Cities all over the world are becoming more and more invisible. They become invisible because of the smog we create to reach ever higher goals. But the smog destroys the basis of living and everything gets ugly and we grow ill – until we can’t see each other anymore.

Currently humanity has almost lost its battle against social media. In permanent contact with the intense information flow our personality is being completely erased.

Fake news is being a puppet of an unkown.

There are so many problems in this world that need our attention and will to change. But we focus on a poor group of people fleeing violence and war, whilst our society is being dismantled by powerful interest groups and our environment is going down the drain for profit of the very same groups. We need to focus instead of listening to self-invested politicians and profit oriented media. We also tend to forget that everything is connected and all the issues can not be seen individually – but together. Most of the blurred words amongst others are direct causes for the refugees in focus.

According to Wikipedia, there are more than 30 ongoing military conflicts all over the world – excluding riots like the current ones in Turkey. Most of the conflicts are still faded out from public attention, even though social media puts us into the position of observers and confidants.

Despite efforts to reduce plastics in households, the damage is already done, and the oceans are witnessing it. We must act soon and help our only home, the Earth.

The poster deeply digs and creatively from the phenomenon of life, using graphics to show the last scene of people falling into the water asking for help, while the people close at hand are taking photos as a rubberneck, thus criticizing this strange phenomenon of “indifference”, hoping to wake up the people’s sense of social responsibility, and make it a social atmosphere to be brave and good.

The motive: the periodical capitalist crisis dramatic shows, that for this profit economic system of the human being is disposable, the life of millions is a throwaway to “save” a tiny group of banks and companies.

With my piece, I wanted to make a layout that could give a distant feeling of what it’s like to suffer from the disease. As a visual realization, especially in background with the contest for Mut zur Wut, I was looking for a way to bring the topic to an understandable point and with the help of which you can put yourself a little bit into the depressive state. My experiences with depression have led me to make a personal contribution to this topic. On the one hand, I wanted to tell those affected that they are not alone with their feelings and to give people who find it difficult to put themselves in this position a visual clue: Look, the world is hidden behind it (or a good poster;-), but it is not available to you. Be brave! Talk about it.

Menschen neigen dazu, Schwächere zu ihren Gunsten auszubeuten. In jedem von uns steckt ein kleines Stück dieses Menschenpopcorn fressenden, gesichtslosen Monsters.

We need to find solutions for making sure that no children are excluded from schooling, educative systems, poverty alleviation, human rights.

Immanuel Kant, Voltaire, David Hasselhoff, Joachim Gauck, James Doakes, …

Sei westlich – Sei verschwenderisch! 
Der gedankenlose Umgang mit unserem Essen ist nicht nur ein aktueller Trend, sondern hat eine lange Tradition in unseren Breitengraden. Bereits im Barockzeitalter wurden die Menschen durch die Lebensmittelsymbolik in sogenannten »Vanitas-Stilleben« ermahnt, ihre Essensgelüste zu mäßigen. An jener Maßlosigkeit hat sich aber nicht viel geändert. Wir leben heute in einem wahren Schlaraffenland: Eine Auswahl in XXL, 24/7 verfügbar, das Beste, das Neuste, immer frisch, immer billig. Und was wir nicht aufessen können, das schmeissen wir halt weg.

In our society pharmaceuticals are taken for granted and therefore consumed thoughtlessly. We should give more thought to their effect on society and our own quality of life. Do we really want to get older and older? The poster is also an allusion to Niklaus Stoecklins poster for Gaba in 1927.

The background why I created it: The most of people in the world long for a peaceful and happy life without guns and blood. But to be the different Union there are different conflicts of interest, in this situation, some super nations arbitrary interfere others. For example the Iraq War 2007 and today’s Syrian War.

At a time when society is divided by global challenges, right-wing populists often come up with simple solutions, not aimed at the complexity of the problem at hand but at peoples fears and worries. Rising refugee figures have stirred a debate in Germany in 2016, thus being a catalyst for the party “Alternative für Deutschland”.

Peoples insecurities and resignation in politics have led to electoral success of the party in question.

Migration, unemployment & islamophobia: three of the current decade’s largest topics – especially in Europe. The poster, written from the perspective of a fictional Mohamed (the most common name in the world according to Wikipedia), highlights the bureaucratic and political difficulties of being a recently migrated foreigner seeking for employment: sitting in front of the typewriter, writing the same sentence over and over, slowly spiralling into madness and waiting for any future.

Tens of thousands of refugees are on their dangerous journey across the Mediterranean Sea to Europe. In recent years, the number of »boat people« has increased drastically, and with it the number of drowned refugees. The »SOS« sign on the horizon of the Mediterranean Sea is a call for help and a bearer for hope at the same time and requires support.

After hearing the news that “Japan is going to dump nuclear waste water into the Pacific Ocean”, I believe everyone’s mood and expression in the world are just like this poster, dazed and anxious… This expression has been integrated with the spread of nuclear waste water in the Pacific Ocean, so as to warn the whole mankind to resolutely oppose this behavior.

“Fisches Nachtgesang” poem by Christian Morgenstern

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The main element of the poster is a gradient which uses all the main political parties colors. These are Patres which have already been part of the German government, and have a good chance of becoming pat of it again. Above the gradient stands „Wähl:“, which means “vote:”. The way the colors fade into each other is meant to symbolize the overlapping political ideals of each party.

Who is deciding over rights?
Rights made for whom and by whom?
Can we categorize human beings by laws?
Is it sometimes just convenient to cling to paragraphs and thereby shirk responsibility?

By law we are free. Free to decide to accept an offer and use it or not. This freedom of use is not permitted by the GEZ, in this case we are forced to pay for something whether we use it or not.

This poster highlights the privilege and advantage some people are born with. Dice are the ultimate symbol of chance—once thrown, no one can control the outcome, and it seems like everyone has equal odds. But in reality, some people play with better odds than others—without merit, effort, or achievement.

Take a look at Poland these days, and you will see one scandal after another. Suppression and decay of democracy in the heart of europe.

Do not make meticulous care to be their cage.

This poster was made to denounce the concept of corruption. It is a personal vision on monopolistic practices, an analogy between industry and the monarchy where there is a single leader.