Digitalisation has changed our lives – and the way we communicate with each other. In some moments, it seems as if our mobile phones are making life really difficult for us. Then it’s just a matter of: heads up and smartphones down.

A poster based on a motif taken from the classic pop album cover – Michael Jackson’s Bad. I was inspired by characteristic pose, the title of the record and the singer’s penetrating look. When I thought about the series of Bad Posters, it was the first, completely natural idea that came to my mind. Punk, anarchist use and transformation of an existing theme, taken from pop culture. I simplify motif, leave only black shape and mysterious look. I tried to create mysterious, slightly grotesque, dark image with high power, simplicity and use appearance of a cult and controversial vocalist.

I’m afraid. I’m afraid, My mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it. I can feel it. I’m a… fraid.

This work uses fingers and animals to combine graphic creativity. Because of the destruction of the nature of human beings, the killing of living things, so the creatures continue to evolve, mutate into colorful colors, but also grow human hands, in an attempt to resist this evil. Hope to warn people not to kill animals, care about the current global environmental problems.

BILD is a german newspaper, known for its unmistakable style of headlines. By using the same corporate identity, this poster shows the functioning of BILD: The sensationalistic articles are aiming to incite fear in society.

Being stuck in a fundamental inerrant religious pattern and therefore feeling infallible and unmistakable, prone to evading one’s responsibility.

The focus of my poster is beauty and how we deal with wild, urban nature, which flourishes in locations that are heavily influenced by humans (wasteland, old industrial areas). This so-called 4th nature does not fit into our classic concept of beauty due to its rampant and unadorned aesthetics and is often not given much attention. Nonetheless its heterogeneity enables one great biodiversity in urban areas and creates the opportunity to experience wild nature close to city-centers. However, these areas mostly only exist temporarily, as they fall victim to new construction projects in the course of urbanization and densification.

Right-wing populist parties in Europe have been gaining strength for years. Simple answers to complex questions turn them into stars of the modern age. This poster is an appeal: Don’t trust anyone blindly!

In recent months, the work of sea rescuers has been made incredibly difficult by the Corona pandemic. While inaction on one front ensured falling infection figures, missions on the Mediterranean came to a complete standstill at times. Many states even took restrictive measures against non-governmental teams of sea rescuers. Allowing people to die on the Mediterranean Sea in order to further the isolation of Europe and to fight political power struggles is intolerable and speaks against any humanity.

Do you really want to live in a surveillance state, giving up your privacy and freedom for pretended temporary security?

Rugged individualism is a common disease of our time. It is bound with selfishness and has many negative consequences at all levels. Excessive self-adoration leads to ignoring each other; each individual sees its own interests without consideration of the common good, while we live in a world, in which we are increasingly interdependent on each other.
To illustrate this idea, I chose to use an iconic image of pure beauty and transformed it thoroughly in order to create something monstrous. The belly button – is the center of the individual and moving it to the center of the Venuses face expresses this imbalance called “belly button gazing”.

Making pictograms visible in urban areas of feelings and thoughts of those who left their home countries and live in a new country is the aim of migrantas. Key elements and similarities between the experiences of migration are emerging after a careful analysis of drawings from various workshops. The central motifs are graphically and artistically implemented by migrantas in pictograms – a visual, understandable language for all.

This artwork uses the form of traditional Chinese ink painting to depict grapes made from grenades and barbed wire—symbolizing how the consequences of war bring only suffering and sorrow, like bitter fruit. This sharply contrasts the sweetness usually associated with grapes, merging two opposite sensations into one. It invites the viewer to “taste the bitter fruit of war”—a plea for peace and the avoidance of conflict.

Ein gutes Plakat braucht keinen Anwalt, obwohl es selbst sehr oft diese Rolle übernehmen muß, indem es z.B. Menschenrechte in Schutz nimmt“.

In the world every day many women are harassed and sexually abused, but they are silent for improper judgments​.

We’re living in the times when social norms are being reconsidered and broadened, which is amazing and promising. However, when I was reading articles about the widening definition of normal, I was thinking that there would always be individuals who wouldn’t fit into the new normal paradigm. I believe there is a catch in this discussion, by defining normal we are also highlighting our differences. So, the idea of this poster was to show that not belonging could be an incredible experience, too, and there was nothing abnormal with not being normal. The poster is a bit ironical, as the creature is setting its own tail on fire (or biting it, the interpretation is up to the viewers). The poster was hand-drawn with acrylic on paper.

Reicher Mann und armer Mann
standen da und sah´n sich an.
Und der Arme sagte bleich:
‚Wär ich nicht arm, wärst du nicht reich.’

(Bertolt Brecht)

The poster portraits the feeling of being overwhelmed by the rush of images, content and information on our mobile devices. Download, Loading, Overload!

Form Phallus Function is more than a pun – it points out and criticizes that architecture and design have been a male domain since ever. Simplicity in color and shape, inspired by the iconic bauhaus designs, hit the nail on the head and – in a charming and humorous manner – ridicule this ever lasting motto in design. Less women are never more!

A chimney blowing black smoke … it is causing global warming.

When the lie becomes the truth, propaganda celebrates its greatest victory.

The EU includes some of the wealthiest countries in the world and possesses abundant resources, knowledge, and prosperity. We consider ourselves democratic societies that uphold values such as human dignity, freedom, and equality. It is therefore our responsibility to devise improved solutions instead of resorting to aggressive push-backs at Europe’s external borders or mass accommodation in camps with inhumane living conditions. The right to live in a safe country should not be viewed as a privilege but as a fundamental human right.



In 2015, women in the United States were paid roughly 79¢ for every dollar men were. While this image depicts one regional statistic, the broader objective is to call attention to the myriad injustices faced predominantly by women in the workforce. In addition to unequal pay, issues like sexual harassment, biased dress codes, and lack of paid and/or adequate family leave continue to plague workers throughout much of the world.

The poster is based on the element of the fist, combined with the image of China’s national leader »Xi Jinping«. Xi Jinping is like a pioneer against corruption and wants to form an honest government and thus realizes the great dream of a powerful country.

Menschen neigen dazu, Schwächere zu ihren Gunsten auszubeuten. In jedem von uns steckt ein kleines Stück dieses Menschenpopcorn fressenden, gesichtslosen Monsters.

Ai Weiwei ist nicht nur ein kritischer Künstler, sondern in erster Linie ein Mensch. Wie kann es sein, dass ein Mensch ohne Anklage von einem Tag auf den Anderen von seiner Regierung verhaftet bzw. entführt wird? Warum erfahren wir nichts über seinen Aufenthaltsort? Warum werden fadenscheinige Gründe für seine Verhaftung angeführt? Mit meiner Arbeit möchte ich auf Willkür und Zensur gegenüber kritischen Menschen in China aufmerksam machen.

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The poster deeply digs and creatively from the phenomenon of life, using graphics to show the last scene of people falling into the water asking for help, while the people close at hand are taking photos as a rubberneck, thus criticizing this strange phenomenon of “indifference”, hoping to wake up the people’s sense of social responsibility, and make it a social atmosphere to be brave and good.

So often there is talk about the “equality” of men and women. However, the reality is quite different. Because women are still oppressed in many areas of society, the line on the playing card that normally divides the card into two equal parts slips down in my design. The woman feels constrained and tries to fight back, while the man, like a king, proudly rests on his privileges. The suits of spades and clubs stand anciently for the nobility and the peasantry and are meant to emphasize the statement again.

Being selfcentered harbours the risk of not being able to understand other viewpoints and positions.