My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.

The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.

We create our own world.
Our little universe.
A world of self-centered individualists.

People speak, write and shout but nothing changes. We speak the same language but don’t understand each other. The hamster wheel is turning faster and faster, the engines roar louder and louder, drowning out the helplessness of some and frightening others. Anger is the engine of change. Have courage to change!

The symbol of the cycle is omnipresent on todays products and packagings. To the consumer this can be misleading, constantly suggesting the waste will be reused. This way of recycling often is just a disposal via detours. Wrongly disposed or problematic materials are burnt or exported, statistically counting as recycled. While the total amount of waste produced is going up, the real challenge of reducing waste is neglected.

One of the most important question in the world that doesn’t have any answer is: How much does it cost to develop the world? Please see the costs at this poster and judge!

Unsolved Payments, which apparently nobody knows about. Corruption scandals cast a shadow over the world of soccer. My poster puts the trouble in explaining of the German Football Association in a nutshell by imitating the rhetorical skills of Franz Beckenbauer.

This poster was made to talk about the absence of opinion and judgment of the people. The crisis of identity when a person just repeats and follows directions without a real personal point of view. We can see this in current social and political movements, which people blindly follow because this is the “correct form” but don’t really question anything.

Faster! When do we finally arrive?

Complexions are just colour fields, why would you get irritated by them? Why would you even segregate them or be hostile to them? Who decides from which colour field someone belongs to the good ones or the bad ones?
It is necessary to stop the segregation and bring those colours back together.

In our society pharmaceuticals are taken for granted and therefore consumed thoughtlessly. We should give more thought to their effect on society and our own quality of life. Do we really want to get older and older? The poster is also an allusion to Niklaus Stoecklins poster for Gaba in 1927.

Consciousness for climate change is constantly growing. But while we’re willing to make small changes in our everyday lives, there are still many areas that remain completely untouched in their immense carbon dioxide emission. Many people commute to work in order to save greenhouse gasses, but book a transatlantic flight for their hippie-holiday in Thailand. And while it’s the most poolutive way of travel, airtravel makes up only 2% of worldwide greenhouse gas emmision. We need to think bigger then buying bio.

In a world of self-isolation and loneliness, it’s easy to fall under the impression that the only excitement and happiness you get is from the courier carrying you a package full of things you don’t really need.

What we need is the Statue of Liberty or the same God like Chairman Mao! What do we really need: Freedom? Democracy? Or a common culture of the world? I combined the Chinese and Western symbols to express the embarrassment of a reality show that brings all the confusion of the cultural differences.

“Unity and justice and freedom” – in a country where individual profit comes first, the corresponding passage in the national anthem should be adjusted.

Is it about the currency or the human?

The poster is about the Chernobyl disaster in 1986. It shows its negative effects on human health.

The poster is about the connection between education and democracy. A fair world is only possible if all people are responsible and capable of understanding and producing content matter. No one may be left out.

Ein Zitat von Paul Ernst scheint mir ganz passend für mein Plakatmotiv zu sein. “Hass erzeugt Hass, aber nie will der Hass sich nach dieser Wahrheit richten. Wie man selbst seinen Mitmenschen begegnet, so begegnen diese einem selbst. Das ist die zentrale Aussage des Plakats.

This poster is meant to visualize typical migraine pain.

Disturbances of the visual field (flickering before the eyes, flashes of light, blurred vision) are very common. Aside from this speech problems can occur. This is caused by disturbed signal transmission in the brain. Like an electric pulse a wave of disturbance is shot from a single across the cerebral cortex.

The letters M-I-G-R-A-I-N-E are reconstructed to create cuts, doublings and displacements. This is meant to recreate the feeling of migraine attack for anyone looking at the poster.

To some of the leaders of the world the idea of war is the same as the music notes which they play whenever they want without considering the consequences, and as a result, countless civilians and soldiers die without a reasonable cause!

The right to be treated fairly by people who are in all positions of authority, even any gender is needed to be respect.

Death penalty is a controversial topic. Despite our worldwide humanist society, there are still countries that try to atone for almost medieval ways of punishment of certain crimes by the death of the accused. The question of how it can be fair to repay an injustice, such as the death of a person caused willfully by the same injustice is something unacceptable and certainly incomprehensible. We believe that with thorough and conscientious thinking, everyone should come to this conclusion. The fact that Germany is no longer in use of this inhuman punishment shouldn’t distract from the fact that many other countries are still carrying out this procedure.

The German government plans massive cuts to the federal budget to comply with the “debt brake.” Of all sectors, culture is hit especially hard. These austerity measures will leave significant gaps—many cultural institutions fear for their very existence.
Yet art and culture are essential for a diverse and open society.

The idea of the poster came out recently when the Native American tribe Sioux were protesting against the installation of an oil pipeline in their reservation Standing Rock in North Dakota. This protest became widely known, especially because of the violence the U.S. Government used with riot police and the army. This is only the origin of the idea, but the main thing is that times change (from the old times of the Conquest of the West to nowadays, from the “romantic” cowboy to the non-romantic at all riot police), but the oppression is always there, and it’s used always by the same oppressor. And we could extend this idea to every era, situation or geographic place.

Raging bulls foam for red rags, and red rags require expert guidance. The cattle longs to be driven.

An overcrowded and digitally leveled humanity is in dear need for a sense of significance. Who whines is fed hot air through a thick teat, which should be be enough to fill them up.

The poster deeply digs and creatively from the phenomenon of life, using graphics to show the last scene of people falling into the water asking for help, while the people close at hand are taking photos as a rubberneck, thus criticizing this strange phenomenon of “indifference”, hoping to wake up the people’s sense of social responsibility, and make it a social atmosphere to be brave and good.

Like the fish in the water we are in our safe and peaceful environment. The feeling of helplessness turns us into passive observers.

The case of Trayvon Martin, a 17 year old black teenager recently killed in Florida by George Zimmerman (an armed neighborhood watch captain) and the related comments about the dress codes of an especially black and Latin American youth illustrates how the Conservative mind in the U.S.A. works. Guns can never be the problem, so something else must be the problem.