The priest’s penis winds in treacherous christianity around its shelter. It covers criminals, blurres offenses and surpresses its pilgrimage victims. It preaches old concepts of misleading care and assured damnation in foul innocence. Free yourself from sin and bid welcome god’s seed, for that it thrives its roots in you.

The AfD and its members are primarily known for their right-wing, racist, fascist, and inhumane statements. Statements reminiscent of the Nazis. For this reason, the arrow in the AfD logo was slightly altered, adapted, and colored brown. This clarifies what the AfD really is. Brown shit.

Facebook wird immer mehr zu einem festen Bestandteil alltäglicher Kommunikation, doch wird dieses soziale Netzwerk oft eher unreflektiert genutzt. Neben anderen negativen Aspekten fiel mir vor allem die dortige Definition und der Umgang mit dem Wort »friend«, also »Freund« auf. Funktioniert Facebook nicht unter anderem, wie der Name schon sagt, als »Gesicht(sammel)buch«? Wie viele Menschen in seiner Freundesliste kennt man wirklich?

May all the love you’ve given away come back to you soon!

The background why I created it: The most of people in the world long for a peaceful and happy life without guns and blood. But to be the different Union there are different conflicts of interest, in this situation, some super nations arbitrary interfere others. For example the Iraq War 2007 and today’s Syrian War.

Unter Verwendung eines heute doppeldeutig klingenden Meisner-Zitates aus den jährlichen Soldatengottesdiensten im Kölner Dom wird die Sakralisierung des modernen Kriegsapparates und zugleich die sexualisierte Gewalt in der Kirche ins Bild gesetzt. Erst ein genauer Blick – etwa auf den Verlauf der Soutanenknöpfe – erschließt die Abgründe der Bildmitte. Der priesterliche Amtsträger selbst ist gesichtslos, auf dem Hintergrund der liturgischen Farbe der Bußzeit dominiert ein Schwarz ohne Zukunft.

These days parents are very busy. They are tied up at their works. So they can’t pay enough attention to their children. Kids need to play and get attention, but who can give it to them? The tired and angry parents after a hard day? No. It doesn’t sounds good. So the only one who can play with them is their computer with its exiting games and web sites. But are all of the games and websites safe for the little children? Do the parents know anything about the virtual world, in which their children drown? If just one parent could image their kid in the virtual world as this little boy watching this poster is enough.

To grin and bear it.

My poster represent the fear that children feels when they are abused from their own fathers. The poster is like the shoe of the father when he is coming home and at the same time is like the door of the home with the afraid eyes of the child.

Despite great progress in equality between man and woman in everyday life a woman is often confronted and degraded in the planning of her future and career or in the family circle with outdated gender thinking.
This poster is a play on words with sexist elements that degrades a woman on the role of a housewife and a sex object. The poster “Ironing and getting ironed” is an exaggerated confrontation with the still often disparagingly rated life of a woman.
The woman irons well-behaved the laundry and indicates at the same time by her bare breasts that she can always be ironed. “Ironed” is a German dialect meaning: “Getting fucked”.

In the context of creation, this poster is about me: I’m angry at myself—angry that I’m not more angry at myself. But in the context of presentation, this anger turns on you. I’m angry at you for not being angry enough at yourself. And I’m probably angry at you now because you might not understand the concept behind this poster. We direct our anger outward, forgetting how hypocritical and unreflective that really is. It’s incredibly easy to point fingers at others instead of turning that anger inward. Ironically, this poster does exactly that.

Our knowledge is strictly defined by our education. If it is poor or based on stereotypes or dogmas we see the world around in a very restricted and simple way. The less you know, the less you see. Simple relations, simple solutions, simple goals. Sometimes the poorness of the mind is taken as a childish attitude. On the other hand childish way of understanding, the clean and uncontaminated perspective can possibly reveal obviousness of our mistakes and ambiguity of reality.

This poster can be regarded as ecological at first glance. The observer is a child and was told that trees are big and grow outside…

Nevertheless my aim was to go beyond ecology and show that something is really wrong in a much wider context. The real question is: Is the world we live in really the one we want to leave our children? The proper heritage to pass on…

This poster highlights the privilege and advantage some people are born with. Dice are the ultimate symbol of chance—once thrown, no one can control the outcome, and it seems like everyone has equal odds. But in reality, some people play with better odds than others—without merit, effort, or achievement.

The poster represents the contradiction between the Mediterranean sea as a holiday destination for people living in well-being and the sea as a place of death for the refugees and the desperate who cross it in search of a better life. On the inflatable mat of a charming pink a white woman sunbathes with sunglasses indifferent to corpses on the seabed. In the same way the well-being of the first world floats on the exploitation of the poorest areas of the world.

This poster brings visibility to what the world often tries to hide: homelessness, slums, and favelas. Thousands of such places exist worldwide—pushed to the margins of society.
I used bold colors and layered compositions to symbolize cramped, overcrowded living. The limited poster size reflects the lack of space; overlapping rectangles mark the tiny areas people are forced to live in. The scattered typography represents people in motion—searching for stability and believing in a sustainable future. This work is a call to look closer—because behind every makeshift home, there is a human being.

In our society pharmaceuticals are taken for granted and therefore consumed thoughtlessly. We should give more thought to their effect on society and our own quality of life. Do we really want to get older and older? The poster is also an allusion to Niklaus Stoecklins poster for Gaba in 1927.

This poster is commenting on the adverse consequences of overfishing and overhunting for human gratification, which often results in the critical endangerment of certain species and puts biodiversity in grave danger.

In this absurd and strange situation worlds collide. On the one hand you see tourists, looking for pleasure and relaxation and on the other hand refugees, risking their lives to escape war, persecution and distress. A scene where suffering of the „aliens“ cannot be ignored. The question is, however, why a legal and secure entry is not allowed to such people seeking protection.

Tolerance doesn’t equal acceptance. It doesn’t require respect, empathy or a change of perspective, but rather indicates an imbalance of power. The tolerated person is being silenced. They are labelled.

The old saying »throwing the baby out with the bath water« describes situations in which we take much too drastic actions than necessary.

This artwork uses the form of traditional Chinese ink painting to depict grapes made from grenades and barbed wire—symbolizing how the consequences of war bring only suffering and sorrow, like bitter fruit. This sharply contrasts the sweetness usually associated with grapes, merging two opposite sensations into one. It invites the viewer to “taste the bitter fruit of war”—a plea for peace and the avoidance of conflict.

An idea about forced marriage, sexual slavery and gender domination.

The case of Trayvon Martin, a 17 year old black teenager recently killed in Florida by George Zimmerman (an armed neighborhood watch captain) and the related comments about the dress codes of an especially black and Latin American youth illustrates how the Conservative mind in the U.S.A. works. Guns can never be the problem, so something else must be the problem.

Concerns profit, people lose.

We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”

You are filled! Sober up!

Look fast, think fast, eat fast, live fast and die fast.

No description!

Peace talks with adversaries like Vladimir Putin are like playing Russian roulette.

Stomach and brain are strictly connected, and every sensorial experience is assimilated and transformed into emotions by those two essential parts of our organism. For this reason, every time we feed our body we also feed our soul.