Not considering yourself a Nazi does not mean you’re allowed to be rassistic towards others in public. Same as the sentence „I don’t have anything against foreigners, but …“ often ends with the complete opposite opinion. This is a poster to remind all the concerned citizens on what the other people really think about their behaviour.

Our ice melts as fast as never before, mainly triggered by our massive Co2 output. Global warming has some serious consequences, such as the rapid melting of glaciers.

If we do not start to act environmentally conscious soon, our postponed problems will become existential fears in the future.

East meets West’ by Gorilla is a comment on the clash of Western and Middle East culture. In the West, there has been a lot of discussion about prohibiting traditional Eastern clothing like the burqa and the niqab. There seems to be a fear of the anonymous. On the other end of the scale, exhibitionism, voyeurism and pornography is becoming an increasingly dominant part of Western culture. One can question oneself what is more offending to the other.

Women have less legal rights so they become more often victims of violence. In many countries, in many areas there are no clear laws or regulations to punish domestic violence, although it is a common problem. Domestic violence is generally regarded as a private matter not to be accepted by national jurisdictions.

The poster design is inspired by “gravity”. The bullets fired by terrorists fly around the earth under the action of gravity, and finally hit themselves, so as to reflect the war starting from evil, and finally It’s still me who eats back.

A person is noticibly nervous and even frightened by what reveals itself on the table after the package is opened – the person is frightened so much that he or she almost does not dare to look at it.

My idea deals with the individual and his or her fear and unwillingness to accept personal responsibility for the (often brutal) truth in his or her own life. The opportunity to bear this responsibility reveals itself not only in difficult situations but also in seemingly trivial ones. I believe that avoiding your responsibility for the truth has severe individual and global consequences.

Ach wie schön ist doch die Freiheit
im selbst gewählten Käfig.

In 2015, women in the United States were paid roughly 79¢ for every dollar men were. While this image depicts one regional statistic, the broader objective is to call attention to the myriad injustices faced predominantly by women in the workforce. In addition to unequal pay, issues like sexual harassment, biased dress codes, and lack of paid and/or adequate family leave continue to plague workers throughout much of the world.

To some of the leaders of the world the idea of war is the same as the music notes which they play whenever they want without considering the consequences, and as a result, countless civilians and soldiers die without a reasonable cause!

Women are still oppressed and disadvantaged by men in the most diverse areas of life. In the family, as well as in the public and the world of work, they are affected by social inequalities, which are caused, among other things, by traditional roles and gender prejudices. Women are underrepresented in leading positions and more often than men have a passive, reserved role in the background. They are taken less seriously and less perceived and encounter significant obstacles in the ascension within the hierarchy.

Residential and commercial space has become a rare and expensive thing in cities. To achieve sustainable urban development one must properly handle resources, and this includes existing buildings. This is not a rational or social issue per say, but more a question of creating a space for fresh impulses. With the right amount of commitment, dedication and active involvement, we can create attractive new forms of utilization.

We must raise awareness of vacancy within the population of our cities, and this poster is designed to just that. The main message is aimed to make the issue up close and personal, by addressing us directly. The poster mourns the state of affairs, pressing us to change something about it.

Der Fleischkonsum ist so hoch wie nie. Jährlich werden Milliarden Tiere durch ein System geschleust, das sie möglichst effizient tötet und verarbeitet. Ethisch, ökologisch und gesundheitlich ist das höchst problematisch.

This poster is a call to action: Don’t look away. Don’t stay silent. Get involved. Getting involved doesn’t mean having perfect answers—it means taking a stand. Asking questions. Standing up. Raising your voice, even if it trembles. Don’t be intimidated. Get involved. Because silence is not an option.

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Three-quarters of all suicides are committed by men. This poster references the symbol of Mars—a circle with an arrow pointing diagonally upwards, used to represent masculinity. Here, the arrow also marks the entry point of a bullet.

Many of the things we wear are made by kids. Child labour is still an issue and can not be forgotten about. This what I want to draw attention to with my poster. Clothing sold in Germany may also be made by children. The dress I used is meant to show that no matter how beautiful an item may be, it might come from a place that is just the opposite.

Despite efforts to reduce plastics in households, the damage is already done, and the oceans are witnessing it. We must act soon and help our only home, the Earth.

Basic salary, tray, baptisms, weddings, funerals and carols – those are sources of priests earnings. But according to what they say, they earn as much as doctors and pay ten times lower taxes. That sound pretty good. Divine life!

Take a look at Poland these days, and you will see one scandal after another. Suppression and decay of democracy in the heart of europe.

Migration, unemployment & islamophobia: three of the current decade’s largest topics – especially in Europe. The poster, written from the perspective of a fictional Mohamed (the most common name in the world according to Wikipedia), highlights the bureaucratic and political difficulties of being a recently migrated foreigner seeking for employment: sitting in front of the typewriter, writing the same sentence over and over, slowly spiralling into madness and waiting for any future.

The concept of the poster was inspired by the philosophy of the absurd — the compulsive search for meaning where there is none. As we vainly seek wholeness, the elements of our reality are abstracted into smaller and smaller parts, until they become pervasive noise. The more we try to make sense of it, the more it becomes unintelligible. And yet, we try.

The end of an era narrated through the fall of a vincible superhero.
An icon of the 20th century showing his visual strength for the last time before the crash.
A logo immortalized in the moment, this means changes.

We create our own world.
Our little universe.
A world of self-centered individualists.

When the lie becomes the truth, propaganda celebrates its greatest victory.

The poster ICH/WIR sends a clear message in a time when social cohesion seems to be falling apart. The oversized, white “I” screams at us—loud, dominant, impossible to miss.
Only on second glance do we notice the tiny “WE” tucked into the bottom corner—quiet, almost invisible.

This work is a critique of growing social indifference, isolation, and the erosion of collective responsibility, all fueled by an increasing obsession with the self.
In a time when individual concerns often outweigh the common good, the poster reminds us not to lose sight of the WE.

Fake news is being a puppet of an unkown.

„Love your neighbor“ seems to have another meaning