Daniela Müller
Sondtrack
A raccoon dog, skinned alive on a fur farm: Its screams separated from a sound track an visualized.
Germany
2016
Marula Di Como & Florencia Young
Jobs for migrants
Making pictograms visible in urban areas of feelings and thoughts of those who left their home countries and live in a new country is the aim of migrantas. Key elements and similarities between the experiences of migration are emerging after a careful analysis of drawings from various workshops. The central motifs are graphically and artistically implemented by migrantas in pictograms – a visual, understandable language for all.
Germany
2013
Hendrik Schwab
We are!
We are the people! (Wir sind das Volk!) The chants of the german reunification were the term for the peaceful break, now they are used by racist movements to demonstrate clumsy pure hatred:
“We are full (Wir sind voll), there is no space for refugees, no space for new ideas. We are full of fear of the unknown, full of the wrong answers to the wrong questions.”
You are filled! Sober up!
Germany
2016
Artur Steinke
Smartsucker
With our Devices we are just one click lick away from the Instant gratification, the problem is we are trapped in this loop. Be Independent, Be the Change.
Germany
2018
Michał Stachacz
City
This poster combines two familiar symbols: the disability icon and a city road sign.
The city skyline stands for broken, inaccessible public spaces—potholes, crumbling sidewalks, steep curbs, and the absence of smooth pathways. The person in the wheelchair is trapped in it.
Poland
2025
Vanessa Göttle
Photo with Dad
men cry,
women masturbate,
men can use makeup,
women age,
men can wear dresses,
women must not want children,
men are vulnerable,
women can get violent,
men can love men,
women can love women,
men can like pink,
women can have body hair,
men don’t have to be muscular,
women don’t have to be thin,
men don’t have to love sex,
women can be good bosses
…
Germany
2021
Clarissa Becker
Müllfisch
In einem riesigen Strudel im Nordpazifik kreisen derzeit etwa drei Millionen Tonnen Kunststoffabfälle – Tendenz steigend. Neben den unmittelbaren und offensichtlichen Folgen für die Tierwelt sind die langfristigen Folgen für den Menschen, der am Ende der Nahrungskette steht, derzeit noch nicht geklärt. Fest steht: Dieser Müll bedroht das sensible Ökosystem der Meere und die Tiere, die in ihm leben und trotzdem auf dem Teller landen.
Germany
2011
Lewin Harnisch
Eat the filthy rich
As the gap between rich and poor keeps growing, the wealthiest percentage of the global population gains more and more influence and power. This imbalance plays out not only in financial terms but across all aspects of social life.
In response to these injustices—especially in times when figures like Donald Trump are considered “the most powerful man in the world”—more and more people are taking to the streets. One slogan of this resistance: Eat the [Filthy] Rich—a call to action against excessive wealth and capitalism that dates back to the French Revolution.
Germany
2025
Steffen Bergemann
Fair play – FUCK OFF
Die Idee für mein Plakat entstand während der Präsidentschaftskandidatur Sepp Blatters für eine vierte Amtszeit als FIFA-Präsident.
Die FIFA stellt sich gerne als völkerverbindender, die Kulturen einender, Global Player dar. Was hinter verschlossenen Türen geschieht, hat allerdings nichts mit einem weltoffenen Unternehmen zu tun. Skurrile Entscheidungen werden von einem erlesenen Kreis von Funktionären getroffen: Die WM-Vergabe an Katar oder der Bau riesiger Stadien ohne nachhaltigen Nutzen für die Bevölkerung Südafrikas sind Beispiele dafür. Hier scheint es nur um das schnelle Geschäft und um maximalen Profit zu gehen. Die Korruptionsvorwürfe wollen nicht verstummen. Doch Kritik wird nicht geduldet, das System um jeden Preis erhalten.
Die Idee des globalen FAIR PLAY wird zum leeren Marketingversprechen. FUCK OFF ist meine Antwort darauf. Sie steht gleichzeitig für die Haltung der FIFA ihrem eigenem Claim gegenüber: Blatter hat ihn zu einer zynischen Worthülse degradiert.
Germany
2011
Lilia Kraus
What a wonderful world
This poster was designed to show the double moral in treating animals.
Kids are raised by their parents with books showing cute farm animals and happy people.
A wonderful world is presented to them, in which people and animals live in harmony.
On contrary the cute little pigs, sheep, and chicken are not given any second thought when they make it onto our bread for breakfast or into our dishes for lunch and dinner. We live in an illusion of a harmonic world created by ourselves, keeping our eyes shut for the harm that is done to animals.
