist.

Fake news is being a puppet of an unkown.

The poster could either criticize companies that aim to target new audiences with hypocritical promises and enhance their brand image, or it could represent an actual advertising campaign by Company XY, targeting the ‘Climate Warriors’ demographic. But following through with actions that match the beautiful words is not as important, especially if those words have already achieved the desired effect.

Bombs fall, people flee, cities crumble – war is pure catastrophe. For millions, it means pain, loss and fear. But not for everyone. There are those who profit from suffering: Shareholders whose investments in arms companies bring maximum profits. Heads of state who secure raw materials and power under the guise of peace. Banks that increase their profits with loans for arms deals. As long as there is money to be made from war, why should there be peace?

By law we are free. Free to decide to accept an offer and use it or not. This freedom of use is not permitted by the GEZ, in this case we are forced to pay for something whether we use it or not.

In this absurd and strange situation worlds collide. On the one hand you see tourists, looking for pleasure and relaxation and on the other hand refugees, risking their lives to escape war, persecution and distress. A scene where suffering of the „aliens“ cannot be ignored. The question is, however, why a legal and secure entry is not allowed to such people seeking protection.