This quick sketch (originally drawn on a sticky note) is an ironical approach to clarify the paradox and misleading term “moderate rebels“. A disguised person sits in front of a TV. Holding a rifle in one hand and a TV remote in the other one. This guy does not seem to be in the mood for a rebellion. His dullness is emphasized by the words „Heute kein Bock!“ (engl. “Not Today!“).

Quality has it’s price. “The cheaper the better” devalues work, talent and good quality products. Food for a few cents, a shirt for 5 and a logo design for 20 Euros – predatory pricing, price dumping (and connected to that wage dumping) kills quality and businesses.

Bangkok is a city of animism where supernatural beings dwell in both natural and constructed objects. Tales of ghosts and superstitions are parts of our everyday life. There are two types of land spirits whose a majority of Thais believes in; Deity of the Land and Lord of the Place.

The blue ghosts seen in the poster represent the spirits in everyday sights throughout the city, the noble landlords who possess acres after acres of land. We, as Bangkok’s ordinary people, can do nothing apart from watching them and paying for taxes and rents to them for the rest of our lives.

This poster shows the dependence of teens and young adults to social media. Services such as Facebook, Twitter und Co. have become an addiction, and seem to be increasingly seen as a requirement to live our lives.

The poster design is inspired by “gravity”. The bullets fired by terrorists fly around the earth under the action of gravity, and finally hit themselves, so as to reflect the war starting from evil, and finally It’s still me who eats back.

The right to be treated fairly by people who are in all positions of authority, even any gender is needed to be respect.

We‘re consuming non-stop. Only because we have the possibility to.
Instead of grappling with our discontentedness we buy stuff that we don‘t even need.
We consume to compensate the condition of feeling empty.
The use of stained and strong colours call the viewers attention.
On the first sight it seems amusing and fun to spot more and more things.
After a while the overfill starts to produce overstimulation in order to thought-provoking.

Karl Marx analyzed that the capitalist mode of production is driven by greed and creates injustice. Capitalists never learned their lesson.

There are so many problems in this world that need our attention and will to change. But we focus on a poor group of people fleeing violence and war, whilst our society is being dismantled by powerful interest groups and our environment is going down the drain for profit of the very same groups. We need to focus instead of listening to self-invested politicians and profit oriented media. We also tend to forget that everything is connected and all the issues can not be seen individually – but together. Most of the blurred words amongst others are direct causes for the refugees in focus.

Bombs fall, people flee, cities crumble – war is pure catastrophe. For millions, it means pain, loss and fear. But not for everyone. There are those who profit from suffering: Shareholders whose investments in arms companies bring maximum profits. Heads of state who secure raw materials and power under the guise of peace. Banks that increase their profits with loans for arms deals. As long as there is money to be made from war, why should there be peace?

We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”

You are filled! Sober up!

The German government plans massive cuts to the federal budget to comply with the “debt brake.” Of all sectors, culture is hit especially hard. These austerity measures will leave significant gaps—many cultural institutions fear for their very existence.
Yet art and culture are essential for a diverse and open society.

When you are working in the creative industry for example, you probably love what you do. Being busy with your work all the time seems almost natural. The Poster is a little reminder that there are still other worlds you can enter.

One of Yoko Ono’s tips for self-care: Look at a screen and record its feelings. Stop working when the earth or the laptop gets too hot.

It is so comfortable to be dependent. Laziness and cowardice let people follow others’ opinions and aims. Governments or companies can use us for their benefits. The more we keep silent, the more others raise their voices. It is so uncomfortable to have an own opinion. The shame is liberated; the thoughts are covered by leaves: The poster shows the change of censorship in our society.

*»Kein Blatt vor den Mund nehmen«(literally: Not putting a leaf in front of your mouth.) means to speak out liberate, directly and shameless.

The poster is about the connection between education and democracy. A fair world is only possible if all people are responsible and capable of understanding and producing content matter. No one may be left out.

This poster combines two familiar symbols: the disability icon and a city road sign.
The city skyline stands for broken, inaccessible public spaces—potholes, crumbling sidewalks, steep curbs, and the absence of smooth pathways. The person in the wheelchair is trapped in it.

Making pictograms visible in urban areas of feelings and thoughts of those who left their home countries and live in a new country is the aim of migrantas. Key elements and similarities between the experiences of migration are emerging after a careful analysis of drawings from various workshops. The central motifs are graphically and artistically implemented by migrantas in pictograms – a visual, understandable language for all.

A poster based on a motif taken from the classic pop album cover – Michael Jackson’s Bad. I was inspired by characteristic pose, the title of the record and the singer’s penetrating look. When I thought about the series of Bad Posters, it was the first, completely natural idea that came to my mind. Punk, anarchist use and transformation of an existing theme, taken from pop culture. I simplify motif, leave only black shape and mysterious look. I tried to create mysterious, slightly grotesque, dark image with high power, simplicity and use appearance of a cult and controversial vocalist.

Der Fleischkonsum ist so hoch wie nie. Jährlich werden Milliarden Tiere durch ein System geschleust, das sie möglichst effizient tötet und verarbeitet. Ethisch, ökologisch und gesundheitlich ist das höchst problematisch.

The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

This poster is a commentary on the condition of the modern human. We are so very virtual.

My poster depicts military equipment as toy models. Politicians, seated comfortably in safe places, eating lavish meals, decide the fate of others — treating war and the deaths of innocent people like a game. This work is a protest against that kind of leadership.

In the world every day many women are harassed and sexually abused, but they are silent for improper judgments​.

When the guards put her suitcase through a scanner, they detected the boy curled up inside. Border officers detained the woman and, later, the child’s father at the same border crossing. The woman is married to the child’s father. A photograph taken of the scanners screen was distributed via the Associated Press and used to communicate the matter internationally. The section of the photograph containing the image of the boy was extracted, realigned, the brightness and contrast was adjusted and a color halftone filter applied.

The symbols are relative. Different functions can be named depending on where and how they are used. Sometimes a symbol has no meaning to someone. In the same way, concepts are relative too. Sometimes they’re not even concepts, they’re only words. Such as “Peace”.

Global disaster made by mankind.

The use of national symbols — a tradition in need for improvement.

As the gap between rich and poor keeps growing, the wealthiest percentage of the global population gains more and more influence and power. This imbalance plays out not only in financial terms but across all aspects of social life.
In response to these injustices—especially in times when figures like Donald Trump are considered “the most powerful man in the world”—more and more people are taking to the streets. One slogan of this resistance: Eat the [Filthy] Rich—a call to action against excessive wealth and capitalism that dates back to the French Revolution.

There are still many harmful and carcinogenic substances, such as parabens, formaldehyde releasers (diazolidinyl-urea and imidazolidinyl), propylene glycol, polyethylene glycol (PEG) derivatives or alumninium in cosmetics. What is being advertised is care and naturalness, but in reality the products are rather natural crude oil.