Germany
2014
Niklaus Troxler
You are unique!
Many Internet, Facebook and Twitter users are reckless and irresponsible with their personal data. The consequences are often devastating.
Switzerland
2014
Henning Ramke
Every museum, everywhere, all the time.
If one visits an art exhibition in 2023, one gets the impression that the majority of visitors spend their time creating a reproduction of the work with their smartphone or camera.
According to a study, visitors spend an average of 27 seconds in front of a work of art. But seeing a work of art, understanding, reflecting on it, and appreciating all the sensory perceptions that only the immediate experience can provide takes time.
Take your Time.
It’s worth it.
Germany
2023
Kristina Wedel, Bartholomäus Zientek
Polskandal
Take a look at Poland these days, and you will see one scandal after another. Suppression and decay of democracy in the heart of europe.
Germany
2016
Edyta Kurc
Golden Boy
Basic salary, tray, baptisms, weddings, funerals and carols – those are sources of priests earnings. But according to what they say, they earn as much as doctors and pay ten times lower taxes. That sound pretty good. Divine life!
Poland
2016
Jennifer Barth
Work, work, build a house
My poster explores the absurdity of a life centered almost entirely around work—caught in the daily grind of a labor-driven society where we rarely ask why we do what we do.
Instead of living, we simply function, day in and day out, following the motto: Work, work, build a house.
The central image is based on a photograph I took in Reykjavík, Iceland—of a stone statue with a massive boulder crushing its head. To me, it symbolizes the weight of societal expectations. I colored it pink in my poster—representing the illusion we often live in, trapped in a bubble of labor, consumption, and conformity.
Germany
2025
Fabian Blobel
Happy Earth Pissing
I tried to approach the themes destruction of environment and globalization in a funny way.
Germany
2015
André Baldinger
Aktion
Switzerland
2010
Barbara Grobe
Ai WeiWhy
Ai Weiwei ist nicht nur ein kritischer Künstler, sondern in erster Linie ein Mensch. Wie kann es sein, dass ein Mensch ohne Anklage von einem Tag auf den Anderen von seiner Regierung verhaftet bzw. entführt wird? Warum erfahren wir nichts über seinen Aufenthaltsort? Warum werden fadenscheinige Gründe für seine Verhaftung angeführt? Mit meiner Arbeit möchte ich auf Willkür und Zensur gegenüber kritischen Menschen in China aufmerksam machen.
Germany
2011
Timo Meyer
Dumping kills
Quality has it’s price. “The cheaper the better” devalues work, talent and good quality products. Food for a few cents, a shirt for 5 and a logo design for 20 Euros – predatory pricing, price dumping (and connected to that wage dumping) kills quality and businesses.
Germany
2014
Benjamin Rein
Facepunch
What are you doing in the front of your computer?
Chatting with people you don’t know?
Get the hell out of here and meet your real friends!
Germany
2011
Max Hathaway
Dummy
Do what you want, devil may care, other people are none of my business.
Germany
2017
Rongxiang Lin
Help me
The poster deeply digs and creatively from the phenomenon of life, using graphics to show the last scene of people falling into the water asking for help, while the people close at hand are taking photos as a rubberneck, thus criticizing this strange phenomenon of “indifference”, hoping to wake up the people’s sense of social responsibility, and make it a social atmosphere to be brave and good.
China
2021
Philipp Möckli
Homo Pharmacon
In our society pharmaceuticals are taken for granted and therefore consumed thoughtlessly. We should give more thought to their effect on society and our own quality of life. Do we really want to get older and older? The poster is also an allusion to Niklaus Stoecklins poster for Gaba in 1927.
Switzerland
2013
Thomas Steiner
Consume
The poster is a critique of the present consumer society and its impact on the individual as an end user.
Switzerland
2019
Philipp Niemeyer
I can´t see you anymore
Cities all over the world are becoming more and more invisible. They become invisible because of the smog we create to reach ever higher goals. But the smog destroys the basis of living and everything gets ugly and we grow ill – until we can’t see each other anymore.
Germany
2017
Lena Thomaka
Monosanto
Worldwide, more and more industrial farming is carried on. Regardless of risks to man and nature monocultures are used from genetically modified seeds. Monsanto is heavily involved in this development. The agricultural chemical company is a global leader in biotechnology and has 90% of the patents of the currently cultivated genetically modified organisms.