“War and peace” is an eternal issue facing mankind in the past, present and future. At present, the conflict between Russia and Ukraine continues to intensify, and the potential “nuclear crisis” under the confrontation and arms race between major powers is touching Pandora’s box, and the alarm bell has already sounded. “Peace” requires the common wisdom of mankind…

Unter Verwendung eines heute doppeldeutig klingenden Meisner-Zitates aus den jährlichen Soldatengottesdiensten im Kölner Dom wird die Sakralisierung des modernen Kriegsapparates und zugleich die sexualisierte Gewalt in der Kirche ins Bild gesetzt. Erst ein genauer Blick – etwa auf den Verlauf der Soutanenknöpfe – erschließt die Abgründe der Bildmitte. Der priesterliche Amtsträger selbst ist gesichtslos, auf dem Hintergrund der liturgischen Farbe der Bußzeit dominiert ein Schwarz ohne Zukunft.

Who is deciding over rights?
Rights made for whom and by whom?
Can we categorize human beings by laws?
Is it sometimes just convenient to cling to paragraphs and thereby shirk responsibility?

When you are working in the creative industry for example, you probably love what you do. Being busy with your work all the time seems almost natural. The Poster is a little reminder that there are still other worlds you can enter.

One of Yoko Ono’s tips for self-care: Look at a screen and record its feelings. Stop working when the earth or the laptop gets too hot.

Water is considered a symbol of life. The waste of water reveals the danger of a total depletion of consumable water and the eventual death of mankind.

Lights off. Body twisted. One eye shut.
The nightly ritual begins.
Hours pass in silence, screen aglow—
until the spine curls, the neck stiffens,
and the eyes slowly forget how to look straight.
Not blind.
Just… committed to a different angle.

This poster is a call to action: Don’t look away. Don’t stay silent. Get involved. Getting involved doesn’t mean having perfect answers—it means taking a stand. Asking questions. Standing up. Raising your voice, even if it trembles. Don’t be intimidated. Get involved. Because silence is not an option.

A raccoon dog, skinned alive on a fur farm: Its screams separated from a sound track an visualized.

Ai Weiwei ist nicht nur ein kritischer Künstler, sondern in erster Linie ein Mensch. Wie kann es sein, dass ein Mensch ohne Anklage von einem Tag auf den Anderen von seiner Regierung verhaftet bzw. entführt wird? Warum erfahren wir nichts über seinen Aufenthaltsort? Warum werden fadenscheinige Gründe für seine Verhaftung angeführt? Mit meiner Arbeit möchte ich auf Willkür und Zensur gegenüber kritischen Menschen in China aufmerksam machen.

Over 70 years ago the fundamental human rights were enshrined by the United Nations for every human being on the planet – Yet almost everywhere around the world, women and girls are still denied them, often simply because of their gender. Ranging from the right to live free from violence and discrimination – including domestic violence, sexual assault, forced marriage, trafficking and awful practices such as female genital mutilation. To the right to be educated; to own property; to vote; to run for office; to earn an equal wage.

Digitalisation has changed our lives – and the way we communicate with each other. In some moments, it seems as if our mobile phones are making life really difficult for us. Then it’s just a matter of: heads up and smartphones down.

Queer is a collective term for sexual orientations that are not heterosexual, as well as any gender identities. As a queer person, you don’t have to follow all the stereotypical clichés of the scene. Be who you are.

Action und Panik haben sich im Nachrichtengeschäft schon immer am besten verkauft, ganz nach dem Motto “If it bleeds, it leads”. Was mich enorm stört, ist dabei jedoch die immer aktivere Rolle der Nachrichtensender, die sich längst nicht mehr auf die reine Berichterstattung beschränken. Statt nur zu beobachten, betätigen sie oftmals sozusagen selbst den Abzug – ohne Rücksicht auf Verluste.

This work uses fingers and animals to combine graphic creativity. Because of the destruction of the nature of human beings, the killing of living things, so the creatures continue to evolve, mutate into colorful colors, but also grow human hands, in an attempt to resist this evil. Hope to warn people not to kill animals, care about the current global environmental problems.

In a not too distant future everybody might be a drone’s target. With countless cameras and even weapons on board a drone might be worse than any insect you´ve ever felt disturbed by.
Once they decide to attack you it will most likely be too late for a court hearing. So watch out for this dangerous man-made species as there won’t be much we can do once they´ve grown.

Ein Zitat von Paul Ernst scheint mir ganz passend für mein Plakatmotiv zu sein. “Hass erzeugt Hass, aber nie will der Hass sich nach dieser Wahrheit richten. Wie man selbst seinen Mitmenschen begegnet, so begegnen diese einem selbst. Das ist die zentrale Aussage des Plakats.

Life in cities has become a question of financial status over recent years. Rent and property prices have increased way faster than wages have. At the same time new spaces are only scarcely created. More and more people are struggling to find an adequate place to live and this fact is further creating social divide. This is a real problem of our times.

The weapon of the western civilization is the surveillance. Nobody is safe – anywhere.

The political dialogue in Austria is on a very poor level these days.

The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

The concept of the poster was inspired by the philosophy of the absurd — the compulsive search for meaning where there is none. As we vainly seek wholeness, the elements of our reality are abstracted into smaller and smaller parts, until they become pervasive noise. The more we try to make sense of it, the more it becomes unintelligible. And yet, we try.

What are you doing in the front of your computer?
Chatting with people you don’t know?
Get the hell out of here and meet your real friends!

In the context of creation, this poster is about me: I’m angry at myself—angry that I’m not more angry at myself. But in the context of presentation, this anger turns on you. I’m angry at you for not being angry enough at yourself. And I’m probably angry at you now because you might not understand the concept behind this poster. We direct our anger outward, forgetting how hypocritical and unreflective that really is. It’s incredibly easy to point fingers at others instead of turning that anger inward. Ironically, this poster does exactly that.

Our knowledge is strictly defined by our education. If it is poor or based on stereotypes or dogmas we see the world around in a very restricted and simple way. The less you know, the less you see. Simple relations, simple solutions, simple goals. Sometimes the poorness of the mind is taken as a childish attitude. On the other hand childish way of understanding, the clean and uncontaminated perspective can possibly reveal obviousness of our mistakes and ambiguity of reality.

This poster can be regarded as ecological at first glance. The observer is a child and was told that trees are big and grow outside…

Nevertheless my aim was to go beyond ecology and show that something is really wrong in a much wider context. The real question is: Is the world we live in really the one we want to leave our children? The proper heritage to pass on…

Solutions instead of fighting and arguing!
In this work fighting men and women are compared with poultry. Problems shouldn´t be resolved through fighting, but peaceful consultation.

Wars deprive kids of the right to learn.

Tolerance doesn’t equal acceptance. It doesn’t require respect, empathy or a change of perspective, but rather indicates an imbalance of power. The tolerated person is being silenced. They are labelled.

The focus of my poster is beauty and how we deal with wild, urban nature, which flourishes in locations that are heavily influenced by humans (wasteland, old industrial areas). This so-called 4th nature does not fit into our classic concept of beauty due to its rampant and unadorned aesthetics and is often not given much attention. Nonetheless its heterogeneity enables one great biodiversity in urban areas and creates the opportunity to experience wild nature close to city-centers. However, these areas mostly only exist temporarily, as they fall victim to new construction projects in the course of urbanization and densification.

Trying to reach the other side of the Mediterranean Sea, hoping to find a better life, refugees often pay a high price; their own lives. They might reach another side, but a side, which does not have landing shores.